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Jude Shocking Black CD

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Shocking Black Music


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Category World Albums, International CDs, Japanese
Label BMG (distributor)
Orig Year 2006
CD Universe Part number 7209197
Catalog number 628745
Discs 1
Release Date Jul 04, 2006
Mono/Stereo Stereo
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The ...
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This is part of LuakaBop's World Psychedelic Classics series. Ignored upon its release in 1974 and celebrated upon its reissue in 2001, Shuggie Otis' fourth and last album Inspiration Information exists out of time -- a record that was of its time, but didn't belong of it; a record that was idiosyncratic but not necessarily visionary. It was psychedelic soul that was released far too late to be part of any zeitgeist and it was buried at the time. Yet no matter what Luaka Bop's grand poobah David Byrne claims on the sticker -- he says Shuggie's "trippy R&B jams are equal to Marvin's and Curtis', but somehow more contemporary sounding...closer to D'Angelo meets DJ Shadow" -- this isn't revolutionary. It can occasionally sound modern, such as on the rolling head trip "XL-30," but only because it's the kind of groove Shadow would sample and build on; the slow, liquid instrumental head trips sound the same way. Perhaps that's why it can seem more contemporary -- contemporary ears are more attuned to these relaxed, warmly trippy soundscapes. Otis crafted all of this essentially alone, playing each instrument himself, and it's quite clearly a reflection of his inner psyche, and no matter how much it floats and skates upon its own sound, it's a welcoming, inviting sound. But, no matter how much ...
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Keali`i was born and raised on Maui, growing up in Lahaina and spending weekends and summers at his grandmother's house in Pa`ia on the windward side of the island. His passion for the language and culture of Hawai`i led him to become the founding director for Punana Leo O Maui, the Hawaiian language immersion school. He also founded his own hula school, Halau Ke`alaokamaile, in 1980 and has won numerous awards over the years. Keali`i is also recognized as one of only five Master Chanters in Hawai`i.In 1994 he independently produced and released a collection of Hawaiian traditional and contemporary songs and chants entitled "Kawaipunahele." His subsequent music releases, "Lei Hali`a" (1995), "E O Mai" (1997), "Melelana" (1999), and "Ke`alaokamaile (2003) have cemented his place in the Hawaiian music industry. All told, he has been awarded 19 Na Hoku Hanohano Awards, and his consistent placement in Billboard Magazine's World Music and Heatseeker Charts has garnered him international attention. Keali`i has opened concerts for Bonnie Raitt, LeAnn Rimes, Celine Dion and Sting, and has played such diverse ...
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On December 31, 1962, the Beatles performed the classic song "Besame Mucho" at the Star Club in Hamburg, Germany, in recognition of the highly emotive music from Latin America. Four decades later, RMM decided to bring the Beatles' greatest hits back, this time played by some of the most prominent Latin artists in a tropical tribute to one of the most influential acts in popular music ever. After the opening track, "Hey Jude," by Puerto Rican singer Tony Vega, Tito Nieves and the percussion virtuoso Tito Puente deliver a freewheeling "Let It Be." The Cuban soloist Guianko performs a salsa version of "Can't Buy Me Love," followed by Johnny Rivera's "Hard Day's Night." Latin diva Celia Cruz sings her own version of "Ob-La-Di, Ob-La-Da," while New York-based Ray Sepúlveda and Manny Manuel do the same on "The Fool on the Hill" and "I Want to Hold Your Hand," respectively. Domingo Quiñones' cover of "Day Tripper" is followed by "Lady Madonna" by Venezuelan-born Oscar D'Leon, and Jesus Enríquez joins Cuban Miles Peña on "With a Little Help From My Friends." RMM Tropical Tribute to the Beatles comes to an end with a stylish version of "Yesterday" ...
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Joel Warren knows what country is all about! He should. Joel grew up on a ranch just outside of Stapleton, Nebraska. At a young age Joel was immersed in cattle ranching on the vast expanse of the ...
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