| | Big Hands Colvin Real Strong Stuff CD Big Hands Colvin Discography of CDs
Like Marc Cohn, Lyle Lovett and Bonnie Raitt, Big Hands Colvin's musical style is difficult to define-a little bit blues, a little bit country, a little bit soul. Whether he's songwriting, singing, playing sax or guitar-Big Hands is a big talent. Currently a frontman for the Central-Coast-of-California-based, Big Daddy's Blues Band, Colvin has played with or opened for a number of well-known artists including: Tom Scott, Jesse Colin Young, and Nelson Braxton. Big Hands Colvin has also toured extensively as a member of the Cardiff Reefers, Rock Steady Posse and Eric Ellsworth Band. He is a professional songwriter with an impressive collection of solid originals-and the voice to compete with anyone in the genre. He and his wife live in Northern Washington State. Colvin is presently in the studio working on a solo project. Real Strong Stuff Music | Category | Country Albums, Blues CDs | | Label | Tres Torres | | Orig Year | 2005 | | CD Universe Part number | 7179523 | | Catalog number | 53532 | | Discs | 1 | | Release Date | Jun 21, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 54 minutes |
Big Hands Colvin Real Strong Stuff Songs | 1. | Real Strong Stuff |
| 2. | Thing About You, The |
| 3. | Nothing's For Sure |
| 4. | I Wanna Die Rich |
| 5. | Poppa Fought the War |
| 6. | Daddy Can We Stay? |
| 7. | Say It in a Whisper |
| 8. | Out of Work |
| 9. | Slow Down |
| 10. | He Makes Me Laugh |
| 11. | Middle Man |
| 12. | I'm Not Surprised |
| 13. | Happy 'Til Then |
| 14. | Hey Margarita |
| 15. | Top Down Girl |
| 16. | Soon |
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Real Strong Stuff Review
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The hardest-driving, genuine Hammond B3 organ based trio helmed by Red Young. Transporting voluptuous Soul, Jazz, Rare Groove, Funk and Rhythm & Blues sounds from the 1940's and 50's into our modern day music lifestyle.The well-respected talents of popular Los Angeles musicians Red Young on the organ, bass (played the same time on the B3) and vocals, James Achor on guitar, and Kenny Sara on drums are all centered around a wailing vintage, 500-pound, Hammond B3 organ. Depending upon the setting, saxophones add to the colorful sound palette. Perfect for a nightclub or special event looking for a unique vibe and visual presentation from groovy elegance to acid jazz formats.The tunes stroll back to the time of early Hammond masters Bill Doggett, Jimmy Smith, Richard "Groove" Holmes, Charles Earland, "Captain Jack" McDuff, Jimmy McGriff to new original BROTHER RED grooves and once-in-a-lifetime improvisations that are guaranteed to get any room moving.BROTHER RED has an alluring harmonically complex tone that is attracting fans of more than a half a century ago to today's college generation looking to get away from synthesized electronica. The organic sound of the Hammond organ has been often duplicated but still has not been matched. And with these musicians together - it's something to behold.BROTHER RED is the formula these musicians have organ-ized to successfully revive and keep this cool style of music alive. You'll see.BROTHER RED - BAND HISTORYIn the early 1970's when Red Young lived and played the organ music he loved in New England and New York he was often ...
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Detroit keyboard and vocal ace, producer, arranger, and composer Amp Fiddler has pulled an end-around on Afro Strut. He followed up the brilliant Waltz of a Ghetto Fly in 2004 with an import version of Afro Strut in 2006 on Genuine. The U.S. version followed in 2007, and instead of simply reissuing the set, he's retooled it considerably. The bottom line is that this is one of those records that is decidedly not a rip-off designed to grab your cash by the inclusion of a bonus cut or two. For starters, the single "If I Don't," which was an Amp solo joint on the earlier version, was re-recorded as a duet with Corinne Bailey Rae. Keeping its 1930s vibe, with a jumpy little Fats Waller-esque melody and rhythm, he and Rae whip the tune into a jaunty frenzy with killer instrumental fills by jazz legend (and fellow Detroiter) Wendell Harrison's clarinet, and the upright piano loops that tinkle and twinkle around the edges, adding a late-night, prohibition-era party vibe. It's playful and snappy. The funky opener, "Faith," produced by Raphael Saadiq, remains in its earlier form, offering a real alternative to the Jamiroquai-trademarked plastic funky soul that seems to be ever present on the other side of the pond these days. Saadiq's bassline is rubbery and deep in the cut as Amp keeps the slippery groove relaxed vocally and on his keys. Another killer moment on the American version is the radical revision of Billy Robert's standard "Hey Joe." Closely associated with Jimi Hendrix, Fiddler's version is compelling because he doesn't do away with the guitar-based soul in the original, but deepens it with his keyboards, allowing guitarist Rob Bacon to ape the axe master while the beautiful B-3 lines do the fills and Fiddler's vocal moves into prime deep soul storytelling mode, making it a kind of future blues by way of the newspaper headlines. It's an age-old story told over the fence by word of mouth with the careening synth lines underscoring the violence that takes ...
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