| | Hilarious! Great Novelty Hits CD
Hilarious: Greatest Novelty Hits contains cuts tracks mixing celebrated tracks by Allan Sherman, Tiny Tim, and the Blues Brothers, with somewhat lesser known, but equally entertaining cuts by Lou Monte ("Pepino the Italian Mouse"), the Screaming Blue Messiahs ("I Wanna Be a Flintstone"), and Rick Dees ("Eat My Shorts"). This enjoyable budget sampler will please any fan of silly songs. ~ Al Campbell Hilarious! Great Novelty Hits Music Hilarious! Great Novelty Hits Songs Hilarious! Great Novelty Hits Review
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Purchase Hilarious! Great Novelty Hits CD To buy, Click on price to add to cart | Just The Right Sound: The Association Anthology CDs (2002)
Hilarious! Great Novelty Hits album
 $15.65   
Recorded between 1965 and 1981. Includes liner notes by Dawn Eden.
With their flower-power-tinged pop masterpieces and heavenly vocal harmonies the Association was at the epicenter of the '60s California "sunshine pop" scene whose other luminaries included the Mamas & the Papas and the Beach Boys. Though the group's many hits make up a major part of the '60s musical legacy, the Association's only representation on CD in the US before the release of t
'60s folk and rock fans remember David Blue as perhaps the most authentic Dylan imitator in an era full of them, and certainly everything about this 1966 release, from the half-spoken, half-sung vocals, to the bluesy, keyboard-rich arrangements, to even the album cover shot of Blue sporting ...
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| | Meat Beat Manifesto Satyricon CD (1992)
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A Meat Beat Manifesto album is a special thing, since it usually manages to encompass the styles of other acts while still having a distinct voice of its own. Satyricon features the sample-trippy goofiness of the Orb, the sharp, rock-flavored house of the Chemical Brothers, the streamlined trance of Orbital, and the well-oiled angst of Nine Inch Nails, and that's just for starters. Long-term frontman Jack Dangers truly has a producer's ear, which gives his blend of dance music a considerable advantage: he takes a musician's approach into a programmer's territory, and his use of vocals actually upgrades a song's impact rather than diminishes it. There's more song structure here than in any of the aforementioned acts, making this something like a pop group for sworn enemies of the genre. The infectious electronica and obscure samples create an almost constant (and successful) tension between groove and anxiety, between clubber's abandon and confused introspection. Musical partner Jonny Stephens takes on an almost equal workload as producer/engineer/mixer and multi-instrumentalist, and his lap steel guitar contributions add a wonderfully bizarre layer to the album (comparable to the pairing of Luke Vibert and BJ Cole). Songs like "Mindstream" and "Edge of No Control Pt. 1" add just the right amount of Stephens' Hawaiian space cowboy to the mix -- kind of like a warmer alternative to Theremin. Several other high points along the way ...
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LEGENDARY brings together 15 remarkable ...
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| | Harlots Betryaer CD (2007) (Import) Japan
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As was the case with their first two albums, Harlots' third opus, Betrayer, stands at the crossroads where savagery and civilization collide, producing a grand cacophony of post-math-metal intricacy as impenetrable for its instrumental complexity as for its sheer, unhinged brutality. In other words, it's hard to decide whether listeners should be encouraged to bring a musical theory textbook or a battle axe when approaching Betrayer, but they better be ready for a challenge, that's for sure. For you see, as punishing as they are on the ears and body (just in case anyone is reading this in the mosh pit), exemplary poundings like "Building an Empire Towards Destruction," "The Weight Unweighable" (did we mention the lyrics are tricky too?), and the grinding "Concept of Existence," provide multiple levels of intellectual study for those who are able to withstand the beating. ...
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