| | Bjork Debut CD Bjork Discography of CDs
This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
With DEBUT, the Icelandic thrush Bjork Godmundsdottir (late of the Sugarcubes) brings her knowing innocence and quirky voice to bear on an engaging program of renegade pop tunes. The unusual instrumental textures on songs such as "Human Behavior," fleshed out with timpani, small percussion instruments, vibraphones and harps, suggests a post-modern version of Phil Spector.
As a singer, Bjork's swooping octave leaps and guttural cries betray the elemental contradictions in her music. She projects the girlish innocence and barely constrained sensuality of a wise child, old beyond her years (the techno-reggae romanticism of "Venus As A Boy," the bouncy house changes of "Big Time Sensuality" and "Violently Happy"), and sometimes she sounds like she's trying to rediscover how such doe-eyed love might actually feel, as if for the first time (the mysterious groove of "One Day" and the jazzy standard "Like Someone In Love," with its spare harp accompaniment).
There's a pronounced techno feel to DEBUT, with its airy synthesizers and spacious, uncluttered mixes, but without the cool, mechanized detachment of that genre. On "Aeroplane" Bjork combines a saxophone quartet with Middle Eastern-flavored percussion to steer her tale of obsessive love just outside of the pop mainstream, while the unusual saxophone harmonies of "The Anchor Song" lend a folkish color to her extended metaphors on home and erotic immersion. It's precisely Bjork's sense of adventure that gives DEBUT such a cool exotic flavor.
This deluxe DualDisc features the original CD in remastered stereo on side 1 and, on the DVD side, the entire album in Advanced Resolution 5.1 Surround Sound along with bonus videos. 1993's atmospheric "Debut
Personnel: Björk (vocals); Garry Hughes, Martin Virgo, Paul Waller (keyboards, programming); Marius de Vries (programming).
Personnel: Bjork (vocals, keyboards); Jon Mallison (guitar); Corki Hale (harp); Oliver Lake (alto saxophone); Gary Barnacle, Mike Mower (horns); Marius De Vries, Paul Waller, Martin Virgo (keyboards, programming); Garry Hughes (keyboards, Hammond organ, programming); Luis Jardim (bass, drums, percussion); Bruce Smith, Nellee Hooper (drums, percussion); Talvin Singh (tabla); Jhelisa Anderson (background vocals).
Engineers include: Jim Abbiss, Nellee Hooper, Howie Bernstein.
Q (12/99, p.76) - Included in Q Magazine's "90 Best Albums Of The 1990s." Q (1/94, p.85) - Included in Q's list of `The 50 Best Albums Of 1993' - "...an album of tantalising contrasts....manages to be bubbly, exhilarating, brazenly dance-oriented and satisfying all at once..." Q (7/93, p.85) - 4 Stars - Excellent - "...Bjork Godmundsdottir's voice was undoubtedly the jewel in The Sugarcubes' crown and in the relatively sparse setting of this solo debut she reclaims all her old wit and joissance....a surprising, playful collection..." Melody Maker (1/1/94, p.76) - Ranked #6 in Melody Maker's list of the `Albums Of The Year' for 1993 - "...a fantastic DEBUT..." Musician (7/93, p.90) - "...what makes her singing memorable isn't the odd assortment of growls, moans and chirps she relies upon, but the emotions those sounds convey..." NME (Magazine) (12/25/93, p.66) - Ranked #1 in New Musical Express' list of the `Top 50 LPs Of 1993' - "...DEBUT is a musical treasure chest of organic techno beats, twinkly jazz serenades and otherworldly nursery rhymes, disregarding categories and [displaying] a bewitching faith in pop's ability to challenge..." NME (Magazine) (7/3/93, p.35) - 9 - Excellent Plus - "...an album that believes music can be magical and special...." Debut Music | List Price | $18.98 (You save $2.93) | | Category | Rock/Pop Albums, Electronica CDs, Alternative, Rock, DualDisc | | Label | Elektra | | Orig Year | 1993 | | All Time Sales Rank | 91884  | | CD Universe Part number | 7229765 | | Catalog number | 73322 | | Discs | 1 | | Release Date | Jul 25, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Nellee Hooper; Bjork | | Recording Time | 48 minutes | | Personnel | Marius De Vries - programming Luis Jardim - bass, drums, percussion Gary Barnacle Paul Waller - keyboards, programming Bruce Smith Bj÷rk Garry Hughes - keyboards, Hammond organ, programming Nellee Hooper - drums, percussion Jon Mallison - guitar Martin Virgo - keyboards, programming Corki Hale - harp Jhelisa Anderson - background vocals Mike Mower - horns
Also: Talvin Singh, Oliver Lake | | Additional Info | DualDisc |
Debut Review
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Purchase Debut CD To buy, Click on price to add to cart | Bjork Homogenic CD (1997) DualDisc
Debut album
$16.05 HOMOGENIC was nominated for a 1998 Grammy for Best Alternative Music Performance.
"Bachelorette was nominated for the 1999 Grammy Award for Best Short Form Music Video.
