| | Heathers Gone Again CD Heathers Gone Discography of CDs
The bass player of Heathers Gone, Mark Cady, is now working on a new project. The band is called PURE. You can check it out on their website, www.myspace.com/pureThe guitar player of Heathers Gone, Andy Grush, is now working as a Producer/Composer for Grushmusic Inc.Contact info: andy@grushmusic.com & www.grushmusic.com Again Music | Category | Rock/Pop Albums, Rock CDs, Hard Rock | | Label | Heathers Gone | | Orig Year | 1995 | | CD Universe Part number | 7177288 | | Catalog number | 49074 | | Discs | 1 | | Release Date | Nov 12, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 37 minutes |
Heathers Gone Again Songs | 1. | Take Me |
| 2. | Don't Tell Me |
| 3. | Red Door |
| 4. | Floor, The |
| 5. | Letter |
| 6. | Star |
| 7. | Almost 2 |
| 8. | Mick |
| 9. | Let Me Out |
| 10. | Strange |
|
Again Review
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Purchase Again CD To buy, Click on price to add to cart | Adam Lambert For Your Entertainment CD (2009)
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With Adam Lambert, American Idol finally got a finalist who was completely, utterly contemporary, aware of what's hip in music and culture and aware of how music is made and consumed in 2009, never seeming to try to follow fads or set trends, just embodying the time. Mercifully, he came in second to Kris Allen, for if he came in first he may have had to tame his self-styled glamazon ways. A second place finish allowed Lambert to come out of the closet and indulge in his penchant for theater on his debut, For Your Entertainment -- which isn't quite the same thing as camp, for if Adam Lambert is anything, he's earnest about his dress-up, never winking at the audience because he doesn't think there's much funny about his glitter and mascara: that's just what pop stars are supposed to do. He's learned that by listening to his stacks of Queen and Bowie records, from watching old MTV videos on YouTube, from living in a present that always competes with the ever-present past, so he takes it all at face value, mixing up arena rock guitars, new ...
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Track Listing of songs: DISC 1: JANUARY 17, 1970 FIRST SHOW: Start Of Show; Roadhouse Blues; Ship Of Fools; Break On Through; Tuning/Breather; Peace Frog; Blue Sunday; Alabama Song; Back Door Man; Love Hides; Five To One; Tuning/Breather; Who Do You Love; Little Red Rooser; Money; Tuning/Breather; Light My Fire; More, More, More; Soul Kitchen; End Of Show; DISC 2: JANUARY 17, 1970 SECOND SHOW: Start Show 2; Jim "How Ya Doing?"; Roadhouse Blues; Break On Through (To The Other Side); Ship Of Fools; Crawling King Snake; Alabama Song; Back Door Man; Five To One; Pretty Neat, Pretty Good; Build Me A Woman; Tuning/Breather; Who Do You Love; Tuning/Breather; Wild Child; Cheering/Tuning; When The Music's Over; DISC 3: JANUARY 17, 1970 SECOND SHOW CONTINUED: Tuning/Breather; Light My ...
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"Little" Louie Vega and Kenny "Dope" Gonzalez, the duo who collaborate as the Masters At Work production team and are the musical guides for NUYORICAN SOUL have made a career out of pollinating dance floors with funky sounds for nearly two decades. Funk, jazz, house, R&B, hip-hop and a slew of Afro-Latin-scented rhythms are just some of the ingredients in their clubland stew, and their ability to consistently move the crowd is the chief reason the two have long thrived as DJs and producer on both sides of the Atlantic.
Jazzy improv is at the heart of all the tracks, whether on the pure around-the-horn solo spotlights handed out to Tito Puente's all-star ensemble ("MAW Latin Blues"), in George Benson's guitar
Additional personnel includes: George Benson (vocals, guitar); Jocelyn Brown, India (vocals); Ira Segal (guitar); Anthony Posk, Melvyn Roundtree (violin); Kathleen Carroll (viola); Dave Valentin (flute); David Sanchez (saxophone); Edward Golazewski (baritone saxophone); Charles Sepulveda (trumpet); Richard Swartz (French horn); Steve Turre (trombone); Richard Genovese (bass trombone); Hilton Ruiz (piano, Hammond B-3 organ); Eddie Palmieri ...
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SongwritingIn 1991, Tom Breiding, a native of Wheeling, WV residing in the Pittsburgh area, became a staff writer for Tom Collins at Collins Music Corporation, in Nashville. At the time, Tom Collins was the largest independent publisher on Nashville's storied Music Row and had been responsible for launching the careers of Barbara Mandrell and Ronnie Milsap. His exclusive publishing deal with Tom Collins allowed Tom to collaborate and form lasting relationships with several hit writers, artists, and publishers while developing his skills as a writer. The resulting catalog of Tom Breiding songs was purchased by Acuff Rose/Opryland Music in November, 1999.PerformanceAfter ...
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Music is the by-product of a deeper purpose. Out of subconscious, experience, and the need to defend certain values, it is a bastion for the soul. - UnknownThe music of Bastion does serve a deeper purpose. Lead singer and bassist Brad Wilkins states "Our music reaches out to kids in high school, kids moving on to college, to kids in gangs and cults. It touches people who are searching, people who are pissed off - about life, about work, about not having enough money or enough sex. These are people who know about rejection. How do we communicate with them? We do it through our music."Drummer Greg Slone adds, "Our music can be dark, tortured and angry, but it can also be energetic, powerful and uplifting. As in life, we explore and exploit the reality of many different moods."Bastion was formed in 2001 by Brad Wilkins and Greg Slone. The two had worked together in the mid 90's in the rock band Havoc 9, and made a strong connection as performers and songwriters. The addition, in 2002 of Slone's long-time friend, guitarist Don Gauck, completed the lineup. "We're always on the same page whether we are talking about music, philosophy or business. There's a mutual respect between the three of us so compromise and sacrifice is never an issue." says Gauck.The members of BASTION share a level of experience, training and camaraderie that is unique in the rock music industry today. The history these three share, their attention to detail and their degree of talent allows them to combine the best of various musical styles, but mostly the genres of hard rock and punk rock into the BASTION sound. Influences ranging ...
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