| | MSG Vol. 2-Made At Home CD Msg Discography of CDs
In 1999, MSG existed only as a question: What would it take to put Madison, Wisconsin on the music industry map? The answer was that Madison needed a more cohesive songwriter/performing artist community. On that premise, MSG was founded to provide educational, performance and networking opportunities for local artists. By providing a broad range of services and support, meeting the needs of both established and aspiring performers, MSG set out to improve the quality and quantity of original live music generated by Madison artists. By all accounts we have been tremendously successful. We offer an impressive array of programs each month, including Song Critiques and Songwriters in the Round, as well as a Songwriter’s Showcase that provides performance opportunities for emerging artists. We also sponsor the Midwest Song Contest, the largest contest of its kind in the region, and the monthly distribution of the B-Side, an electronic newsletter that includes reviews of member CDs and advice columns from industry experts. We have also added a Holiday CD Sale encouraging people to give the gift of local music. And, coming in 2006, we'll sponsor the first MadSong Expo, a two-day conference featuring songwriters, publishers and music industry heavyweights from across the country. After the amazing success of our first compilation, MSG is proud to present this second volume of Made at Home. We feel it is another wonderful collection of songs and performances by our members. While the first disc documented a growing movement of home recording by our members, Volume 2 features outstanding tracks from some of the nicest studios in the area. Many of the artists on the first disc have gone on to record deals and publishing contracts. This disc features several artists you might be familiar with, while showcasing a few groups we are certain you'll be hearing a lot more from in the future. I hope you enjoy this look at some of the Midwest's finest talent. Keep on Writing,Eric HesterPresident, MSG For more information on the artists featured in this compilation please visit madisonsongwriters.com MSG Vol. 2-Made At Home Music | Category | Folk Albums | | Label | CD Baby | | CD Universe Part number | 7209750 | | Catalog number | 6686 | | Discs | 1 | | Release Date | Jan 03, 2006 |
MSG Vol. 2-Made At Home Songs | 1. | Eleven Below |
| 2. | You Take Me |
| 3. | The Dope She Was Doing |
| 4. | Welcome to Boscobel |
| 5. | Piltdown Man - West Of Rome |
| 6. | Any Guitar |
| 7. | Sweet Love |
| 8. | Endlessly |
| 9. | Iris - Aaron Nathans |
| 10. | Rest Assured - Amy Curl |
| 11. | Watching You |
| 12. | Long Way Tonight - Clear Blue Betty |
| 13. | Stay Awhile |
| 14. | When Evening Falls - Calicodrifters |
| 15. | Baby, Please Baby Me |
| 16. | I Wrote This Song For You |
| 17. | Garden State - Greg Winkler |
| 18. | Juliet - Mark Croft |
| 19. | December - Albert |
| 20. | Henry - Kris Adams |
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MSG Vol. 2-Made At Home Review
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Hey, I could tell you folks what a great time we had making this CD and why maybe you should buy it and have a great time listening to it. But seeing as I'm hardly a disinterested party in the matter, why don't you take it from these folks:"This is truly a great CD - these skilled musicians have really captured the "sound" of the early recorded string band; the only drawback is now I have a real reason to regret having moved away from Austin."- noted illustrator Chis Ware, 2003"I've been listening all week and I can't find a single thing about this music I don't like...brief liner notes actually worth reading, not a false note struck anywhere." -No Depression, issue #41 "Austin bassist Mark Rubin, and founding Bad Livers member, is a musical journeyman who manages to make hopping across genres look deceptively easy. The Bing Bang Boys deliver a hodgepodge of American tunes from ...
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Jacob Roske and Bianca Pettis want me to understand that they're "not trained electricians." I bet the same could be said of most bands I interview. But most bands I interview don't pop open the back of a Casio keyboard and then hand me a piece of wire with an attitude of cheerful hospitality that would be equally appropriate for serving a slice of birthday cake."Here, try it," says Roske. Pettis looks on, smiling encouragingly, and adds, "Just stay away from where the main power is."Roske and Pettis, who perform together as Beatrix*JAR, are circuit benders. They make electronic instruments by tinkering with the insides of old Speak & Spells and synthesizers. The goal of circuit-bending culture is to create experimental music out of thrift-store booty and self-taught know-how. As a couple, Beatrix*JAR not only craft their own gizmos and record albums, they also teach workshops on their art. At museums around the country, they encourage class participants to pry open toys and unleash the sounds held captive by preprogrammed buttons.Neither one has a background in conventional music. When the two met at Minneapolis Community and Technical College, Pettis was taking a film class, and "I was playing AM radios and disposable flash cameras," explains Roske. (Please don't just let that sentence float by unexamined. I bothered to ask Roske what on earth he meant by asserting that he played "AM radios and disposable flash cameras," and was rewarded by a demonstration of how the presence of a flash can bend and squiggle the sound emitted by a pocket radio.)As their romantic and creative passions entwined, they became inseparable. The center of their universe is now a shared loft in St. Paul, although Pettis reveals with a laugh, "People don't ever think we're a couple." She's taller, older, and just generally more of an African American boho chick than Roske, a mild guy with the pallor and build of your average indie record-store clerk. But together, they collaborate and encourage one another in a life where play has little distinction from work, and work has no distinction from following your dreams.In 2006, they released their first record, I Love You Talk Bird, a mix of created sounds and found bits collaged together. It was gently paced, an ambient haze of brushed beats accented with their own vocals, sometimes ...
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