This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
As one of modern music's most enigmatic and consistently entertaining personalities, Bjork has never shied away from the edge. Whether making straight ahead dance music, exploratory modern rock, or even show-tune-caliber drama, her vision has always remained innovative and original. Her voice jumps, in the space of a syllable, from a kitten-like purr to a banshee's howl, and is never anything less than captivating. HOMOGENIC, her latest musical endeavor, finds her plunging headlong into electronica, a form well-suited to her intense, offbeat phrasing and tone.
From the skittering breakbeats and ghostly wails of the opening "Hunter" to the all-out electronic crash that is "Pluto," HOMOGENIC ...
| | Horrors Strange House CD (2007) Enhanced CD
Debut CD music
$9.99 On their singles and EPs, the Horrors proved they'd done their post-punk and freakbeat homework. With their debut album, Strange House, they push their sound forward, distill it to its rawest essence, and give it a few funhouse mirror twists and turns for good measure. Almost half of the songs on the album already appeared on previous Horrors releases, but the ever-so-slightly cleaner production here gives more definition to their black-on-black sound. The band kicks off Strange House by revisiting their cover of Screaming Lord Sutch's "Jack the Ripper," which begins at a zombie-slow pace, then suddenly speeds up halfway through, transforming into a hurtling roller coaster of a song that makes a great introduction to Strange House's mix of campy humor, energy, and menace. With its dive-bombing noise barely held together by Faris Badwan's shouting and the faintest hint of a melody, "Sheena Is a Parasite" is still the Horrors' best and most radical song, although several other tracks here ...
| | Kiss Carnival Of Souls: The Final Sessions CD (1997)
Debut music CDs
$5.55 CARNIVAL OF SOULS is the last studio recording with Bruce Kulick and Eric Singer before the return of original members Ace Frehley and Peter Criss.
Despite a 1996 press conference on the U.S.S. Intrepid that announced Bruce Kulick and Eric Singer were on a "paid temporary vacation," the two were dismissed months later after a reunion tour of the original make-up clad members proved wildly successful. As the sub-heading states, CARNIVAL OF SOULS is the last recorded efforts of Kulick and Singer with Gene Simmons and Paul Stanley. Drawing on music trends started as far back as the lean times of the '80s, CARNIVAL finds Kiss putting together a sound that draws from the dirge of Alice In Chains and the crunch of old-school Metallica.
Much more somber than prior Kiss albums, nihilism runs rampant ...
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POST, Bjork's second release as a solo artist, mines the fertile soil of the eclectic musical terrain of post-modern pop. The album throbs in and out of ambient cadences with techno beats, slips into showtune theatrics, then reels back to the dance floor.
With a full plate of sounds already on the table, Bjork adds her own unique flare to the presentation, proving she is not easily pigeonholed. The lyrically-insistent opener, "Army Of Me," is a relentless electronic grind that is typical of Bjork's vibe, but POST also digs into Western music's more organic resources. "It's Oh So Quiet" may be a remake of an old Hollywood showtune, but Bjork's version transcends the song's silver screen aloofness on the strength of her delightful screams ("Zing, BOOM!!/You fall in love"). It is directly followed by "Enjoy," a lurching hypnotic nod with musical help from British trip-hop MC, Tricky; and the smooth, Bee Gees-like orchestration of "Isobel," a swooning ...
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$12.25 The assault begins with "Virus" and continues through the hardcore, speed metal, head-slamming raves "Model" and "Clone" before the boys smash their way through John Mellencamp's "Pink Houses." More great pumped-up power punk-pop from Larry Livermore's Lookout Records. ~ Will Grega
If only more labels looked at re-releases the way Jade Tree does. With more bang then just a standard reissue, the 2006 repackaged version of Avail's 1994 classic, Dixie, not only contains the remastered original album with a plethora of photos, but presents it alongside the Attempt to Regress 7" (from 1992) and the Live at the Kings Head Inn 10" (from April 1993). Dixie, along with 1992's Satiate, proves the guys didn't so much as ease themselves into their career, but rather exploded out of the gate with mosh-worthy breakdowns; vocals that both growled and soared; and earnest lyrics of empowerment, struggle, and hope. It's the early days of the sound that would define Avail -- a seamless mix of Southern-tinged, gritty hardcore with nods to punk, classic rock and even country rounded out with a rough edge and raw attitude. The songs are obviously coarser, but even the gruffest of songs still exhibit their melodic sense ("Clone," "Sidewalk"), and the band is just as comfortable and adept in barreling through schizoid blasts like "Song," "Virus," and "Southbound 95." And while punk cover songs are generally known for just speeding up the pace and turning up the volume, Avail tackle John Mellencamp's "Pink Houses" with a crashing conviction that makes the song feel as though it was always one of their own. Since the Attempt to Regress songs also appear on Satiate, the highlight of the reissue definitely appears in the addition of the roughly recorded Live at the Kings Head Inn -- an album previously only available in a 10" format -- and not just for their rousing cover ...
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