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Djamra Kamihitoe CD - Import

 Djamra Discography of CDs

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Kamihitoe Music


Detailed Kamihitoe Music Information



Category Rock/Pop Albums, World CDs, Japanese, Rock
Label Musea
CD Universe Part number 7227793
Discs 1
Release Date Oct 03, 2006
Additional Info Import
Djamra Kamihitoe Songs


Djamra Kamihitoe Album Track Listing



1.Kamihitoe
2.New Bound
3.Cave, The
4.Ogiruyas
5.Alha-Ha
6.94k2
7.Dying Sleepy
8.Ajinen
9.Dictator
10.Ahonoko
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As prolific as they are creative, the Microphones have released a surprisingly large amount of singles and albums for a group that has only been recording since 1998. Song Islands gathers most of their singles and EPs, including hard-to-find releases on tiny labels like Coming in Second and Instatone Brand, and proves that even at the beginning, the group's approach was firmly in place. Early works like "Bass Drum Dream" and "Where It's Hotter Pts. 1, 2 & E" feature the powerful, distorted drums, strummy acoustic guitars, droning keyboards, and pretty, naive vocals that define the Microphones' sound. Still, even though they're not presented in strictly chronological order, the tracks on Song Islands do trace the band's evolution: songs like "Feedback (Life, Love, Loop)," "Weird Storm," and "Deeply Buried" are wrapped in more noisy preambles and tangents than some of the group's more recent material. The album is also fairly egalitarian when it comes to representing all of the band's different sounds, providing just as many sonic freakouts as gentle ballads. "Heavy Eyes" and "Wake Me Up" lean toward the former, while "The Moon" and "I Lost My Wind" emblematize the latter. The bizarre country and gospel-tinged singalongs "I Can't Believe You Actually Died" and "I'm a Pearl Diver" take yet another musical detour; likewise, the many alternate versions of songs that ended up on the Microphones' K albums prove that for this group, it's all about the journey, and not the destination. Two early versions of "The Moon," one of the best songs on The Glow, Pt. 2, are included here; one emphasizing the bittersweet, stream-of-consciousness lyrics and melody, the other featuring the galloping instrumentation that ended up on the album rendition. "The Glow, Pt. 4" offers a slightly cleaner, simpler version of the song that graced "It Was Hot, We Stayed in the Water," while the folky, conversational "Phil Elvrum's Will" incorporates bits of The Glow, Pt. 2's "I Want Wind to Blow." Song Islands ...
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To anyone familiar with the singer/songwriter genre, it comes as no surprise that JP Jones takes life rather seriously. It should nonetheless be noted that his concerns -- life, death, and God -- run heavier than most. He opens the appropriately titled Life and Death with "Cum a Live," an invective that waits until the last verse to come completely clean: "I ain't gonna fight in anybody's war not unless I know what all the fightin's for." Jones reveals and revels in his foul mood. It's most obvious on a song like "What in God's Name," a condemnation of fundamentalist Christians and Muslims who justify their deeds by evoking the name of their creator. Jones usually prefers ...
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Like fellow country legend Willie Nelson, Dolly Parton was remarkably prolific during the first years of the 21st century, and 2005's THOSE WERE THE DAYS features Parton sharing Nelson's penchant for guest-star-studded albums. The general theme is Parton's favorite songs of the 1960s and '70s, with additional artists ranging from Porter Wagoner, her former duet partner, to singer/songwriter Yusuf Islam (Cat Stevens). Throughout the disc, Parton's crystal-clear voice shines as bright as ever, meshing particularly well with the record's younger performers, including Australian country-rock hero Keith Urban (the playful "Twelfth of Never") and the bluegrass trio Nickel Creek (a lilting rendition of Bob Dylan's oft-covered "Blowin' in the Wind"). While THOSE WERE THE DAYS isn't quite as consistent as HALOS & HORNS or LITTLE SPARROW (largely due to so many cooks in the kitchen), it is a charming album that's sure to please fans of Dolly and the other artists represented here. Live Recording Author: Dolly Parton. Director: Sasha Vosk. Photographer: Dennis Carney. Arranger: Dolly Parton. Personnel: Dolly Parton (vocals); Roger McGuinn (vocals, guitar, electric guitar); Tommy James (vocals, guitar); Kent Wells (vocals, acoustic guitar, electric guitar, 6-string bass, background vocals); Terry Eldredge (vocals, acoustic guitar, ...
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Includes a live bonus CD.
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