| | Jasiyah Bey I Miss You CD Jasiyah Bey Discography of CDs
This EP "I Miss You" is heart felt. This is a very sentimental piece that all ages will enjoy. That's if your a true music lover. This EP by Jasiyah Bey is music that he recorded in 1998 that he remastered for re-release in 2005. "I really hope you enjoy my music and Thank You for your continued support." I Miss You Music | Category | R&B Albums | | Label | Comai Music Group, LLC | | Orig Year | 2005 | | CD Universe Part number | 7179186 | | Catalog number | 51453 | | Discs | 1 | | Release Date | Jun 28, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 22 minutes |
Jasiyah Bey I Miss You Songs | 1. | Your Love Is So Good |
| 2. | I Wanner Make Love to You |
| 3. | My Best |
| 4. | I Miss You |
| 5. | Gina |
| I Miss You Review
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Purchase I Miss You CD To buy, Click on price to add to cart | Justin Bieber My World CD (2009) Enhanced CD
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| | Dr Dre Dr. Dre 2001 CD (1999)
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"Forgot About Dre" won the 2001 Grammy Award for Best Rap Performance By A Duo Or Group. DR. DRE 2001 was nominated for the 2001 Grammy Award for Best Rap Album. "The Next Episode" was nominated for the 2001 Grammy Award for Best Rap Performance by a Duo or Group.
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With 2001, Dr. Dre has managed to do the seemingly impossible: resurface yet again after a five-year disappearance from the rap game, and shatter all expectations. The first two tracks lull the listener into thinking this is going to be a mellow, G-funk outing, but when the piano loop and beat commence in "Still D.R.E.," it's obvious Dre is still light years ahead of the rest. The seemingly disparate styles of guest artists MC Ren, Snoop Dogg, and Eminem are all unified by Dre's singular musical vision.
What makes this record stand out from any other gangsta rap recording before it, however, are the flashes of brutal honesty that pepper the lyrics ("What's ...
| | Earth, Wind, And Fire Greatest Hits CD (1998)
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| | Rob Seals Revolution Of One CD (2000)
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$16.49 Singer/songwriter Rob Seals enlists some high-profile musical guests for his debut solo release.Guests include members of Vertical Horizon, Bruce Hornsby's band, and Evan Olson's band.Groove-driven guitars provide the framework for heady lyrical concerns in eleven songs on this CD.The record features "Generation Why," an exploration of generational identity in the wake of a rock star's suicide. The song won BMI's Mid-Atlantic Song Contest for Best Progressive/Alternative Song."Well-crafted, expert, radio friendly, smart pop! [it has] Paul Simon's clever musical conversationality downpat." - (ESP Magazine)Awarded 2001 Male Singer/Songwriter ALBUM OF THE YEAR by Just Plain Folks among its 13,000 members internationally.The most recent published review, fall 2001, in IndieMonkey by UK freelance writer Andrew Ellis:It is perhaps entirely appropriate that Rob Seals' press biography not only lists his notable achievements as an independent musician, but also details his career as an English teacher. Because on 'A Revolution of One', Seals demonstrates that music and education are strongly bound together. Most of Seals' superbly written, performed and produced songs deal with personal and collective lessons learned, intertwining thought-provoking, intelligent lyrics with a strong sense of melody, and the fact that various members of Vertical Horizon and Evan Olson's band help out on numerous tracks speaks volumes about his talent. The title track is one such song to benefit from the contributions of Vertical Horizon's Ed Toth and demonstrates exactly what Seals' music is all about with a distinct Paul Simon influence and a pinch of the Dave Matthews band sound. Already it's clear he isn't shy to tackle strong lyrical concerns and this is reaffirmed on the excellent 'Generation Why', exploring the labeling of the so-called Generation X. Despite the weighty content, the songs are undeniably melodic which makes the presence of an artist with something interesting to say even more welcome. Nowhere is this more evident than on the infectious jangle pop of 'Jenny Millennium', the stop-start rock-pop of 'In Our Time' and the acoustic pop of 'The Key'. The depth of Seal's music is a trademark of the whole album, and the detailed picture of relationships painted in 'Savannah and Japan' or the pastiche of Elizabeth Barrett Browning in 'Count The Ways' is a fairly good indication that Seals is a cut above songs about booze, girls or nights out with the guys. Diversity is the key word here, and some Clapton-esque bluesy acoustics on ...
| | Growth & Decay Electronic Toys CD (2005)
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