| | Mannequin Depressives Trash-Eighty CD Mannequin Depressives Discography of CDs
The electronic roots of post-punk Europe are proudly displayed on "Trash-Eighty," the debut release from the Canadian-based underground electro outfit, MANNEQUIN DEPRESSIVES.Since their conception in 1999, MD has created a project that puts a modern spin on the classic new-wave aesthetic, by combining elements of synthpop, electronica, art-rock, and industrial. The results of this unique combination can be heard on the group's debut album, "Trash-Eighty."Not just for industrial fans or electro-purists, "Trash-Eighty" assaults your senses with a unique combination of abstract sonic experiments and well-crafted, addictive melodies. Whether it's the aggression of "Autofire," the synthpop shadings ... Trash-Eighty Music | List Price | $11.38 (You save $1.29) | | Category | R&B Albums, Electronica CDs, Dance | | Label | Klankboom Productions | | Orig Year | 2001 | | CD Universe Part number | 7172726 | | Catalog number | 27063 | | Discs | 1 | | Release Date | Aug 27, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 67 minutes |
Mannequin Depressives Trash-Eighty Songs | 1. | Trash-Eighty |
| 2. | Headspace |
| 3. | Autofire |
| 4. | No Fun |
| 5. | And It Belongs to You |
| 6. | Break |
| 7. | Images |
| 8. | Sunday Song, The |
| 9. | Cyberdelic |
| 10. | Portal |
| 11. | What Happened? |
| 12. | Reach |
| 13. | Untitled |
| 14. | Electronic Tonalities |
|
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Purchase Trash-Eighty CD To buy, Click on price to add to cart | Justin Bieber My World CD (2009) Enhanced CD
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"Guilty Conscience" was nominated for the 2000 Grammy Award for Best Rap Performance By Duo Or Group.
"Forgot About Dre" won the 2001 Grammy Award for Best Rap Performance By A Duo Or Group. DR. DRE 2001 was nominated for the 2001 Grammy Award for Best Rap Album. "The Next Episode" was nominated for the 2001 Grammy Award for Best Rap Performance by a Duo or Group.
"Still D.R.E." was nominated for the 2000 Grammy Award for Best Rap Performance By A Duo Or Group.
With 2001, Dr. Dre has managed to do the seemingly impossible: resurface yet again after a five-year disappearance from the rap game, and shatter all expectations. The first two tracks lull the listener into thinking this is going to be a mellow, G-funk outing, but when the piano loop and beat commence in "Still D.R.E.," it's obvious Dre is still light years ahead of the rest. The seemingly disparate styles of guest artists MC Ren, Snoop Dogg, and Eminem are all unified by Dre's singular musical vision.
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Originally released on T-Neck Records. Includes liner notes by Virginia Prescott.
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'OMNIALITY' - DELUDERRelease Date - 1st August 2005 - Deluder RecordsAccording to deluder 'Omniality' is 'the state of combining all things' and his stunning debut is just that: illustrating genres and scenes don't have to be as closely segregated as they often seem. He's a producer who'd love to avoid being pigeonholed, but does he really think it's possible? "People feel the need to categorize music" admits deluder "which I can understand, but sometimes it isn't the most constructive thing you can do for a artist, label, club or scene. I aim to get people saying 'yeah, but deluder makes house, progressive, breaks and chill too, not just trance!', which is true, but realistically most people will probably think of 'Omniality' as a trance album - because it's so damn melodic. I guess that's the one common theme throughout."'Omniality' goes through plenty of styles and influences, kicking off at 132bpm, peaking at 140bpm and dropping down to 100bpm at completion - taking the listener though a wide spectrum of grooves, beats, moods and emotions. You start to wonder where the influences come from?"'Omniality' wasn't written as a concept album or anything like that, it's just the way I think. The way I feel music. When people say 'I love breaks' or 'I love trance' I say 'I love electronic music'. I've gone to so many different events - raves / clubs / festivals / house parties / squat parties and listened to so much music, as both a punter and as part of my work, that being open minded to music is intrinsic to me. That doesn't mean I'd go to a club like Space with a glowstick, it just means I don't close my mind to another style of music just because I feel a connection to a particular scene. I couldn't write a album in a single genre - I'd get extremely bored."DELUDER BIOBy the time deluder [or Danny Holness to his Mum] started High School in 1992, electronic dance music culture in Perth was emerging from the underground. Inspired by the embryonic dance music he was hearing, Danny started collecting raves tapes such as Fantazia and Earthquaker. Despite this early love Danny didn't join the chemical generation until he reached nineteen, discovering dance music once again in the form of Detour at the Globe - voted 'Perth's Best Clubnight In 1999'.In March 2001, after two years of solid partying and a year of relentless dance music journalism, during which he interviewed the likes of Paul van Dyk, Sander Klienenberg, Nick Warren, Dave ...
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