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Watermelon Slim Big Shoes To Fill CD

 Watermelon Slim Discography of CDs

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 Our Price: $12.39  CD
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Recording information: Bell Labs, Norman, OK; Southern Sound Studio, Norman, OK.

Personnel: Gordon Beadle (saxophone); Bruce Bears (keyboards); Kyle Enevoldsen (drums, background vocals).

Big Shoes To Fill Music


Detailed Big Shoes To Fill Music Information



List Price $15.98 (You save $3.59)
Category Rock/Pop Albums, Blues CDs
Label Southern
Orig Year 2003
All Time Sales Rank   134792  
CD Universe Part number 7217519
Catalog number 21001
Discs 1
Release Date Oct 03, 2006
Studio/Live Studio
Mono/Stereo Stereo
Engineer Trent Bell
Personnel Gordon Beadle - saxophone
Bruce Bears - keyboards
Kyle Enevoldsen - drums, background vocals
Watermelon Slim Big Shoes To Fill Songs


Watermelon Slim Big Shoes To Fill Album Track Listing



Windows MediaRealAudio Media1.Let It Be in Memphis$0.99
Windows MediaRealAudio Media2.She Makes Me Earn My Money$0.99
Windows MediaRealAudio Media3.Shed My Blood in Mississippi$0.99
Windows MediaRealAudio Media4.Immortal$0.99
Windows MediaRealAudio Media5.Who's Gonna Pay?$0.99
Windows MediaRealAudio Media6.Oklahoma Blues$0.99
Windows MediaRealAudio Media7.They Call Me Watermelon Slim$0.99
Windows MediaRealAudio Media8.WWW$0.99
Windows MediaRealAudio Media9.I Got a Problem$0.99
Windows MediaRealAudio Media10.Cruisin'$0.99
Windows MediaRealAudio Media11.Take off Your Masks$0.99
Windows MediaRealAudio Media12.Red, White & Blues$0.99

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The blues has always been an enigma. A music that expresses deeply personal emotions, it does so with a well-worn collection of repeated phrases, rhymes, and floating verses that are nothing short of community property. It is also a music of constriction, with a conservative set of stock progressions and riffs that make innovations to the genre extremely difficult. The resulting familiarity of all of this is what makes the blues what it is, personal yet general, individual yet communally held, a music that if it were any more blue collar it would be the deep blue sea itself. How on earth does one bring something fresh to this genre in the 21st century without tipping the whole cart over on its side? Bill Homans, or Watermelon Slim, as he is known these days, seems to have found an answer by looking backward all the way to the field holler and looking over sideways to country music, rolling it all up into a smart synthesis that sounds fresh and sharp even though it is only a half-step removed from the sounds of Charley Patton or Jimmie Rodgers. The Wheel Man, Slim's second album for ...
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