| | Arthur "Big Boy" Crudup Mean Ol Frisco CD - Import Arthur "Big Boy" Crudup Discography of CDs
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Our Price: $30.75  CDFor Sale Usually ships in 1-2 days
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Compiled from Arthur Crudup's 1962 sessions for Fire Records.
These are his '60s Fire sessions. It fits into the second stage of his recording career, with Look on Yonder's Wall and Coal Black Mare. ~ Barry Lee Pearson
24bit digitally remastered Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork. Arthur "Big Boy" Crudup Mean Ol Frisco Songs | 1. | Mean Ole Frisco | |
| 2. | Look on Yonder Wall | |
| 3. | That's Alright | |
| 4. | Ethel Mea | |
| 5. | Too Much Competition | $0.69 | |
| 6. | Standing at My Window | |
| 7. | Rock Me, Mama | |
| 8. | Greyhound Bus | |
| 9. | Coal Black Mare | |
| 10. | Katie Mea | |
| 11. | Dig Myself a Hole | |
| 12. | So Glad You're Mine | $0.99 | |
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Mean Ol Frisco Review
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1983-84;Prod.By Rod Piazza; Best Cuts From His Final 2 Lps
Personnel: Pee Wee Crayton (vocals, guitar); Doug MacLeod (guitar); Rod Piazza (harmonica); Fred Clark (alto, tenor & baritone saxophones); Marshall Crayton, Jr., Bill Clark (tenor saxophone); Fernando Harkles (saxophone); Claude Williams (trumpet); Honey Piazza (piano); Llew Matthews (keyboards); Dan Fredman, Eric Ajaye (bass); Soko Richardson, Lee Spath (drums).
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I grew up to be a fun driven, spur of the moment, and eager to get my hands on anything that would enable me to put a smile on someone's face, type of girl. I was influenced by the mood of nature, and the spontaneity of human emotion. If I could charm you, that made my day. With such ongoing jovial energy, my mother figured she'd better put her daughter in an active program where she could exert all that energy and creativity. So “little Raistalla” at the tender age of six was enrolled in dance, music and voice training from elementary school to high school. Tap couldn't have been the better dance form for me to learn first, as my key forte of today is that of sound and movement combined. “I am the sound and the movement.” Ballet, Jazz, Musical Theater, Modern/Contemporary, Hip Hop, African, and many other forms of dance soon followed through the years leading to my career as a professional dancer. After performing for several years as a professional dancer in the Dance entertainment industry, the time has come for me to transform and emerge as an artist and take center stage as a singer/performer. My debut album, “RAISTALLA,” was experimental; basically a tool for me to physically show my transfer from dancer to singer/performing artist. It enabled me to put many different characters and abilities on display for people to understand what I want to do. "I'm a performer; I become the scenario and manifest it through music and dance."I have toured Japan, and performed in NY, and LA promoting my debut album. I feel now that my album has served its purpose. Now I have found the direction to take my new sound to the next level. It’s called “Electro-Funk!” It's an exiting fusion of Funk, Pop, and Electronica. Apart form the album, my single “Shut It Down” released in 2007, represents the “over the top, in your face” party MC who just wants to make you dance. You can hear samples of each song on my website. It will give you a taste of my talent. My first video is now released, and can be viewed on www.myspace.com/raistallamusic, www.youtube.com/watch?v=znJqAbAM64s, and on my website, www.raistalla.com.I WON "Best Audience Winner" that is the "most voted" for my video, at the Digifestival 2007 in Florence Italy. You can check it out here: http://digichannel.net/index_artist.php?cat=3&subc=17&art=28&video=24. I was also one of 6 finalist on "WE ARE LISTENING.org" round 3, for best video; and thanks ...
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With his 4th cd of Modern Hillbilly music, Rand Reynolds continues his journey to connect the heart to the head. This guitarist’s lightning maturity and sophistication as a songwriter strengthens with Scorched Earth as his baritone delivery introduces new emotional elements that are convincing and contagious. His signature sound is patently potent -- acoustic guitars rumble about in ominously barren musical arrangements that, on the surface, are simplistic in origin, but with an underlying level of complexity masked by the songs’ straightforward melodies. Reynolds’ style is not a manufactured sound, to be sure; his harsh sparse tone is readily recognizable and as close to the listener as this man’s own DNA. He records as if he’s playing to a crowd of one in a perpetual ...
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