| | Subtle Creeps Sip On Fire CD Subtle Creeps Discography of CDs
By combining a sincere approach to songwriting, an intense stage presence, and an ever-changing setlist, the Subtle Creeps are a captivating live act. Their music blends such influences as Pearl Jam, Led Zeppelin, Stone Temple Pilots, and Jimi Hendrix into a style all its own. With a newly released album to promote, entitled Sip on Fire, the Subtle Creeps are ready to bring their own brand of hard groove rock to Texas. The seed for the Subtle Creeps was planted back in 1996 when guitarists Cody Martin and Joshua McCready met in high school in the small town of DeQuincy, near Lake Charles, Louisiana. After realizing they shared a mutual love for music, they immediately began writing songs together. For the next few years they honed their sound and songwriting skills playing shows in the Lake Charles area under various names with a rotating rhythm section. Finally, in 1999, Cody and Joshua, armed with seven original tunes, began recording an EP. For the album, the guys acquired the help of Ryan Westbrook of the Thinking Plyers to play drums and bass virtuoso, Trip Wamsley, to handle the bass and engineering duties. After recording the EP at the Downtown underground Studio in Lake Charles, Cody and Joshua realized that they wanted to record a full album instead. In late 2000, they went back in the studio and recorded what would become the rest of Sip on Fire. Around the end of the recording process Cody's lifelong friend, Chase Piedfort, moved to Louisiana and became the permanent bassist for the band. The group decided on the name The Subtle Creeps and played a handful of shows still with a constantly changing drummer.The band, however, were not content with their surroundings. The crowds wanted pop cover bands, not original music. So the Subtle Creeps decided to move. In early 2003, the three friends moved to San Marcos, Texas. Within a month they found someone to fill the vacant drummer position, Ryan Crumpton of Livingston, Texas. His style fit perfectly with the rest of the Subtle Creeps. The band was complete. With a full band that is tighter than ever and an album, which was finally released in July, the Subtle Creeps are prepared to begin building their fanbase the old-fashioned way, by playing great live shows. Subtle Creeps Sip On Fire Songs | 1. | Breathe |
| 2. | Pure |
| 3. | Come on In |
| 4. | Beautiful Day |
| 5. | Angel Trip |
| 6. | World Divided |
| 7. | Uncomfortable Silence |
| 8. | Sip on Fire |
| 9. | Until the End |
| 10. | Stone Angels |
| 11. | Liquid Love |
| 12. | Sunday Afternoon Drive |
| 13. | This Violence |
| Sip On Fire Review
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Purchase Sip On Fire CD To buy, Click on price to add to cart | Zac Brown Foundation CD (2008)
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| | IVERY Before You Wake CD (2005)
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$16.45 THE ALBUM:"Before You Wake" is Tim Ivery's debut album. Recorded in the first half of 2004, although principally a rock album, the eleven tracks on the disc encompass a wide range of styles. From the driving blues/rock based "Mr Cunningham" to the anthemic acoustic ballad "Song for Everyone" and the reggae/calypso themed "Paradise, to the soaring guitar based rocky title track "Before You Wake" this album has a little something for everyone. The album is also available in a CD/DVD set which can be purchased directly from our website. Here's what Tim had to say about the disc upon its release in June 2004:"Before You Wake is principally a chronicle of the unspoken word. We have all been in situations in our lives where we just can't sleep for whatever reason whilst the rest of the world, and more importantly the people we would most like to share ...
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| | Joe Matzzie Beyond Belief First 20 Minutes CD (2000)
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$9.29 For the most part, horns have not been prominent in rock. Horns were used extensively in pre-'80s R&B, and they have played a crucial role in jazz (everything from Dixieland to free jazz). In fact, it is hard to imagine jazz without saxophones and trumpets. But in rock, horns have, as a rule, taken a back seat to the almighty guitar. (The exceptions have ranged from Little Richard to Blood, Sweat & Tears.) However, they are prominent on The First 20 Minutes, a six-song EP by alternative pop/rocker Joe Matzzie and his band, Joe Matzzie Beyond Belief. When this 20-minute disc came out in 1997, using horns in an alternative rock setting usually meant ska-punk. But no one will mistake Matzzie's outfit for the Mighty Mighty Bosstones or Reel Big Fish. Matzzie isn't necessarily oblivious to ska but, on The First 20 Minutes, horn players Jay Hagen (trumpet) and Ian Russell (tenor sax) are more mindful of jazz and soul. Although a bit uneven, this release deserves credit for being interesting and striving for something different. Matzzie's specialty is a melodic yet quirky and mildly abstract style of alternative pop/rock -- he wasn't the only person who was doing that type of thing in 1997, but his use of horns and hints of jazz set him apart from most alternative rockers of the late '90s. The First 20 Minutes is hardly an example of bandwagon jumping; instead of trying to emulate the latest rap-metal or ska-punk star, Matzzie is smart enough to do his own thing. The First 20 Minutes isn't perfect but, despite being mildly inconsistent, it demonstrated that Matzzie was worth keeping an eye on. ~ Alex Henderson
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