| | Rita MacNeil I'll Accept The Rose Tonight CD Rita MacNeil Discography of CDs
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Our Price: $11.19 CDFor Sale Usually ships in 1-2 days (Only 2 available)
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I'll Accept The Rose Tonight Music Rita MacNeil I'll Accept The Rose Tonight Songs | 1. | I'll Accept the Rose | $0.99 | |
| 2. | Please Believe Me | |
| 3. | Real Thing | |
| 4. | It's for You | |
| 5. | All for Love | |
| 6. | Today It's Yours | |
| 7. | When Love Surrounded You and I | $0.99 | |
| 8. | Used to You | $0.99 | |
| 9. | This Thing Called Love | $0.99 | |
| 10. | Good Friends | $0.99 | |
| I'll Accept The Rose Tonight Review
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Purchase I'll Accept The Rose Tonight CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
I'll Accept The Rose Tonight album
$9.58 Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, delivering more of the same of what she did in her moment in the sun on television. Those won over by Boyle, either her voice or story, will ...
| | Paul McCartney Good Evening New York City CDs (2009) With DVD; Digipak
I'll Accept The Rose Tonight CD music
$15.64 Unlike its 2002 predecessor Back in the U.S., Good Evening New York City doesn't cherrypick highlights from a tour, it commemorates a specific event: the inauguration of Citi Field -- the replacement for the now-defunct Shea Stadium, where the Beatles played a legendary show in 1965 -- in the summer of 2009. The circumstances may be different -- different enough to lead to a Billy Joel cameo on "I Saw Her Standing There," the piano man returning a favor from Paul, who played at Billy's Shea-closing shows in 2008 -- and McCartney might have two strong albums of new material to draw upon, but as an album, Good Evening New York City plays a lot like Back in the U.S. with a whopping 17 of its 35 tracks shared between the two titles. More importantly, the vibe is the same, with Macca delivering an expertly balanced and sequenced set with all the skill of the old pro that he is. Apart from the inclusion of "Mrs. Vanderbilt" and "I'm Down," there are no surprises, either in song selection or performance, but no surprises doesn't mean no satisfaction, and this is plenty entertaining
Unlike its 2002 predecessor, Back ...
| | Lady Gaga Fame Monster CD (2009)
I'll Accept The Rose Tonight music CDs
$8.79 Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's ...
| | Pink Funhouse CD (2008) Explicit
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$10.15 from John ia New York:"I am a Dylan fan, so I had to pick up your CD.It sounds great! You really capture the spirit of the songs and the subtle quality of the Midwest that is hidden in Bob's songs. You stay just behind the beat enough to let the songs carry themselves. And your melodic flow picks up all the emotion. Far better than Joan Beaz ever did. I mean that."from the liner notes:I've recorded three CDs of my own material, but for a very long time I've wanted to do this CD. (Check out my other CDs, "Taking the Cure," "Blues in Paradise," and "It's A Living . . . " also on CDBaby.) I'm happy with the live feeling on this recording (everything live in the studio, 6- and 12- string guitars, vocal, and harmonica only). And I hope you'll like it, too.Like the rest of my generation, I grew up with Bob Dylan. His songs brought a new kind of music to the emerging '60s folk scene. It was the soundtrack for a much bigger scene, the civil rights movement, and the music fueled the movement and the movement fueled the music. It was a compelling and formative time in this country. Then, Dylan went electric, synthesizing acoustic "folk" music with rock & roll to produce a singularly literate music form that punctuated our experience of the social change of the Vietnam war years. And when ...
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