| | Free Spirits Out Of Sight And Sound CD Free Spirits Discography of CDs
These tentative explorations into relatively uncharted jazz-rock territory retain an engaging, freewheeling verve and warm humor, although the lyrics are sometimes self-consciously hip and spacy. Coryell plays a sitar on "I'm Gonna Be Free," and "Blue Water Mother" employs the still-unusual device of two separate vocal tracks singing two entirely separate sets of lyrics. Obscure even in its day and long out of print, it's worth seeking out, though more for fans of '60s rock than jazz. ~ Richie Unterberger
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Liner Note Author: Richie Unterberger.
Recording information: Van Gelder Studios, NJ (1966).
The Free Spirits: Columbus Baker (vocals); Chris Hills (electric bass); Jim Pepper, Larry Coryell, Bob Moses.
Personnel: Columbus Baker (vocals, guitar); Chris Hill (vocals); Larry Coryell (guitar, sitar); Jim Pepper (saxophone, tenor saxophone); Chris Hills (bass guitar); Bob Moses (drums).
Out Of Sight And Sound Music Free Spirits Out Of Sight And Sound Songs Out Of Sight And Sound Review
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Purchase Out Of Sight And Sound CD To buy, Click on price to add to cart | Love Sculpture Blues Helping CD (1968) Import; Remastered; Reissued; Digipak
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BLUES HELPING is an 11-track release by Love Sculpture that includes "On The Road Again," "Come Back Baby," and "Shake Your Hips."
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KALEIDOSCOPE WORLD contains 10 bonus tracks and represents everything the band recorded through early 1986, including all of the LOST EP, and the I LOVE MY LEATHER JACKET/THE GREAT ESCAPE 12"
KALEIDOSCOPE WORLD, The Chills' 18-track compilation culled from The Chills early and mid-'80s EPs and singles, is highlighted by the song "Pink Frost."
The Chills' Martin Phillipps mixes up melodic pop with elements of garage rock and punk, creating songs with a sweet melancholy all their own. Phillipps has always been the focus of the Chills, writing and singing the band's songs. His group has also rivaled Menudo in its sheer number of personnel ...
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When record labels like Prestige release two albums on one CD, it's a great bargain for music fans. A Few Miles from Memphis combines the album of the same name and Rakin' and Scrapin', both recorded by pianist Harold Mabern in 1968. On the first set he's joined by tenors George Coleman and Buddy Terry, bassist Bill Lee, and drummer ...
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Raven's 2006 two-fer Nutbush City Limits/Feel Good combines two of Ike & Tina Turner's last albums together and adds five bonus tracks, three of which were taken from other Ike & Tina albums from the early '70s, one taken from a Tina solo record, and one disco mix of "Nutbush City Limits." The album that arrives first on this two-fer was actually the last of these two to be released: Nutbush City Limits appeared in 1973, a year after Feel Good, but its title track is one of Ike & Tina's best-known songs so it's an appropriate choice to kick off this disc. Besides, the two records are so similar in tone and approach, it'd be easy to assume that Feel Good arrived before Nutbush, but that isn't to say they're interchangeable. Both records are hard day-glo funk, overloaded with fuzz guitars, wah wahs, clavinets and horn sections, but of the two, Nutbush ...
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Many of the legends of acoustic guitar in the 20th century have already passed on -- John Fahey, Robbie Basho, Ali Farka Toure. Due partially to his spare recording career, Peter Walker's own reputation has not always been as well known as those of said giants, but his own influence has been considerable. A Raga for Peter Walker -- a tribute album that, in a nice touch, not only consists of work composed by its contributors rather than simply offering up covers but also features some original work by its subject in question -- helps to demonstrate this while he is ...
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