| | Wanda Johnson Natural Resource CD Wanda Johnson Discography of CDs
Wanda Johnson is an intense and emotional modern singer whose music is a blend of soul, pop, blues, gospel, and folk influences. "Natural Resource" is her second CD, a collection of fourteen new original songs (some of which she wrote, others written by producer/bandleader Shrimp City Slim)...Some rockin', some tender, all passionate. Wanda (b. 1963, Anderson County, SC) comes from a large farming family and has lived with music all her life. She has been performing semi-professionally since the early 1990s. Many, after seeing her perform at the Chicago Blues Festival, Pocono Blues Festival, overseas (Italy, France, and soon China - late 2007), wonder when she will become a household name.Both this album and her first CD "Call Me Miss Wanda" (2003, Erwin Music) have numerous songs in regular rotation on XM Satellite's "Bluesville" radio station. And one track off her first CD was used for a national TV/radio ad campaign for Curves For Women. That's only the beginning...Get on board with this beautiful and fresh talent for the international music scene.TOUR ALERT 2009: See Wanda Johnson on tour: Macau SAR (China) March 18-30; Hotel Meridien (Paris, France) April 21-25; Poland & Czech Rep July 13-August 2. Please visit www.wandaj.com or www.myspace.com/misswandajohnson for calendar updates. Wanda Johnson Natural Resource Songs | 1. | Natural Resource |
| 2. | Hot Potato |
| 3. | Heading North |
| 4. | Drop In The Bucket |
| 5. | Lovely On The Water |
| 6. | It's Good |
| 7. | Mama's Recipe |
| 8. | Blue Ain't Nothin' But A Color |
| 9. | It's So Nice To Have Someone |
| 10. | Just Tell Me |
| 11. | Bath Water |
| 12. | Time To Get Over You |
| 13. | Enjoy The Ride |
| 14. | Behind A Cloud |
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Natural Resource Review
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A Night in the Life of Stew Moss (or Funny Things Happen in Route to the Blues)In my pursuit of The Blues, I've crossed paths with a lot of colorful characters. Take the time in October of 1999 when I volunteered to pick up Homesick James at O'Hare airport. He was booked to play at the Chicago Blues Fest that day, and at a joint called the Hot House that night. I was also playing a solo at both. After the day show, I led him to the van with instructions not to let anyone bug him for his autograph. (I let a couple guys have it anyway. Homesick didn't seem to mind.) Then I dropped him off at his hotel to chill out until about 9:00 PM when I told him we would be back to pick him up. So at nine sharp I stood outside his door where I heard a loud TV with the Hawaii Five-O theme song just starting up. When I knocked, an angry-sounding old man's voice rose above the trumpets and drums. "I ain't going!" "It's me Mr. James," I said. "Stew Moss." "I ain't going!" His voice was a little louder and angrier this time. Did the television just get louder? I wondered, as I dared another knock. Sixty some odd years of blues guitar playing reduced to an angry old man tromping across a hotel room floor. "I ain't going !" he shouted again through the still-closed door."Yes, Sir, but I was sent to get you," I said. "Who the *#@! are you?"" Stew Moss." The door opened and there, in his under shorts and tee shirt, stood Homesick James. "Oh I remember you. I still ain't going." He smiled. What could I do? I said, "Ok" and went back to the cab. When I got to the club and the manager asked me about Homesick, I just answered, "He ain't coming." The next day, Homesick James and I took another cab back to O'Hare. I had the opportunity to play with Homesick James again later that same year at BB Kings in NYC. Also sharing the stage were Henry Townsend, Honey Boy Edwards, and Robert Lockwood Jr. My act was first, followed by Homesick then Honey Boy then Henry then Robert. For the finale, we all jammed together. Then after an hour intermission, we did the same thing all over again. Robert Jr. glared at me when the first jam ended. But after the second show, he said, "Boy you all right." The next morning, I took everyone to the airport and flew home. Shortly after that, my wife divorced me and I lost my job. I decided to become a full time musician, with the vision of being The New Standard in American folk blues. I wanted to play Roots Music that will stand the test of time, music people can relate ...
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The voice. It reels you in. Unvarnished and natural. Slowly you begin to notice the surroundings. An acoustic guitar weaving through the multi-hued tones of a rich, sonic canvas. All in support of the song. Sincere lyrics crafted with pure emotion. This is Jamie Varley.Whether you see him perform one-on-one with his acoustic guitar in an intimate ...
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