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Trumpeter Brian Lynch is famous for playing high-quality hard bop, formerly with the last version of Art Blakey & the Jazz Messengers in addition to the Phil Woods Quintet and his own combo dates. FUCHSIA/RED is definitely a change of pace because the music mostly falls into the area of fusion. With Brad Turner dominating the ensembles on electric keyboards, Lynch sounds surprisingly comfortable in this setting, performing his originals plus a song by Björk. Some of the music is reminiscent of Freddie Hubbard's better funk projects, while other selections are closer to prime fusion of the late '60s/early '70s, a bit like Miles Davis' groups. "Magenta's Waltz" is a little more mainstream but otherwise this is a date that is more highly recommended to fans of fusion than to Lynch's usual audience.
Few performers in the world of jazz music have such a rich and varied career palette as trumpeter Brian Lynch. Born September 12, 1956 in Urbana, Illinois, Brian grew up in Milwaukee, Wisconsin and had his initial playing experiences there with such local luminaries as pianist Buddy Montgomery and organist Melvin Rhyne, while earning a degree from the Wisconsin Conservatory of Music. Briefly moving to San Diego in 1980-81, he gained further valuable experience in the group of master altoist Charles McPherson.Brian moved to New York in late 1981 and rapidly made inroads on the New York music scene and the international music world. One of his first major gigs was with the Horace Silver Quintet (1982-1985), as well as garnering big band experience with the Toshiko Akiyoshi Jazz Orchestra (1982-1988). At the same time, Brian was playing and recording on the Latin music scene with such renowned salsa artists as Angel Canales and the great cantante Hector La Voe (1983-87). Brian, after many record dates as a sidemen, recorded his first album as a leader, Peer Pressure on the Criss Cross label in 1986.The late '80s found Brian making important and enduring associations with two giants of music. In 1987, he began playing in the groups of legendary Latin master Eddie Palmieri, starting a fruitful musical relationship that has maintained to the present day, as Musical Director and featured member of Palmieri's Afro-Caribbean Jazz Octet. A most important and seminal experience also for Brian was his tenure as trumpeter and composer/arranger in what turned out to be the final edition of Art Blakey and the Jazz Messengers, from 1988 until Art's passing in October of 1990.Brian's position as a Messenger alumnus and his continuing collaboration with other graduates of the Blakey "University of Jazz" underscores his significance as an important figure in his own right. He is also an integral part of the acclaimed Phil Woods Quintet in which he has been a contributing force since 1992.Besides all his jazz and Latin music activities, Brian has also recorded and performed with such pop music luminaries as Maxwell and The Artist (formerly and once again known as Prince). Brian currently is a member of the Phil Woods Quintet and Eddie Palmieri's "La Perfecta II", as well as leading his own groups (Quartet/Quintet, "Spheres Of Influence", Electric Quartet, and Big Band) and being quite active as a soloist, arranger, clinician, and recording artist.
Brian Lynch: Brian Lynch (trumpet); Brad Turner (Fender Rhodes piano); André Lachance (bass guitar); Bernie Arai (drums).
Audio Mixer: Brad Turner.
Liner Note Authors: Cory Weeds; Brian Lynch.
Recording information: The Cellar Restaurant & Jazz Club, Vancouver, British C (02/01/2003-02/02/2003). Brian Lynch Fuchsia/Red Songs | 1. | Intro |
| 2. | Cory's Strut |
| 3. | Fuschia/Red |
| 4. | Magenta's Waltz |
| 5. | Aurora |
| 6. | Mysteries of Travel |
| 7. | J.B.'s Dilemma |
| Fuchsia/Red Review
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