| | Inspirience Extended Play CD Inspirience Discography of CDs
Extended Play Music | Category | R&B Albums, Rap CDs | | Label | Inspirience | | Orig Year | 2005 | | CD Universe Part number | 7178494 | | Discs | 1 | | Release Date | Apr 29, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 19 minutes |
Inspirience Extended Play Songs | 1. | Inspirience |
| 2. | Some Folks |
| 3. | Familiar |
| 4. | Plaitin' Um |
| 5. | And One |
| Extended Play Review
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Purchase Extended Play CD To buy, Click on price to add to cart | Whitney Houston I Look To You CD (2009)
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| | Whispers Live From Las Vegas DVD (2007)
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$12.19 This DVD is part of a "Home to Car" media pack. Those who want to listen can pop the CD (Also available for purchase separately) into their automobile's CD player, and those who want to see the performance can watch on this DVD/Video in the comfort of their home. For the ...
| | B Rich 80 Dimes CD (2002)
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$10.25 Rapper B Rich may not be from a hip-hop hot spot like New York or L.A., but the Baltimore-based artist has no need to align himself geographically in order to make his case as a vital performer. For one thing, 80 DIMES one-ups many of its contemporaries just by being downright funky, something many too-clever hip-hop producers tend to overlook. Just the rhythm track alone on "Showtime," for example, something of a cross between New Orleans R&B (courtesy of a well placed Meters sample) and a Bo Diddley beat, is as ...
| | Sik Da Don Sikosa 2,190 Days & Still Breathin' CD (2005)
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$14.79 SlumLord Music Group proudly presents SIK DA DON SIKOSA: 2,190 Days & STILL BREATHIN'The album which was recorded in Detroit, Toledo and Atlanta has been Marquis Devilin Turner aka Sikosa's solo opus into the rap game...6 years, 2,190 days to be exact... is a long time to think about your life and what you plan to do with it and it's many blessings.Sik Da Don Sikosa...this MC has a tale to tell...Convicted and sentenced to 6 years in jail in 1998 for armed robbery. A literal child of the streets, Sik lost his mother at the tender age of 6...he's never known his father...to Sik, the street has been his only family."I was in the streets since 10 years old...I wasn't homeless, I was just passed from relative to relative. The only real constant in my life has been the hustle of the streets and Hip Hop....I started spittin' rhymes when I wasabout 10...like everybody else, I dreamed of fame and fortune. But, at an early age I knew that life wasn't fair...so I concentrated on making paper while keeping Hip Hop and my music as a hobby. When I became a teenager, my voice started changing you know...getting raspy and thick. Soon, when I would rap cats would comment on how good my voice sounded...I was encouraged by my peoples to go into the studio and work on an album...That's what I did, while supporting myself with a whole lot of hustles...legal ...
| | Official Big League Dirt-Gravel-Grime CD (2004)
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$6.95 Ever since hip-hop became a huge international phenomenon in the '80s, it has had a variety of regional flavors. That is not only true in the United States, but also in many parts of Europe and Latin America. Some MCs can be extremely provincial; there are Spanish rappers in Madrid who love to rag on rappers from Barcelona, and British hip-hoppers in London who poke fun at the way MCs flow in Manchester and Liverpool. But for all the regional prejudices that exist in hip-hop, there are also many MCs who refuse to get caught up in the regional battles -- and Dirt-Gravel-Grime indicates that Official Big League (OBL) feels that way. This trio is from the northeastern United States and has a strong northeastern flavor -- northeastern in terms of the way they flow, northeastern in terms of rapper/producer Edward Stoutemire's beats. But at the same time, Dirt-Gravel-Grime demonstrates that OBL's members are not oblivious to rap styles in other parts of the USA. While their approach to hardcore rap is 90 percent northeastern, there are hints of the Dirty South in some of their material. This R-rated CD isn't as sexually explicit or as violent as some of the grooves that are coming out of the Dirty South; nonetheless, several of the songs are separated into "radio versions" that are FCC-friendly and "dirty versions" that are not so FCC-friendly. By 2004 standards, Dirt-Gravel-Grime isn't groundbreaking. OBL's themes -- the inferiority of suckers MCs and playa-haters, the dangers of life in the hood -- have been explored on countless other rap discs. Nonetheless, many of their grooves are catchy -- and while Dirt-Gravel-Grime is mildly inconsistent, it is a generally decent outing from the East Coast threesome. ~ Alex Henderson
O.B.L. is the collective of Drifta, Justus and Stoutamire. Drifta is one of the dopest lyricists in the area, with an ear for a different sound, not content to emulate recent hits like some acts unfortunately do. Justus is a profound lyricist and songwriter. Stoutamire is one of the illest lyricists in CT, his rhyme skill only matched by his beatmaking prowess. O.B.L. came together for one reason: to make hot music and not sound like any of the latest flavors of ...
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| | Nathan Veshecco I Love A Worried Woman CD (2006)
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$12.69 Said Bob Dylan of success, "A man is successful if he gets up in the morning and gets to bed at night, and in between he does what he wants to do." By that measure, Pennsylvania singer/songwriter Nathan Veshecco has already made it. "I am captivated by songwriters," he says, "and I have spent the past several years devoting my life to becoming one. I'm at the point now where I write songs everyday. It reminds me of a Leonard Cohen quote: 'I get up early in the morning and I write. And that's all I do. Which explains why my social life is in shambles.'" Veshecco's latest foray into his all-consuming passion for songwriting, "I Love a Worried Woman," both salutes genres and mocks them, shakes them up, shakes them down, bends them into forms at once provocative and pleasing, using bits of old and new - and then sticks them in your ear, mind and heart so they can't get out. Pop, hip hop, soul, disco, reggae, new wave - they all show up. Influences from Marvin Gaye to Steely Dan to Paul McCartney to Justin Timberlake - they show up too. So do compelling hooks and richly textured arrangements ('Never Be Your Baby') ... Themes both universal and controversial ('Marilyn') ... Smart lyrics that mine the gems to be found in ordinary love as well as cautionary tales of love that only seems extraordinary ('She's Backin' Up') ... Stories of lost twentysomethings with mores gone awry ('She Prolly Cries'), of the frustrations inherent in a 'face comes first' music industry ('The Sound of My Face') and a public whose support can seem just as superficial ('Eye Needja,' 'Central Pa') ... Explorations of emotion like the tired anger ...
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