| | James & The Late Guitar, JR Semiconductor CD James & The Late Guitar, JR Discography of CDs
Ever peak into the inner workings of your computer? Go ahead, open it up. Look closely. See the little man in the tux? He's holding a baton, and he's keeping time. Those little black shiny plastic squares that look like circuitry? Look again--they're really little orchestra players. That's right, that's how music gets made in the third millennium of the Uncommon Era. For Semiconductor, jr. james & the late guitar enlisted the able talents of some first-rate players. These include John Winston Phillips, Tyler Ramsey, Bill Reynolds, Aaron Price, Jesse Lauricella, Alan Marcha, and Michito Sanchez. French teacher Seth Buddy helped with the Translation. And producer Nancy Alenier made sure it held together. Semiconductor is a non-jewel-case release. More Music, Less Plastic! Support Unpopular Music!Semiconductor is a non-jewel-case release. More Music, Less Plastic. James & The Late Guitar, JR Semiconductor Songs | 1. | Everything Takes Longer |
| 2. | Surrender (The Give-Over) |
| 3. | Translation |
| 4. | Work & Worry |
| 5. | Planet 10 |
| 6. | I Just Want To Loop Beats With You |
| 7. | Semisymphony In D Minor |
| 8. | Trouble Kid |
| 9. | Over Dub |
| 10. | Too Much Trouble |
| 11. | Code A |
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Semiconductor Review
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Purchase Semiconductor CD To buy, Click on price to add to cart | Blues Breakers With Eric Clapton CD (1966) Gold
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John Mayall & The Bluesbreakers: John Mayall (vocals, piano, organ, harmonica); Eric Clapton (vocals, guitar); John McVie (bass); Hughie Flint (drums).
Includes original release liner notes by Neil Slaven & reissue liner notes by Paul Trynka.
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar ...
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CĂ“MO INICIAR UNA CONVERSACIĂ“N ("How to Start a Conversation" 45-minute Spanish Spoken Word CD)Written by Don Gabor, author of How to Start a Conversation and Make Friends La conversaciĂłn es la manera principal de expresar ideas, sentimientos, opiniones y metas en situaciones sociales, profesionales y personales. Basándose en la idea que la confianza ayuda a la mayorĂa de personas a comunicarse mejor con desconocidos, amigos y familiares, este programa de lenguaje enseña al lector a usar la conversaciĂłn como un instrumento para construir mejores relaciones en el hogar y en el trabajo. TambiĂ©n se incluyen recomendaciones para el uso efectivo de lenguaje corporal y como evitar problemas que pueden surgir en la conversaciĂłn.Don Gabor es el autor del libro exitoso Como Empezar una Conversacion y Hacer Amistades. Desde 1980, Don Gabor da conferencias y escribe sobre el arte de la conversaciĂłn. Don Gabor se dedica a ayudar a la gente a alcanzar el Ă©xito a travĂ©s de mejores habilidades comunicativas. Para ...
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Gun-shy (gnsh)adj.1. Afraid of loud noise, such as that of gunfire.2. Extremely distrustful or wary.In the flesh, Gunshae is the Panambient project of Canadian dubstep pioneer James “Kuma” Graham and renowned Oboist and DJ, Eve Mori.Traveling Without Memory is the end result of seven years of Gunshae; from the projects early days as an ambient punk explosion to the acoustic/electronic hybrid sound of today.Recorded in Vancouver, Tokyo and Atlanta, Traveling Without Memory fuses live instrumentation with loop-based technology to create an album swathed in layers of classical composition, DJ culture and improvised sound disruptions.Gunshae is what happens when a classically trained musician and a notorious DJ with a penchant for improvising and have them jam on the sound of stuff and things. It’s molten woodwinds and Satie references. It’s a heavy drone played by a band sitting on a veranda with a mint julep. It’s anesthetized show-tunes from the Dreamhouse. It’s discrete music for the Wifi generation.For a project that has prided itself on never playing the same song twice, the concept of an album has required a certain preparation. The ten tracks on the album are all originally derived from multi-track live recordings taken from performances in Tokyo, Atlanta and Vancouver as well as recording sessions at Den Studios in Vancouver.Each performance is an improvisation with the acoustic instruments mixed down during the live performance with Kuma’s laptop processing. These multi-tracks have then been edited down and reprocessed, but for the most part, what you are getting is the feeling of the live interaction as it happens.The album’s title comes from the tendency of individuals performing with Gunshae to lose track of time says Kuma. “From the very first jam as Gunshae, we found that we would lose track of time, two hours would pass in the blink of an eye. We’d blank but the recordings would be our reminder, this has become a consistent thing over time and inspired the album title.”Joining Gunshae on the album is a diverse cast of individuals who bring a distinct twist to Gunshae’s open-door policy of playing with anyone, anywhere, anytime. Veteran Vancouver improviser Lee Hutzulak brings his guitar and suitcase of sound to the table on songs like “Sudden Deities” and “Sehsa”. Tokyo chanteuse Aya ...
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