| | Death Ss Seventh Seal CD Death Ss Discography of CDs
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This album represent the ultimate step forward in the evolution of this seminal band, where the unmistakable and very imitated horror atmospheres of the early ears are skillfully mixed with the modern, anthemic and metallic sound of their last productions. "The Seventh Seal" is the perfect hinge between the past and the future of the band, the perfect closing of a magic circle started many years ago and gaining this uncommon band a cult status by fans all over the globe fully recognised.
Includes 1 bonus track. Death Ss Seventh Seal Songs | 1. | Give em Hell |
| 2. | Venus Gliph |
| 3. | Der Golem |
| 4. | Shock Treatment |
| 5. | Absinthe |
| 6. | Another Life |
| 7. | Psychosect |
| 8. | Heck of a Day |
| 9. | S.I.A.G.F.O.M. |
| 10. | Healer |
| 11. | Time to Kill |
| 12. | 7th Seal |
| 13. | Four Horsemen (Bonus Track) |
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Seventh Seal Review
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From the U.K.-based Big Beat reissue label comes one of the most interesting entries in their "Nuggets From the Golden State" series. These recordings highlight some of the lesser-known artists that contributed to the Bay Area's mid-'60s cultural renaissance. The Berkeley EP's gather the contents of the unique extended-play releases of Country Joe & the Fish, Frumious Bandersnatch, Mad River, and Notes From the Underground. Although geography ultimately bound these four groups, their decidedly diverse styles and presentations accurately represent the extensive spectrum of pop and rock being produced in every strata of San Francisco's multifarious psychedelic music scene. The tracks featured here originally comprised the second issue/"talking edition" of Country Joe & the Fish's self-produced periodical Rag Baby. Parties interested in hearing the first and third of these releases are advised to seek out Collectors Items: The First Three EP's, which also features two contributions from Peter Krug. All three of these tunes would turn up on their debut long-player for Vanguard, albeit re-recorded and arguably less edgy than these original workings. Combining blues-based rhythms with a somewhat dated farfisa-driven instrumentation, the languidly trippy "Section 43" contrasts ...
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The Ozark Mountain Daredevils' third album for A&M continues their good-natured Southern chooglin' ...
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Given the circumstances surrounding Butterfly Boucher's sophomore album, it's a small wonder that it sounds so fresh. Although released in 2009, SCARY FRAGILE is an older album, recorded in the midst of Boucher's label troubles and finished long before she extricated herself from two contracts. Even so, it's hard to view this as anything but a happy cry of independence, and it's a happily melodic cry at that. Boucher blazes an independent trail by playing most of the instruments herself, stopping only at the drums, which are handled by Shawn Pelton. The resulting material bounds between swaggering alt rock--replete with fuzz bass and layered guitars--and nuanced pop songs, with stacked harmonies and buoyant melodies creating a bridge between both camps. Boucher also betrays a slight Lilith Fair influence, having toured with Sarah McLachlan while many of these songs were being written, but SCARY FRAGILE is more experimental than most albums from the Lilith era, boasting a range of genres only rivaled by McLachlan herself. Throw in some smart production by David Kahne, who runs Boucher's voice through a number of effects pedals, and SCARY FRAGILE emerges as the songwriter's best work to date, regardless of the circumstances that spawned it.
Given the circumstances surrounding Butterfly Boucher's sophomore album, it's a small wonder that Scary Fragile sounds so fresh. Work on the record began in 2004 and wrapped up in 2006, but Boucher was sent back to the drawing board after her label disapproved of the original track list. When the songwriter returned with a new handful of songs, the label disapproved of her "American-sounding" material and sent her away once more, this time suggesting she collaborate with a Swedish producer to write quirkier material. Boucher was attached to two labels at this point -- one ...
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