| | Others Ran Die Pretty CD Others Ran Discography of CDs
This EP comes with a firecracker and a match, sealed to the cover under cellophane. It’s an unabashedly apt metaphor, because The Others Ran bombard you from the get go with the rawest, dirtiest rock ‘n’ roll you’ve heard since the Ramones or early Misfits. The recording, which took place in the band’s basement, is kind of the most brilliant part. The sound of this recording communicates a total DIY vibe that enriches the music and probably couldn’t have translated if it was recorded in a more professional, glossy setting. The echo-y, feedback-filled gritty vibe lends itself perfectly to the super raw, low-fi punk rock appeal of the music. If you have the chance, see these guys. I think some of their stage antics are literally illegal. -Mary Binge & Purge zine, Palindromehttp://www.greshimaging.com/binge/alpha/?p=26The Others Ran rooted in Brooklyn in July 2005, Two brothers from Baltimore. We play a SKATE PUNK THRASH INDUSTRIAL GARAGE MIX influenced mainly from the old SKATEROCK Tapes from thrasher mag and skaters in the early 90s, Were keeping our recordings as raw as possible, and hope it stays that way. We sound like Bruce Lee shouting Hoy-Ya sex grunts, while fireworks peirce your private parts where you like it. Expect costumes, expect noise, wear clean underwearTHE OTHERS RAN Others Ran Die Pretty Songs | 1. | Drop A Dime |
| 2. | Pacifist |
| 3. | 7 Inch Split |
| 4. | Blood |
| 5. | Pink Laced Underwaer |
| 6. | Reap Reap Reap |
| 7. | B Day |
| 8. | The Fast Song |
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Die Pretty Review
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Purchase Die Pretty CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
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Kid Rock's unique blend of Midwestern rock & roll, rap, and R&B gets another airing with COCKY, which features a plethora of road tunes, who's-the-baddest cuts, and straight-ahead drinking songs. The slow, greasy grooves of "You Never Met a Motherf**cker Quite Like Me" contrast violently with the Detroit Rock City raunch of "I'm a Dog," which itself stands in stark contrast to the first half of "Midnight Train to Memphis," an atypical, steel guitar-accompanied ballad.
You don't come to Kid Rock for subtlety (the last cut, WCSR, featuring Snoop Dogg, is proof of that). He's a Midwestern rapper who wishes he was in Lynyrd Skynrd--and who could probably make a pretty good job of it. The straight-ahead rock tunes swing mightily courtesy of drummer Stefanie Eulinberg, and Rock has his bad-ass rap act down cold here, though how much longer he can keep it up is another question for another time.
Great title. Pretty good album. Perhaps it shouldn't be a surprise that Kid Rock decided to follow his Devil Without a Cause blueprint for its follow-up, since that was the record where he figured out how to mix "the hard rock/Southern rock with the hip-hop," creating a towering, powerful, original blend of country-fried metal, heartland rock, knowing arena rock posturing, old-school rap, and classic American hard rock. It was what he planned to do from the outset, so why should he give it up now that he could finally do what he always wanted? Still, there's no denying that a sequel simply does not pack the punch or the surprise of the original, no matter how well it's constructed, and that's why it initially is easy to view Cocky as a bit of a disappointment; it not only offers nothing new, it seems considerably tamer than its predecessor. How could it not? Not only does the Kid have nothing to prove this time around -- he not only went platinum, he did it ten times plus and then landed Sheryl Crow and Pam Anderson -- he no longer has his midget sidekick, Joe C., around to enhance the Midwestern carnival atmosphere of his entourage. That wild, white-trash Fellini-esque vibe is missed, as is the overwhelmingly great songwriting of Devil, but if not viewed as direct competition with its predecessor -- which is, after all, the great hard rock album of the late '90s, filled with great sounds and songwriting ...
| | Sean O'Rourke Primal Colors CD (2005)
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I have had a professional drumming career for Twenty-six years including tours across the United States, Canada, and Europe. I have drummed for:Sugarland,Howard Tate (2004 Grammy Nominee), William Bell, Chuck Rainey (Steely Dan), Solomon Burke,The Soul Stirrers (Sam Cook), Speech and Arrested Development, Pat Travers, Mothers Finest, Leo Nocentelli (The Meters), The Aquarium Rescue Unit, Derek Trucks, Oteil & The Peace Makers (The Allman Brothers), Francine Reed, Eric Essex, Sean Costello, Chick Willis (The Stoop down Man), Snooky Pryor and David "Honeyboy" Edwards to mention a few. I have performed at such high profile shows as:Leno,CMA Fest,Martha Stewart,Good Morning America,The View,ACM awards,AOL sessions, The Jacksonville Jazz ...
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Smooth jazz has long been the whipping boy of straight-ahead jazz musicians, and in many cases, the criticism is totally warranted. Let's face it: much of the formulaic, unimaginative, bloodless drivel that has plagued NAC radio play lists in the '80s, '90s, and 2000s is amazingly bad. That said, smooth jazz is not inherently evil; there is nothing wrong with providing pop-flavored jazz or jazzy instrumental pop if it is done with integrity -- and if one considers David Sanborn, Michael Franks, or the late Grover Washington, Jr. part of smooth jazz, it could easily be argued that some smooth jazz does, in fact, have integrity. One 2005 release that falls into the "smooth jazz with integrity" category is pianist Lesley Spencer's Postcards from Spain. This 48-minute CD favors a soft and gently melodic blend ...
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One listen to the songs here and it will be obvious that Cropchecker is not your run of the mill band out clamoring aimlessly for poontang, power, and poserdom. And while some might say the audience ...
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