| | John L Allen Twice As Much, Rev 1 CD John L Allen Discography of CDs
Worked over 30 years as a BSEE in communications equipment procurement,reliability studies,product quality. I Had Music as a hobby but was unable to pursue it until I retired. Currently using Sonar 2 and a Casio wk-1630 across a P4 puter. I've had my own desktop puter since Exidy was a pup. Thru Dr. T on the Amiga. I learned synthesizers using Mini Moog,Casio,Dx-7hd,and various and sundry tape setups. Now I can give it a try with my own CD production. Here is a starter. Twice As Much, Rev 1 Music John L Allen Twice As Much, Rev 1 Songs | 1. | First Snow Gm Midi Piano |
| 2. | Fiesta 2 Gm Midi Piano |
| 3. | Somewhere 2 |
| 4. | Thing, The |
| 5. | Dust Devils in the Martian Sun |
| 6. | Joseph's Coat B |
| 8. | May 24 2004 Ms Piano Study |
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Twice As Much, Rev 1 Review
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BIOGRAPHY: Eyesight Project- Los Angeles, CAChance meetings and circles of friends in Los Angeles brought musicians from backgrounds as diverse as Mexico, Germany, Trinidad, and Israel together. Eyesight Project has grown into a collective of musicians based around the production duo of Jesse Rogg and Julian Brody, who compose and arrange the tracks in collaboration with Rastafarian MC and vocalist Jah Faith, with help of course of other musicians drawn from the local and international talent pool.Both Julian and Jesse are rooted in a background of electronic music production; for many years, before moving to Los Angeles, Julian held a residency at Mexico City's premier electronic music venue, Bar Colmillo, showcasing his own projects such as xl-er and The Herbal, or the experimental electronic jam collective, Wako Texas, while simultaneously collaborating with current Modus Vivendi labelmates BN Loco on their upcoming release, Echo en Mexico, among many others. Jesse has a strong background in production and engineering with degrees in the latter and years of studio experience. Having worked with Grammy award winning artists and producers, ...
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The Shrine of Impossible Love is something someone scrawled on a bedroom door at The Black Sheep, a cool bar/hotel in Wakefield, PQ. I took a photo of it.I live and work in Calgary, but travel about as the drummer for Kris Demeanor & His Crack Band, and on occasion The Whip It Out Ensemble (Calgary's Zappa Ensemble), and then sometimes with friends Kim Barlow, Carolyn Mark, Aledjandro Escovedo, Lester Quitzau, and very early on (think mid '70s to mid '80s) Eugene Chadbourne, Rip Chords, The Bill Smith Trio, CCMC, and one wild wacky day playing with Gil Scott-Heron; that's the musical front. Here's what I do on the theatre front: One Yellow Rabbit; Dream Machine, Mata Hari, generic theatre's DeadRats trilogy; DeadRats in Garargeland, DeadRats On Arrival, and DeadRats In Hell. Those are live playing gigs. I also create sound for the theatre and here come the award winners, like this: Calgary's Betty Award for Theatre Junction's Boy Gets Girl, a piece Mesa with Ghost River Theatre, and The Old Trout Puppet Workshop's Beowulf. A coupla Sterling's in Edmonton as well: Mom Dad I'm Living With A White Girl (Running with Scissors) and Mesa (again! But this time with the brilliant Dave Clarke who is also a DeadRat... so, do you get it?)The Shrine of Impossible Love is about layers and continuity... I guess. Actually, it's about this long and then it's over. I'm not saying that's a metaphor but I'm also not saying that's not a metaphor. Love's involved. But I don't think I used 'baby' in Shrine. My colleague Geoff Berner insists that people who use that word in a song, even if it's just once, should be required to obtain a baby license. I'm not sure if that's to restrict it's use or perhaps Geoff sees a get-rich-quick opportunity. This whole thing was played, recorded and assembled over a couple of years in the basement of my home (the digital hole) after I took the photo in Wakefield. Happening mostly between gigs and designs, it was recorded using one little Sony consumer-level stereo microphone, my trusty mini-disc for the live recordings (Calgary, Toronto, Vancouver, Denmark, Montreal) a Yamaha 8track mini-disc, and a Mac using Digital Performer and Peak, and this old version of Sound Edit that has a bending function that I've used too many times, perhaps. This is one of those oh-he-did-it-all-by-himself lo-budget projects. It was somewhat of a test to see how well the available technology might ...
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