| | Coma Recovery Drown That Holy End In Wine CD Coma Recovery Discography of CDs
Audio Mixer: Chris Common.
Recording information: The Red Room, Seattle, WA (01/10/2006-01/20/2006). Drown That Holy End In Wine Music | List Price | $12.95 (You save $2.80) | | Category | Rock/Pop Albums, Rock CDs | | Label | Underground, Inc. | | Orig Year | 2006 | | CD Universe Part number | 7226263 | | Catalog number | 1124 | | Discs | 1 | | Release Date | Jul 18, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Chris Common | | Engineer | Chris Common |
Coma Recovery Drown That Holy End In Wine Songs | 1. | Glory of Alone, The |
| 2. | I Left My Body in Oregon |
| 3. | Creation in a Handbook |
| 4. | Jet Ring Sent |
| 5. | Beneath One Silent Orchestra |
| 6. | Charm of a Pessimist |
| 7. | Fifteen Minute Hourglass |
| 8. | Capulet |
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Drown That Holy End In Wine Review
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"The Kite-Eating Tree's cleverness doesn't end with the band's unique name. It also spans throughout this California outfit's 10-track post-hardcore offering, a collection that shimmers with beauty the way broken glass looks through sunlight. Sometimes jagged, sometimes rugged, but always engaging, tracks like the punchy "Through the Width of a Straw" mix the hard rock of Foo Fighters with the emotional wringing of Far, while the noisy melodics of "All Swedish, No Finish" and "Retrograde" have enough firepower to stir up a pit, yet enough heartfelt sentiment to evoke a group singalong. Blurring the edges between today's arena rock and small club indie rock, The Kite-Eating Tree expertly tugs at your senses with the wide range of styles and superb songwriting skills. If you think the current wave of rock bands today is getting stale, let this quartet's debut release try and change your perception." Mike SOS - In Music We Trust - May 2004 BIOGRAPHY:"Here's how my weird childhood shaped my ethos," waxes The Kite-Eating Tree's singer-guitarist Mike Hunter, "when I was kid, my uncle gave me a piece of advice. On day one of any new school, he said to go up to the biggest kid in class and punch him in the face." Hunter chuckles and then continues in the reflective tone usually reserved for the telling of first kisses, "He added that while I might get my ass kicked once in a while, no kid at that school would ever mess with me again. Well, I did get my ass kicked a few times, because I moved at least ten times when I was a kid. But people never fucked with me after those fights. Growing up with those kinds of experiences, and other facts--like the fifteen or so dogs of mine that died during childhood--worrying about whether or not industry people are going to help my band seems ridiculous." It's this self-determination that earns respect for The Kite-Eating Tree. Formed in October of 2002 in the Silverlake area of Los Angeles, the quartet has purposely sidestepped the LA musical scene that has become saturated with Musician Institute-trained, Urban Outfitters-dressed sycophants looking to genuflect before the major-label brass ring. Embracing the DIY ethos of their post-punk influences, they've played primarily all ages shows (and rarely in Los Angeles), toured the West Coast with only one dollar CDRs to distribute, and on March 23, 2004, Suburban Home Records will manufacture and distribute their self-financed debut CD, entitled Method: Fail, Repeat. "We actually received a couple of contracts," explains Hunter, "but even indie labels are acting like majors these days: asking for several records, offering ...
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Personnel includes: Nick Walker (keyboards, programming); Geoff Dugmore (drums).
Engineers: Ott (track 1); Andy Scarfe (tracks 2-10).
Personnel: Nick Walker (keyboards, programming); Geoff Dugmore (drums).
Additional personnel: Nick Walker, Geoff Dugmore.
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Audio Remixer: Sheldon Isaac.
Not as grand as PANDEMONIUM or as aggressive as EXTREMITIES, DIRT & VARIOUS REPRESSED EMOTIONS, 1996's DEMOCRACY stands as one of the U.K. post-punk/industrial act's most eclectic albums, with tracks ranging from the acoustic-tinged "Savage Freedom" to the pulsing, Native American-tinged "Medicine Wheel" and the pile-driving "Another Bloody Election." Unfortunately, this was the British band's last studio album for seven years, with frontman Jaz Coleman heading up symphonic rock projects until Killing Joke's triumphant self-titled return in 2003.
Killing Joke's best album in 11 years is a major surprise. While the other two LPs since their comeback (after a brief breakup in 1988) refocused the group on heavy guitars and contained several great songs, this time they put it all together. For good measure, they throw out the minor, pesky ...
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Remember the rippin' guitar and tribal drums sounds of the early 70's, bands like Santana, Little Feat, Allman Brothers and ZZ Top? Peppertown does. From the rolling hills and farm lands of southeastern Indiana, Peppertown has garnered praise from regional fans for years and is now capturing national attention. Their sound is recognizable and gritty. With a musical fusion ...
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