| | Suk: Piano Works, Vol. 1 CD - Import Immelman, Neil CDS
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Suk: Piano Works, Vol. 1 Music | Label | Meridian Records | | Orig Year | 7/11/2006 | | All Time Sales Rank |  62988  | | CD Universe Part number | 7222182 | | Discs | 1 | | Release Date | Jul 11, 2006 | | Recording Time | 1 10 | | Additional Info | Import |
Suk: Piano Works, Vol. 1 Classical Review Suk: Piano Works, Vol. 1 Songs 1. Pieces (5) for piano Nos. 1-5 (complete), Op 22a "Spring": 1. Spring (13:04)  Windows Media  Real Audio | | Common Name | Pieces For Piano | | Composer | Josef Suk (Composer) (1874 - 1935) | | Performer | Niel Immelman (Piano) | | Genre | Romantic Period | | Date Written | 1902 | | Period | Romantic | | Venue | St. Edward the Confessor's Church, Notti | | 2. Pieces (5) for piano Nos. 1-5 (complete), Op 22a "Spring": 2. The Breeze (4:43) Windows Media Real Audio | | Composer | Josef Suk (Composer) (1874 - 1935) | | Performer | Niel Immelman (Piano) | | Genre | Romantic Period | | Date Written | 1902 | | Period | Romantic | | Venue | St. Edward the Confessor's Church, Notti | | 3. Pieces (5) for piano Nos. 1-5 (complete), Op 22a "Spring": 3. In Expectation (35:05) Windows Media Real Audio | | Composer | Josef Suk (Composer) (1874 - 1935) | | Performer | Niel Immelman (Piano) | | Genre | Romantic Period | | Date Written | 1909 | | Period | Romantic | | Venue | St. Edward the Confessor's Church, Notti | | Notes | St. Edward the Confessor's Church, Nottingham (07/16/2005-07/20/2005) | | 4. Pieces (5) for piano Nos. 1-5 (complete), Op 22a "Spring": Movement 4 (1:47) Windows Media Real Audio | | Common Name | Humoresque For Piano | | Composer | Josef Suk (Composer) (1874 - 1935) | | Performer | Niel Immelman (Piano) | | Genre | Romantic Period | | Date Written | 1893 | | Period | Romantic | | Venue | St. Edward the Confessor's Church, Notti | | 5. Pieces (5) for piano Nos. 1-5 (complete), Op 22a "Spring": 5. Longing (2:09) Windows Media Real Audio | | Composer | Josef Suk (Composer) (1874 - 1935) | | Performer | Niel Immelman (Piano) | | Genre | Romantic Period | | Period | Romantic | | Venue | St. Edward the Confessor's Church, Notti | | 6. About Friendship, Op 36 (3:37) Windows Media Real Audio | | Composer | Josef Suk (Composer) (1874 - 1935) | | Performer | Niel Immelman (Piano) | | Genre | Romantic Period | | Period | Romantic | | Venue | St. Edward the Confessor's Church, Notti | | 7. Zivotem A Snem (Things Lived and Dreamed), pieces (10) for piano, Op. 30: 1. With humour and irony, (6:33) Windows Media Real Audio | | Composer | Josef Suk (Composer) (1874 - 1935) | | Performer | Niel Immelman (Piano) | | Genre | Romantic Period | | Period | Romantic | | Venue | St. Edward the Confessor's Church, Notti |
Purchase Suk: Piano Works, Vol. 1 To buy, Click on price to add to cart | Trans-Siberian Orchestra Christmas Eve And Other Stories CD (1996)
Suk: Piano Works, Vol. 1
 $9.95    
What would happen if members of Savatage decided to write some Christmas songs? Easy: Trans-Siberian Orchestra. This "supergroup" is the brainchild of Jon Oliva and Paul O'Neill (respectively the leader-keyboardist and the producer of Savatage). They hired Al Pitrelli (Asia, Savatage) to play guitars, Robert Kinkel to help with keyboards, John Middleton (also a member of Savatage) on bass, and Jeff Plate on drums. Lead vocals are shared by six vocalists, while some of the backing vocals are handled by Savatage lead singer Zachary Stevens. Christmas Eve and Other Stories is a concept album: all the songs are built as chapters of a book, each telling part of a larger story. The plot here is of a young angel sent down to Earth to find and bring back to the Lord "the one thing that best represents everything good that has been done in the name of this day." The angel's quest takes him all over the world, through Russia and Sarajevo, until he finally hears the prayer of a father. This last piece is the strongest moment on the album and makes for a miniature story within the larger story. It is basically told in a trilogy of songs: in the first, "Ornament," we hear the father's prayer, explaining how he hasn't seen his daughter in many years. In "Old City Bar," the angel finds the daughter, standing alone outside a bar, and talks to the bartender who, out of a random act of kindness, takes all the cash from his register drawer and gives it to the girl so she can go home. The third song, "This Christmas Day," has the father praising God, thanking him for bringing his daughter back to him on this night of all nights. It is a very touching story, pondering the thought ...
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A seasonal follow-up to their resoundingly ...
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Music performed by The Shanghai Symphony Orchestra, Shanghai National Orchestra, Shanghai Percussion Ensemble.
CROUCHING TIGER, HIDDEN DRAGON won the 2002 Grammy Award for Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media.
This is a Japanese pressing of the soundtrack for the hit film CROUCHING TIGER HIDDEN DRAGON. The album contains a bonus track by Yo Yo Ma.
This is not your typical martial arts film soundtrack, but then again, Ang Lee's epic CROUCHING TIGER, HIDDEN DRAGON is not your typical martial arts film. Though it features the flying footwork of Michelle Yeo and Chow Yun Fat, the movie brings martial arts movie-making to a new level with its artistic cinematography and classic story line.
Modern classical composer Tan Dun, renowned for his forward-looking compositons, has crafted a soundtrack that incorporates traditional Asian motifs, atmospheric orchestral touches, and some decidedly modernist strokes. Dun is aided in his endeavor by cello virtuoso Yo-Yo Ma, who contributes poignant solos throughout the recording.
Though it was made in Taiwan, set in China and written in Mandarin, Crouching Tiger, Hidden Dragon is something of a cultural hybrid. The film was the brainchild of a Taiwanese director (Ang Lee) with an impressive Hollywood resume that includes Sense and Sensibility and The Ice Storm. The screenplay was adapted from a Chinese novel by two Asians and an American and it featured international movie star Chow Yun Fat. Stylistically, the movie drew as much from Hollywood romantic epics as it did from Chinese martial arts dramas. The challenge for the film's composer, Tan Dun, was to score the film with music that would represent its multi-cultural origins and multi-faceted influences. His solution was to blend sweeping Western orchestral music with traditional Chinese instruments like rawap, tar drums and Chinese erhu while using another internationally renowned Asian, cellist Yo Yo Ma, as a sort of bridge between the two styles. Dun's strategy works beautifully in the film; striking perfectly the delicate balance between the exotic and the familiar -- exactly what is required by a script that paints a romanticized fantasy version of ancient China grounded in universal emotional experience. The romantic themes ("The Eternal Vow," "Farewell") are stirring without being manipulative and memorable without being repetitive. Even more impressive are the musical pieces for the film's graceful combat scenes. Unlike most American action films, Crouching Tiger does not swamp the audience in discordant suspense music. And though the warriors do fly across their battlefields like stones skipping lightly across a pond, Dun does not attempt an E.T.-like soaring score. Instead, the action scenes are accompanied by vibrant Chinese rhythms, mercifully abandoning melody altogether. ...
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