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Architexts CD

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Architexts is a midwest based group which has created one of the phatest sounding CDs of the last decade. Off-the-wall programmed beats delicately mixed with live instrumentation has resulted in13 neck snapping grooves...
Architexts Music


Detailed Architexts Music Information



Category Rock/Pop Albums, Rock CDs, Hard Rock
Label The Atex Label
Orig Year 2002
CD Universe Part number 7182574
Discs 1
Release Date Sep 09, 2002
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 51 minutes
Architexts Songs


Architexts Album Track Listing



1.All Fronts
2.Static
3.Into the Haze
4.Breathe
5.Two Fingers
6.Wrong Side of the Sun
7.Full Circle
8.Silver
9.1314
10.Face the Rain
11.Mouth of Madness
12.Divided We Stand
13.Nobody Move
Architexts Review


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Rather than taking a strictly chronological tack to their comprehensive reassessment of Arthur Lyman's sizable Hi Fi Records catalog, Collectors' Choice Music has chosen to thematically pair Lyman's vintage long-players onto a series of two-fer CDs. The late-'60s offerings on this disc -- 1968's The Winner's Circle and 1969's Today's Greatest Hits -- both contain cover versions of songs that were popular chart entries and favorites gleaned from the silver screen and the Great White Way. The band that vibraphonist and arranger Lyman was holding court with during the era encompassed by these LPs featured Harold Chang (percussion), Clem Low (piano and clavinet), and Archie Grant (bass). The ratio of out-and-out rockers is far outweighed by the inclusion of show tunes. However, the overhauls of the Beatles' "With a Little Help from My Friends" and the simplified samba on "Love Is Blue" are unquestionably the best fare on The Winner's Circle. "Love Is Blue" is much better here in a simpler and less dramatic setting, compared to Paul Mauriat's boorish baroque-flavored take. Other above-average to excellent outings are the two Paul Simon numbers from 1968's soundtrack to The Graduate. While "Mrs. Robinson" is given a hearty pace, it is directly contrasted by the cold and appropriately isolated "The Sound of Silence." From 1964's Fiddler on the Roof comes a post-bop jazz-infused "Sunrise, Sunset." Lyman's stylish and simple vibraphone leads lend a sonic stateliness that can often be ruined by the syrupy strings and overbearing chorales of other renditions. Turning to Today's Greatest Hits, Lyman ...
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