| | Freddie Leon Moments CD Freddie Leon Discography of CDs
Pianist Freddie Leon (nee Alfredo Leon, Jr. ) was born in the borough of Manhattan, New York City, in December of 1953. In the mid 1970s moved to Miami, Florida where he attended undergraduate music studies at Miami Dade Community College and later at Florida International University. In the mid 1980s moved to the Washington, D.C. metropolitan area attending graduated studies at the University of Maryland, College Park. For the past 25 years Mr. Leon has been working as a professional musician performing, conducting, composing, recording, and arranging for a wide variety of musical ensembles; as well as tutoring and teaching for several public and private music institutes. Mr. Leon is the co-author of a new and revolutionary piano method for small children soon to be published by Warner Brothers. As a solo pianist Mr. Leon's style and delicate pianistic touch has been praised by many of his colleagues, collaborators and friends including Miami Symphony Orchestra Concertmaster Federico Britos Ruiz, concert pianist and professor Phyllis Sdoia-Satz, director of the prestigious music academy Sdoia-Satz Music Institute, and by the world renowned master pianist Richard Clayderman. Throughout the years Mr. Leon has performed at several important sites including many hotels, restaurants, and country clubs primarily in the south Florida area. Among them, at the Breaker Hotel of Palm Beach, the West Palm Beach Ritz Carlton Hotel, the Green Street Lounge in the Coral Gables' Holiday Inn, the Sheraton Bal Harbor Hotel, the Coral Gables' Biltmore Lounge and Patio, Charade Restaurant, Miami Beach's Gertrude Cafe, Doral Country Club and many others. Mr. Leon has just recently returned to Miami after having successfully performed for two and a half years at the very elegant and exclusive "Ventanas al Paraiso", a magnificent Rosewood Hotel & Resort facility, in Cabo San Lucas, Mexico. While working in Mexico, Mr. Leon completed his latest recording entitled "Moments". Moments Music | Category | Easy Listening Albums | | Label | Freddie Leon | | Orig Year | 2001 | | CD Universe Part number | 7180079 | | Discs | 1 | | Release Date | May 13, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 50 minutes |
Freddie Leon Moments Songs | 1. | Pensativamente |
| 2. | Spanish Airs |
| 3. | Satie-Ric |
| 4. | One Afternoon |
| 5. | Clair de Lune |
| 6. | Noites Brasileiras |
| 7. | Eternal Love |
| 8. | Lovely Morning |
| Moments Review
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Purchase Moments CD To buy, Click on price to add to cart | Josh Groban Noel CD (2007)
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$14.79 "Is It Me?" - track #1 is in the Miramax motion picture "Doubt" starring Meryl Streep."That's When I'll Stop Loving You" - track #4 is in the Rob Zombie movie re-imagining of "Halloween" from Dimension films."L*A*S V*E*G*A*S" - track #9 was used in the NBA Celebrity All-Star game broadcast from Vegas, and the Wayne Newton episode of "Cribs" on MTV.Cinemasters provides master quality recordings of original songs and source music to the Film & Television industry. Producer Joel Evans has had over 300 song placements including numerous hit TV series episodes and more than 60 Motion Pictures. Dan Kimpel writes in Music Connection Magazine:Meet Joel Evans, a musician and bandleader from San Francisco whose extensive list of credits includes major Hollywood films, hip indie flicks, network shows and daytime dramas, over 60 big screen credits and 250 television episodes and counting, from Wedding Crashers to Desperate Housewives. Â Evans has built his own catalog, and he has also worked extensively with companies that place songs: Position Music, PEN Music Group, TAXI and many other firms. His first big break in visual media came when he met Marc Ferrari of MasterSource at a pitch session sponsored by the West Coast Songwriters Association. As he recalls, 'It turned out to be a bossa nova thing I played for Marc and he included it in his catalog. ' When a composer disappeared from a project that needed tracks within a week, Ferrari enlisted Evans. 'He sent me a few things to listen to and I got them down with five players, and they've since been used a number of times. 'Â In configuring music, Evans will generally take live players into a studio, track the basics, then return to his home studio to edit, overdub vocals, guitars, ...
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$13.15 "I'm actually surprised that Dan Pound isn't found on any notable ambient labels that can provide better distribution for his self-released works. Dan Pound is a notable ambient talent."Matt Rowe for MusicTap, May 2009Traversing deep and wide into uncharted sonic territory, Dan Pound emerges with a whole new set of tracks that are un-classifiable by genre.Combining shamanic/ethnic percussion, voice and indigenous instruments with ambient electronic, space soundworlds, there is an expansive journey of discovery ready to be had throughout this whole disc. One is called out to the far reaches of the Nether worlds, and upon listening, one can't help but to heed it's call. Some moods are serene and tranquil, while others are mysterious, haunting or otherwise moody and atmospheric. As well there are sonic portraits that beget feelings of triumph, glory, and even ecstasy. Dan says:"This set of music was created as if in a live setting, all of the pieces dynamically differing, yet all flowing together as if chapters in a book, telling a story. This music was intended to be listened to, also, as if it is being heard live. For that reason, turn it up. Feel it in your bones!"ESOTERIC-es-o-ter-ic, adj.1. understood by or meant for only a select few.2. private or secret. Electoambient Space review:Esoterica is another set of first-rate serene shifting soundscapes from Dan Pound. As on prior albums, Pound uses analog and digital synths and samplers, voice, flute, and didgeridoo. He melds them into a thoroughly pleasant array of moods and sounds. Divided into eight parts, each one floats calmly by with influences ranging from Tangerine Dream to Brian Eno, often all within the same track. For example, "Esoterica Part One" starts with smooth floating music for a few minutes, but segues into a bright sequencer-based passage for the remainder. I particularly like part two, with a fascinating echoing bass line with quirky percussion running parallel to it. It defies easy categorization or description, but suffice to say it is a refreshingly unique take on electronic ambient music. The beat gets heavier and more tribal, ably aided by Pound's Lakota flute ...
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