| | Musictalking, About Goals And Values CD
NY Post rates MusicTALKING, 'About Goals and Values' FOUR out of FOUR STARS! ! ! !2005 Recipient of The National Parenting Center Seal of Approval Award "Parents need as many opportunities as possible to talk to our kids about important character development and social issues. MusicTALKING provides that in the form of good entertainment."Dr. Duane Dyson, MD, FAAEM, Violence Prevention Institute"Finally, something between Kidz Bop and MTV that we all can enjoy. Instead of music coming between parents and children, Music Talking brings families closer."- Darlyne de Haan, Mad About ScienceA Message from our FounderThere was a time when all three of our children were between the ages of 6 and 11. After they outgrew toddler tunes, my wife and I endured the CDs with kids singing remakes of popular hits, until, thankfully, our children quickly grew bored with that kind of music. When the kids first learned to use the radio, they contentedly listened to the children's station that we set. Before too long, however, our children were changing the dial to other stations. Many of the songs on the Top 40 stations dealt with topics that were not appropriate for kids, in our opinion. We had to switch the dial or turn off the radio. I searched for music that had clean lyrics and suitable themes and burned CDs for my family. I chose songs that I thought the kids would like-original songs from the Top 100-well written, well composed, and well played. My children enjoyed listening to our homemade CDs. An unexpected bonus: The songs gave me lots of topics to talk about with my children. They liked talking about the music, and conversations flowed easily. This experience inspired the MusicTALKING concept of using songs to communicate family values and standards. When a neighbor complained about the music his kids listened to, I gave him a copy of a CD we had made. He took it to a family reunion. The kids loved the music. The adults loved it too-not only the kids' parents but also their grandparents. Our music mix appealed to three generations. We brought MusicTALKING to the marketplace to fill the vacuum for families with preteens-and provide a fun way to strengthen family bonds. MusicTALKING offers a distinct alternative for parents who are dissatisfied with the choices on the airwaves and in the music store. Enjoy the music!Clyde Otis III Musictalking, About Goals And Values Music Musictalking, About Goals And Values Songs | 1. | Respect - Aretha Franklin |
| 2. | Don't Worry, Be Happy - Bobby Mcferrin |
| 3. | Life's Been Good - Joe Walsh |
| 4. | The Devil Went Down To Georgia |
| 5. | Break My Stride - Matthew Wilder |
| 6. | Shine - Collective Soul |
| 7. | I Wanna Be Rich - Calloway |
| 8. | Future's So Bright, I Gotta Wear Shades - Timbuk 3 |
| 9. | Reasons To Be Cheerful, Pt. 3 |
| 10. | Puttin' On The Ritz - Taco |
| 11. | Swinging On A Star - Bing Crosby |
| 12. | Diggin' On James Brown - Tower Of Power |
| 13. | We Are Family - Sister Sledge |
| Musictalking, About Goals And Values Review
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$17.75 Composers have long debated the merits of composing at the piano rather than composing at a desk in silence. Schumann and Berlioz both argued that piano technique and the "tyranny of the fingers" are a definite hindrance to composition and abstract thought. Stravinsky, on the other hand, advised us not to despise the fingers, and thought that piano improvisation can give birth to ideas that otherwise might not come to fruition. I tend to take the latter position, which is perhaps why I've maintained a compelling interest in composing at the computer, using mouse, computer keyboard and MIDI keyboard.What would these earlier composers think of the MIDI sequencer and computer-based sounds? Composers can not only compose and program their ideas, hearing their music with all of its intended timbres, as it is being created, but also can do interpretive editing over every note, chord and phrase utilizing a new kind of musical technique. There are great advantages of being able to hear one's ideas at the moment of creation. Pop and jazz musicians have long understood the inherent unity in the creation and interpretation of music while in the classical world the division of labor between composer and interpreter became clearly distinct. The mastery of instrumental technique and compositional technique, both so very intense and difficult on their own, became separate pursuits; the orchestral composer would labor over a score and would depend on any number of musicians to interpret that score. In my Symphony #6 and Variations I am both composer and interpreter. Electronic music technology is shaping new attitudes and approaches to this issue. The MIDI sequencer gives musicians one more option as to how organize music. If earlier composers were concerned that the "tyranny of the fingers" would somehow corrupt the purity of musical ideas, one could argue that being able to hear one's music at the moment of creation via the computer might hamper pure composition even further. But this is not necessarily so. Every musician brings a unique musical gift to the process. For some composers, ...
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