| | Increment CD Increment Discography of CDs
Increment is a four-piece original hard rock band. In the recent flood of rap-rock and screaming metal acts that are indistinguishable from each other, Increment stands against the stream with its fusion of melodic female vocals and a heavy instrumental groove. It draws its influence from a diverse background, running the gamut from hard rock/metal bands like Tool and Soundgarden to pop rock/power pop bands such as No Doubt and Weezer. Now a veteran band in the New Jersey club scene, Increment's live show is a memorable and energetic experience, with something for every rock fan inthe audience, including a few crowd-favorite covers.Increment's style fits in any rock-friendly setting-venues have included Club Drink on Staten Island, Tin Lizzy, Doc Watson's in Philadelphia, and our home base, The Cup in Linden, among many others. Increment has sharedthe stage with other Jersey rock veterans including Bewild, SSRI, Orpheus,Othersidenine, Area 3, Namebrand, Aberfunky & Bitch, and more. Incrementhas 2 degrees of separation from Kevin Bacon.With the recent release of its eponymous debut album, Increment hopes to broaden its growing fan base and establish itself as one of the premier hard rock acts in the Garden State.Increment is:Dana Olesen: vocalsJon Kozodoy: guitar/background vocalsTim Brown: bassZack Appleton: drums Increment Music | Category | Rock/Pop Albums, Rock CDs, Hard Rock | | Label | Increment | | Orig Year | 2003 | | CD Universe Part number | 7192513 | | Catalog number | 20120 | | Discs | 1 | | Release Date | Mar 04, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 30 minutes |
Increment Songs | 1. | Just a Pretty Face |
| 2. | Old Shoes |
| 3. | Organ Donor |
| 4. | Nothing's Right |
| 5. | Be True |
| 6. | Stay |
| 7. | Sometimes |
| 8. | Misery |
| 9. | Break |
| 10. | Not the Same |
| Increment Review
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Purchase Increment CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
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$14.38 The latest album from Swedish doom rockers Katatonia, their first studio effort since 2006, is as moody and beautiful as their other latter-day work. The group's career can be marked ...
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$18.05 The superlative repackaging and remastering undertaken by Ryko has put the original three-part, two-record set of this magnificent nonsense tale together for the first time. This is back to the madness ...
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Increment CD music
$6.09 Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); Gary Carolla (keyboards, drums); Peter Ries (keyboards, programming); Troy Antunes, Joey Argero (bass); Rob Dorsey, Frank Delour, Lou Appell (drums, percussion); ...
| | Jamie Hoover Paparazzi CD (2004)
Increment music CDs
$8.99 This duo comes from a mix of Byrds-ian power pop and a lush orchestral-meets-roots style on the delightful "Show & Tell the World," which recalls Tom Petty or a mandolin-driven Steve Earle, if in tandem with a far fuller supporting cast. Both Jamie Hoover and Bill Lloyd sound like they're blood brothers on the sweet harmonies that would draw fair comparisons to an Americana version of the Rembrandts. The melodic consistency is what makes this record so infectious early on, especially on the adorable head-bobbing "Better Left Alone," which has enough twang to be quite memorable. The Beatlesque "Screen Test" is odd at the beginning but settles in quite comfortably with its fine pop sensibilities à la Paul Westerberg. The same can be said later on for the grin-inducing "Really Not Alone." When they turn into a sappy ballad framework, though, it's a pale Neil Finn impersonation on the formulaic "As You Were." They return to a rowdier way on the fine "The Bucks Stop Here," despite the fact that it sounds like a B-side or quick barroom run-through. Another adult contemporary "soul" tune, "I Can't Take It Back," is marginally passable thanks to the pretty verses. Perhaps the highlight of the stellar album is the ambling "Still Not Over You," which sounds as if they've taken it from the Partridge Family and splendidly revamped it. And they keep the momentum on the softer jangle of "Walking Out." Only on "Fireflies" do they move into a bland soul sound. Overall, it's one small miscue on a great and consistent pop album. ~ Jason MacNeil
Hoover and Lloyd come together as one on Paparazzi, the duo's first album together after a long history of co-writes. The boys play the two-sides-of-a-coin approach so well that it is sometimes hard to tell who is singing lead, or how much input either had into any given song. It's that seamless. Any music fan would do well to add this album to his collection. You pop neophytes without a CD collection to call your own: start here and build from there. In partnership with the great Smithereens drummer Dennis Diken (a more knowledgeable music guy cannot possibly exist), Hoover and Lloyd pull off the unimaginable: a perfect pop album that's going to be hard to surpass in this or any year. The classy love letter to sixties pop, "Show & Tell the World," is a hit single if ever I heard one; the vibes and tympani accents alone allow this song to soar to previously unreached ...
