| | Koji Kikkawa Savanna No Yoru CD - Import Koji Kikkawa Discography of CDs
Savanna No Yoru Music | List Price | $19.99 (You save $1.60) | | Category | World Albums, International CDs, Japanese | | Label | Tokuma | | Orig Year | 2006 | | CD Universe Part number | 7209157 | | Catalog number | 629026 | | Discs | 1 | | Release Date | Jul 11, 2006 | | Mono/Stereo | Stereo | | Additional Info | Japan |
Savanna No Yoru Review
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Purchase Savanna No Yoru CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM ...
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It was not pure ego that led Buju Banton to title his 1993 album VOICE OF JAMAICA; his unique voice is a gruff, melodic instrument, and his lyrics are precise. He built his career on controversial hits and slacker anthems, but has since helped spearhead a movement to swing reggae's pendulum away from sex and violence, back towards conscious lyrics and Rastafarian themes. On `TIL SHILOH, the voice of Jamaica has visibly evolved.
Still, don't let all this consciousness talk scare you; Buju's strength is his ability to create hooks that buoy the weight of his words. The choruses of singles like "Murderer," "I Wanna Be Loved" and "Champion" drill themselves into your head and nest there for days. 'TIL SHILOH is also one of the most experimental dancehall releases ever, utilizing an a capella intro, a track built out of African chanting and percussion ("'Til I'm Laid To Rest"), and a song featuring an acoustic guitar ("Untold Stories"). A duet with the late Garnett Silk ("Complaint") provides a nice respite from Banton's ...
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| | Ry Cooder Chavez Ravine CD (2005)
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With help from musicians associated with the era and location (including Don Tosti, Lalo Guerrero, and Thee Midnighters' Little Willie G.) and studio musicians Jim Keltner, Jon Hassell, and legendary Tex-Mex accordionist Flaco Jimenez, Cooder has created a musical novel that richly celebrates the music, life, and lingering mythos of Chavez Ravine, an L.A. neighborhood razed by the city in the interest of big business (namely to build a stadium for the soon-to-be L.A. Dodgers). Stylistically, the album, performed in both Spanish and English, encompasses Latin folk forms, swing, atmospheric ballads, rhumba, and R&B. Yet the whole feels so rooted in history, so packed with real characters (like boxer Carlos Chavez) and stories (like a Pachuco-slang-speaking UFO sighting) that it plays as an organic whole. Playful, poignant, historically significant, and thoroughly enjoyable, CHAVEZ RAVINE is a stunning achievement.
In the wake of the tremendous impact of the BUENA VISTA SOCIAL CLUB album, film, and tour, it is easy ...
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Recording information: Neos Productions.
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A small but surprisingly solid budget collection, Bubble Gum Hits collects ten of the style's definitive tracks, including Ohio Express' "Yummy, Yummy, Yummy," Tommy ...
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INFERNO! contains 2 original LPs on 2 CDs: 150 MPH (1979)/DYNAMITE! (1980).
Although the two albums combined on this reissue were recorded five years apart (150 MPH, though not released until 1979, was cut in sessions on May 25 and July 29, 1974, while Dynamite was recorded live at the Concord Jazz Festival in August 1979 and first issued in 1980), they have a lot in common. Both are big band dates, and some of the same personnel appear on both: trumpeter Bobby Shew; trombonists Nick DiMaio (the co-producer of 150 MPH), Dana Hughes, and Bob Payne; saxophonists Dick Spencer and Don Menza (who wrote six selections, four on 150 MPH and two on Dynamite); and percussionist/vibes player Jack Arnold. Beyond that, the musical approach is much the same on both albums. Drummer/leader Louie Bellson filled both with originals, most of them written either by himself or Menza, although there is a cover of Rodgers & Hammerstein's "Hello Young Lovers" from The King and I on 150 MPH and then-teenaged saxophonist Matt Catingub contributed the closing track, "Explosion," to Dynamite. Bellson and Menza's tunes are busy swing numbers with plenty of room for soloing by the horn players, particularly Shew and (on 150 MPH) tenor saxophonist Pete Christlieb. Of course, the leader gets his say, too, particularly on the barnburners that close each ...
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Don't Get Comfortable was, contrary to its title, one of the smoothest, easiest-to-go-down helpings of smart, contemporary Christian pop to surface in 2006. The album was a strong showing for Brandon Heath, who signed to the heavyweight Reunion Records roster (home to Casting Crowns and Michael W. Smith, among others). The native Nashville singer exhibited a host of skills honed after years of collaborating within the CCM songwriting community. Heath rose from the songwriting ranks to become a fully developed artist, eventually partnering with Bebo Norman, Matt Wertz (who happened to be his roommate at the time), Dave Barnes, Chad Cates, Philip LaRue and Ben Glover. His ...
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