| | Yuki Nagaho Yukiguni Momiji CD - Import Yuki Nagaho Discography of CDs
Yukiguni Momiji Music | List Price | $19.99 (You save $1.60) | | Category | World Albums, International CDs, Japanese | | Label | Crown | | Orig Year | 2006 | | CD Universe Part number | 7209126 | | Catalog number | 629007 | | Discs | 1 | | Release Date | Jul 11, 2006 | | Mono/Stereo | Stereo | | Additional Info | Japan |
Yukiguni Momiji Review
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Purchase Yukiguni Momiji CD To buy, Click on price to add to cart | Lord Of The Dance DVD (1996)
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to ...
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1973's tellingly named Mudanzas (which means "changes" in Spanish) was where it all started to go pear-shaped for England's Stray. Frustrated with the British media's dismissive attitude toward their first three albums, and eager to expand their following beyond a loyal stable of heavy prog diehards, the quartet enlisted producer Andrew Powell to embellish many songs on Mudanzas with loads of brass and string arrangements, perplexing many consumers, as well as media professionals. At least none could fault the size of the band's "cojones" (might as well stick with the Spanish theme here, right?) when faced with the western movie soundtracking of instrumental opener "Changes," or bite-sized symphony "Come on Over," with its ambitious emulation of Electric Light Orchestra. Equally daring were the album's many tracks enhanced with horn sections: "Gambler" was an upbeat saxophone-laden single; "I Believe It" an elegiac number crowned with a guitar solo reminiscent, in key, to "Stairway to Heaven"; and "Pretty Things" more urgent, with room for blistering six-string work from Del Bromham. The guitarist did away entirely with these frills on more stripped-down, fan-familiar hard rock efforts like the Quadrophenia-esque "It's Alright Ma!" and the Status Quo-styled boogie rock of "Hallelujah," then led the group down distinctly Beatles-ish roads on "Oil Fumes and Sea Air" and "Soon as You've Grown," with its soothing, McCartney-like vocals and what might be synthesizers or real oboes rounding out the Sgt. Pepper feel. In the end, though, it was a credit to Stray's formidable talents that they even managed to keep all of this variety together in any shape or form, but Mudanzas nevertheless failed to take them to the next level of commercial success, and alienated many members of their dedicated hard rock fan base. ~ Eduardo Rivadavia
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As a vocalist, you could not ask for a more world class virtuoso. Imani has been on numerous recordings and there is no question that the music she conjures follows the same route. Her illustrious talents have graced many albums and soundtracks, including the National Geographic Television’s Explorer Series, most notably the Emmy nominated film, the Jane Goodall Biography. She has also graced the stages of many festivals and venues, such as the New Orleans Jazz & Heritage Festival, Curacao Jazz Festival, San Antonio Jazz Festival and the Montreal International Jazz Festival.Born in South Carolina, Imani has been singing since the tender age of 5. She sang with various groups in the area from her early childhood through high school. While attending the University of South Carolina she began to perform professionally in musical theater and in a local dive, Bogie’s Café. After graduating with a B.A. in Journalism, Imani moved to Boston to pursue her music. She took voice training at the New England Conservatory of Music and the Berklee School of Music, where she met and was inspired by Pat Metheny.Seeking out all of the jazz haunts in New England, Imani was introduced to the likes of Carmen McRae, Sarah Vaughan, Yusef Lateef, and Richie Havens, who influenced and encouraged her to go forth with her music. Imani went on to sing at local clubs and colleges until moving to Washington, D.C. She trained at Howard University under Dr. Napoleon Reed (one of the first world renowned African-American opera singers). It was here that Imani came into her own.In pursuit of diversifying her sound, Imani became interested in world music while using her voice as an instrument. During this time she became interested in playing hand percussion. Over the years, Imani has had the opportunity to hone her art through working, performing and recording with artists like the World Music Ensemble on Celebration (Mapleshade Productions), Jeff Order on Of Ancient Wisdom (Order ...
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