| | Songs Of Musicals Soundtrack CD
Songs Of Musicals Soundtrack Music | Category | Soundtrack Albums | | Label | Bve | | CD Universe Part number | 7219821 | | Catalog number | 20014 | | Discs | 1 | | Release Date | Feb 01, 1999 |
Songs Of Musicals Soundtrack Review
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Purchase Music From Songs Of Musicals CD To buy, Click on price to add to cart | O Brother, Where Art Thou? CD (2000) Enhanced CD
Songs Of Musicals Soundtrack
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Includes a 24-page booklet with liner notes by Robert K. Oermann.
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Over the years, there have been plenty of compilations of television theme songs, but for scope, selection, and value, none beat Rhino's 2002 collection, TV Land Presents Favorite TV Theme Songs. Containing a generous 40 tracks, the disc runs the gamut from I Love Lucy to The Golden Girls (after the '80s, theme songs kind of faded away from network TV, replaced by jingles on Seinfeld and Frasier, though Friends, The ...
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RIVERDANCE won the 1997 Grammy Award for Best Musical Show Album.
The Grammy Award-winning soundtrack to the popular Riverdance stage show has been re-released with a bonus remix of "Riverdance," as well as deluxe ...
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Digitally remastered using 24-bit technology by Simon Hayworth (Chop 'Em Out).
If you're looking for something off the beaten path, have we got a CD for you. This is a collection of performances so fundamentally weird that standard rock criticism fails to do it justice. What we have here is a compilation of old 78 recordings by a truly one-of-a-kind group, the Comedian Harmonists.
The Harmonists were a sextet of singers from Germany, formed in 1928 with an ear cocked toward American music. These were no beer hall rover boys decked out in lederhosen, with mugs a-jostling airward. They were top-notch, tuxedo-clad singers who really had a feel for American jazz and the songs of Irving Berlin and Cole Porter, albeit with a distinct European precision that really leaves its own fingerprint. Their fame spread across pre-Nazi Germany and Europe in the early '30s while their complex harmonies took the style of America's Revelers, Ink Spots, and Mills Brothers and set it off in a framework all their own. It's like that crazy music you hear in old Betty Boop cartoons, only sung in German. To hear these guys tackle pieces like "The Last Roundup" (aka "Get Along Little Dogies") or "You're Driving Me Crazy" in their native tongue is some of the most surreal music you'll ever be exposed to -- guaranteed. Their versions of Cole Porter's "Night and Day" and "Tea for Two" escape the native tongue treatment, although their clipped English translations still adhere to the group's thoroughly Euro approach to all things swinging and American.
But this is no mere novelty tunes collection. There's real blood and guts soul to this stuff, ...
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Richard Smith was born in Beckenham, Kent, England in 1971 and started playing guitar at age 5 under the instruction of his father. Concentrating initially on the music his father loved – the country picking of Chet Atkins and Merle Travis – young Richard digested everything he heard, learning the most complicated of tunes with ease and confounding everyone with his dexterity. Not only did he possess amazing physical skill, but a photographic musical memory as well. Often, a single hearing was all it took to get a piece under his fingers.Richard first met his hero, the “Godfather” of fingerstyle guitar, Chet Atkins, when he was only eleven. Richard was invited by Chet to play with him on stage at Her Majesty’s Theatre in London in front of an audience of 1,000. He played Chet’s arrangement of “Whispering,” and Chet played along with him. The audience was so enraptured with Richard that Chet asked him to play another tune. Chet sat in stunned silence while Richard played Chet’s arrangement of “Little Rock Getaway” – perfectly. Chet was too amazed to even play along! By the time he reached his early twenties, both Chet Atkins and Jerry Reed began to refer to Richard Smith as their “Hero”.Richard has toured the world, surprising audiences everywhere with his genius, showcasing ...
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