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| | XVIII Century Greats Pardon Our Appearance CD (2003)
Increment album
$7.69 Writes rock mag Splendid:This just might be the soundtrack to your inner life -- that is, if you are a male born in the mid-'70s who was probably a bit too smart for his own good and suffered in school because of it, who enjoys both teen sex comedies and art films, who sees nothing wrong with worrying one moment about his own mortality and laughing the next upon hearing a song in which "the words are lewd", who wants to be sensitive to feminism but also doesn't like to be made to feel like a sex offender, who believes in free love as a fun concept but worries too much about STDs to be a real swinger, and who is currently deeply wondering about the world and his place in it. Others not fitting this description might be a bit confused by Ari Atari's highbrow/lowbrow lyrics, but those of us out there who get it (and, despite the lack of music addressing us, there are more than one might think) will experience the "shock of recognition" usually associated with reading good literature. For a band whose name places them in the 18th century, the Greats are a quintessentially 21st century band. In addition to deftly tackling confusing modern concerns through lyrical simplicity, the band dish out pure 2K music. Featuring a simple instrumentation of guitars, vocals and loops, they sometimes sound like Le Tigre, and at other times like pure Pavement. Also, according to the band's website, Pardon Our Appearance was "recorded ...
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| | Nick Spondyl Diaspora CD (2005)
Increment album
$18.95 Nicholas John Spondyl was born in Canton, Ohio on January 10, 1957. His father John, a refugee from Turkey, lived in Greece from 1922 to 1928. He arrived in the United States in 1928. His father returned to Greece in 1952 to marry his mother Maria Angelidou. Both parents were Pontian Greeks. Nick grew up in a very diverse community in the downtown urban section of Canton. This diversity was very evident in the family's household as three different languages were spoken. Nick recalls, "My parents spoke Pontian to each other, Greek to my sister Elizabeth and I and then eventually I would speak just English to my parents".At age five Nick remembers his family's first experience with music - his sister began taking piano lessons and he would sit and practice with her. This was around the same time he had seen The Beatles perform on The Ed Sullivan Show. That inspired him to cut a guitar out of cardboard, add "strings", (made of yarn), decorate it and play and sing around the house.At age 10 he got his first real guitar, a red acoustic. Nick laughs, "It was purchased with the yellow top value stamps you received from shopping at Kroger's Grocery Store". He took guitar lessons at Gattuso's Music store for six months. He had a difficult time playing chords so stopped taking lessons but never stopped practicing.In 1970 at the age of 13 Nick saved $130 from his newspaper route and wanted to buy a set of drums that was on display in the window of a local pawn shop. Because of the potential banging his mother discouraged him from buying the drums. Instead he bought his first electric guitar with a small amplifier. "It was a $19 amp with a 3" speaker but I was officially wired!" he said.In the summer of 1971, Nick was jamming on the saxophone with some neighborhood friends to the vamp of "Who Knows" by Jimi Hendrix. When finished the guys sat and played the entire record "Band of Gypsies" by Hendrix. "I was in awe!" Nick recalls. "That was it - I was going to focus more on the guitar and I started to practice for hour's everyday". Jokingly Nick said, "I wanted to become the "Greek Hendrix!". Along with Hendrix, Nick was ...
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