Joe Bionic 90250 Hawthorne CD

90250 Hawthorne Music

Category	R&B Albums, Rap CDs, West Coast Rap
Label	Sub 1 Recordings
Orig Year	2001
CD Universe Part number	7180441
Discs	1
Release Date	Oct 22, 2001
Studio/Live	Studio
Mono/Stereo	Stereo
Recording Time	46 minutes

Joe Bionic 90250 Hawthorne Songs

	1.	What You Want
	2.	Kinght Like
	3.	Tonights the Night
	4.	90250
	5.	Nutty P Make Your Head Bob
	6.	Make Sure U Don't Forget
	7.	Don't Sleep
	8.	This Is Hawthorne This Is Inglewood
	9.	Doin This Here
	10.	All I Know
	11.	Unpredicted
	12.	Freestyle

90250 Hawthorne Review

Guidelines
Remember to focus your comments on Joe Bionic 90250 Hawthorne CD.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

The Ultimate Bee Gees CDs (2009)

90250 Hawthorne album

$20.15

Also Bought

Eminem Relapse CD (2009)

90250 Hawthorne CD music

$9.49

Also Bought

20th Century Masters: The Millennium Collection: The Best Of The Righteous Brothers CD (2006) Remastered

90250 Hawthorne music CDs

$7.85

Also Bought

Preacher's Wife CD (1996) Original Soundtrack

90250 Hawthorne songs

$8.99

THE PREACHER'S WIFE was nominated for a 1988 Grammy Award for Best R&B Album. "I Believe In You And Me" was nominated for a 1998 Grammy Award for Best Female R&B Vocal Performance. That renaissance gal is at it again. As in THE BODYGUARD, Whitney Houston does double duty as star and soundtrack provider for THE PREACHER'S WIFE. Don't look for her to be sticking to the commercial pop-R&B sound that served her so well on her last soundtrack album, though. THE PREACHER'S WIFE finds Houston reaching back to her roots in gospel, and collaborating with some stellar gospel artists, including her mother, Cissy. Several cuts here, including "Hold On, Help Is On The Way" and "I Go To The Rock," find the soulful Georgia Mass Choir supporting Houston in her return to the fold. On "He's All Over Me," Houston is joined by gospel great Shirley Caesar as well. On a more modern tip, Houston ...

Also Bought

Chris Brown Graffiti CDs (2009) Deluxe Edition

90250 Hawthorne album

$14.37

Most of Graffiti is a natural progression for Chris Brown. Like many young cred-seeking male singers who have just exited their teenage years, Brown emphasizes womanizing and hedonism and balances it out with a couple clean and empty ballads, as well as a couple relatively lighthearted Europop numbers. A handful of songs deal with his relationship with Rihanna, as well as the fallout from his assault of her. ~ Andy Kellman Most of Graffiti -- that is, the songs that do not detail what ex-girlfriend Rihanna and the rest of the world have done to him -- is a natural progression for Chris Brown. Like many young cred-seeking male singers who have just exited their teenage years, Brown clumsily emphasizes womanizing and hedonism ...

Also Bought

Purple Rain CD (1984)

90250 Hawthorne CD music

$9.89

Manic Street Preachers Lifeblood CD (2004) Japan

90250 Hawthorne music CDs

$38.19
Instead of being the return to form it was clearly intended to be, Manic Street Preachers' sixth album, Know Your Enemy, sucked the life out of the band, collapsing in a heap of bad reviews and ill will. It was such a wrong move that even the band acknowledged that things went wrong, so they took some time off to regroup, issuing a hits collection Forever Delayed in 2002, with a B-sides and rarities comp Lipstick Traces following in 2003. The decks being suitably cleared, the band eased back in late 2004 with their seventh album Lifeblood, a record that takes the MOR/AOR inclinations of This Is My Truth Tell Me Yours to heart. Gliding by on smooth surfaces of synthesizers and lightly sequenced beats, Lifeblood is simpler and hookier than the lumbering Know Your Enemy, which is a relative blessing: it results in a record that's easier to enjoy, even if its smoothness doesn't gloss over memories of what the jagged, visceral band the Manics used to be. Even on the grandiose, arena-ready Everything Must Go, they sounded like a tense bundle of nerve and ambition, a clear byproduct of punk, but here they sound not far removed from the legions of po-faced, sincere but dull groups that stumbled through the colorless aftermath of Britpop at the tail-end of the '90s. Apart from a sense of craft that thoroughly identifies them as pros, what separates them now are what have always been their hallmarks: Nicky Wire's perpetually adolescent literate literariness -- which, at this point, is either endearing or infuriating (though as lines like "so God is dead/like Nietzsche said" and titles like "The Love of Richard Nixon" pile up, it's hard not to tip toward the latter) -- and James Dean Bradfield's keening, earnest vocals. When the music hit harder, Wire's words made more sense and Bradfield's singing tugged ...