| | Anita Miss They Shoulda Neva Turned My Mic On CD Anita Miss Discography of CDs
Miss Anita AKA Kween Katt is an inspiring young 16 year old artist from Pringle Town, SC that writes all of her own music. Straight from the "dirt road" better known as the "Dirty South" she represents in her rhymes the struggles of life as well as different concepts that make her unique to the Hip-Hop/R&B community. Miss Anita is very versatile with her lyrics bringing raw emotion to every track she records. Expressing herself with stylez ranging from "Concious Rap" displayed in the song "I Would" to blazing Club tracks like "Rock It Baby" to the in your face Lyrical Heavy Hip-Hop like the song "The Real Hip." She definitely puts her heart into her music. From winning talent shows, sponsored events, as well as performing live at local shows Miss Anita demands energy from the audience with her performances. This very talented artist has now been making a buzz and a name for herself on the local airwaves holding her own beside big label artists. Miss Anita's grip on the local area in South Carolina is just the stepping stone of her career. She's destined to take the local fame and popularity to the next level which is becoming a Nation Wide Known Recording Artist! Miss Anita has overcame a lot of persecution and adversity which gave her a lot to talk about in her music.. This is why she says "They Shoulda Neva Turned My Mic On!!" They Shoulda Neva Turned My Mic On Music | Category | Rap Albums | | Label | CD Baby | | CD Universe Part number | 7218673 | | Catalog number | 74941 | | Discs | 1 | | Release Date | Feb 14, 2006 |
Anita Miss They Shoulda Neva Turned My Mic On Songs | 1. | Intro |
| 2. | Rock It Baby |
| 3. | They Shoulda Neva Turned My Mic On |
| 4. | I Would featuring Gerald Pringle |
| 5. | Skintimate featuring J.O. Gethers |
| 6. | Might As Well Love Me |
| 7. | Brothers Keeper |
| 8. | One Hour |
| 9. | The Real Hip-Hop featuring L-Nino and OvaCumma |
| 10. | Hungry Featuring L-Nino |
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They Shoulda Neva Turned My Mic On Review
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Marie Brown is a native of San Antonio, Texas. She has lived in Houston for twenty years. Marie is a poet, spoken-word artist and songwriter. Marie is a former member of the Texas Southern University Debate Team under the leadership of Dr. Thomas F. Freeman; placed first in prose at the University of Nebraska in 1988 as a rookie member of the team. She also participated in the People's Workshop at the Wortham Center, Houston, Texas 1988; placed first forprose, drama-interpretation. Marie served as a member of Houston Poetry Slam Inaugural Team 2002. Houston placed 8th out of fifty-four teams.Marie has Shared her poetry with various fund raisers. The University of Houston Scholarship Fund sponsored by the Delphian Chapters, Jan. 19, 2002. Houston Chapter Aids Foundation at the Kilworth Manor, sponsored by Wayne Spears, Cuz and Company on Dec. 12, 2002. United Negro College Fund, sponsored by the Space Operations at the Breakfast Klub, August 29, 2003. Marie was named Renaissance Entertainment Most Valuable Poet 2002.Marie sponsored her own fund raiser to benefit the Houston Poetry Slam Team 2003, on July 26, 2003. Marie Brown addresses social, political, spiritual, testimonial, and comical issues. Marie Brown describes spoken-word artistry as messages radio stations are afraid to play andcertain minds are afraid to comprehend because the truth is power no one can control.Marie's latest project, her C.D. entitled "RUBY DO HAIR", 10% of all sales will benefit the GRIP organization. An organization which provides health needs and support to children rape victims of South Africa. After viewing a news commentary addressing the epidemic rape rate among young girls in South Africa, Marie wrote a poem entitled "IDIOT SPLINTER", which is featured ...
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Blame our postmodern fascination with sampling, or the hubris of generations who have grown up more familiar with copies than with the originals, but at this point we've pretty near wrung all meaning out of the word fusion. And when it comes to describing the kinds of exciting developments in world music exemplified by nuevo flamenco artists Ojos de Brujo, perhaps a new metaphor is necessary. Something more organic, even geological. Yes, that's it: When listening to Barí, the Barcelona-based group's second release, the image that fits is not that of hip-hop, funk, rap, or rumba newly melded with traditional flamenco music, but of rock layers that an ancient and moving river lays bare. The oldest strata date for the migration from India of the Roma people, called Gypsies in Spain, mixed with North African Moors. Layered upon their oral culture, their folk songs and sinuous dancing, a bluesy lament about the hard life of the fulag mengu -- the Arabic phrase for "fugitive peasant" and likely origin of the word "flamenco" -- after Ferdinand and Isabela made Christianity the law of the land. Next, the rural accents of those who hid in the southern hills of Andalusia, and the Afro-Caribbean rhythms learned by those who fled to the colonies. Some of these rhythms were carried back to Ojos de Brujo vocalist Marina Abad and drummer Xavi Turull by Cuban musicians they've played with along the way, while others already existed in the elemental flamenco grooves, the rumbas and tanguillos and bulerías, laid down by guitarist Ramon Giménez. On top is a contemporary urban landscape of stray bullets and bill collectors, precisely rendered by Abad's socially conscious staccato rapping. If all of this seems like a bit of a stretch, note the traditional handclapping that punctuates the opening guitar riff, and its relation to the percussively rapped syllables that chatter like water over rocks at the album's close. Listen to the eroded consonants of "Naita" ("Nothing"), to the fossil of a flamenco ...
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