| | John Coltrane Standard Coltrane CD - Import John Coltrane Discography of CDs
Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork. John Coltrane Standard Coltrane Songs | 1. | Don't Take Your Love From Me | $0.99 | |
| 2. | I'll Get By (As Long As I Have You) | $0.99 | |
| 3. | Spring Is Here | $0.99 | |
| 4. | Invitation | $0.99 | |
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Standard Coltrane Review
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Purchase Standard Coltrane CD To buy, Click on price to add to cart | Ella Fitzgerald Ella In Hollywood CDs (1961) Remastered; Box Set
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| | Bebel Gilberto All In One CD (2009)
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With ALL IN ONE, Bebel Gilberto made her home at Verve, which is not just an auspicious label for music but also the home of some of ...
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| | Dino: The Essential Dean Martin CD (2004)
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Nearly a decade after Dean Martin's death, the crooner's fans were finally given the definitive Dino collection. While there was already a two-disc summation of Martin's Capitol recordings, as well as several compilations of ...
| | George Benson Greatest Hits Of All CD (2003) Remastered
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Recorded between 1976 & 1998. Includes liner notes by Don Heckman.
Basically, this "greatest hits of all" is simply that: the highest-charting tracks in George Benson's long career -- highest-charting pop and adult contemporary tracks, that is. Benson had been on the scene over a decade before signing with Warner Bros., and many of his jukebox and R&B hits were recorded for Creed Taylor's CTI label. Some of Benson's recorded work that held those hits has been reissued in the past two years. Of the Warner material, they have gauged success by chart placement -- not sales, not radio play, not artist choice. Therefore, while the stellar tracks from Breezin', namely "This Masquerade," which charted at number one on pop and R&B in Billboard, and ...
| | Cannonball Adderley Paris, 1960 CD (1997)
Standard Coltrane music CDs
$9.89
Recorded live at Salle Pleyel, Paris, France on November 25, 1960. Includes liner notes by Chris Sheridan.
Digitally remastered by Phil De Lancie (Fantasy Studios, Berkeley, California).
Capturing the entirety of one of Norman Granz's legendary Jazz at The Philharmonic sets, complete with an effusive introduction by Granz himself, PARIS 1960 ...
| | Bobby Darin That's All CD (1959)
Standard Coltrane songs
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Originally released in March 1959 on Atco (33-104). Includes original ...
| | Dr Michael White Jazz From The Soul Of New Orleans CD (2002)
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| | Greensleeves Rhythm Album #25: Famine CD (2002) (Import) United Kingdom
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| | Dave Pell Singers Ma-Nah-Ma-Nah CD (1969) (Import) Singers; United Kingdom
Standard Coltrane music CDs
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| | Slammin All-Body Band CD (2005)
Standard Coltrane songs
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PERCUSSIVE A CAPPELLA JAZZ -SLAMMIN ALL-BODY BAND is a fresh mix of a cappella Vocals, Beatboxing and Body Music. Always unplugged and unleashed, this ferociously talented ensemble skillfully reveals how the body can amaze us in the most musical of ways.SLAMMIN brings down the house with lightening-fast improvisation, electrifying harmonies, blazing percussive dance and raucous humor. Deeply rooted in the grooves of Jazz, Funk, R&B and World Music, SLAMMIN pushes a cappella music outside the box, and over the ledge."some of the most exciting, spirit & soul grabbing music I've heard in a long time..inspiring. Your's is the only group of this type that I feel actually works...big time!" -BABTUNDE LEA"Mixing jazz, reggae and techno with a funky hint of Sly and Family Stone, this body music group abandons not only convention but instruments altogether. Slammin relies exclusively on the musical potential of the human body to cook up a fresh take on old favorites such as Miles Davis, Stevie Wonder and Toots and the Maytals. The Bay Area sensation, known for its signature off-the-wall improv sessions, offers up an organic blend of a cappella, beatboxing and body music (imagine a funk-soul version of Bjork's Medulla)." --Jackie Black, GOOD TIMESLike all good bands should, the idea for SLAMMIN all-body band came out of a raucous jam session -- at Jazz Camp/West, in the summer of 2002. That musicians could get such a full and textured sound with no instruments outside the body was just too happening to ignore. Once the personnel fell into place, the band found it's mix. Phenomenally talented vocalists pull lightening fast improvisation, playing off the other members of the band, and reacting to the smallest nuances from the audience. The rhythm section lays down the ride, with Body Music throwing in a kinetic component unseen in a cappella music. SLAMMIN concerts were immediately rowdy, funky, humorous, vibrant, and fresh; the material -- old school, contemporary, and of the moment. We started recording our shows to hear what actually happened when we got in front of people, and the spark was so strong, the material so good, it was challenging to reduce the debut album to one CD. Most of this recording is improvised and live, with cuts ranging from two-track stereo mixes to full studio production. As with every Crosspulse recording, the inter-culturalism and soul imbedded in the Oakland music scene is rampant. We hope you enjoy the performances captured here, and invite you to check out the live show - you never know what might happen, but you know ...
| | Jason Holliday Audio Portrait Of Jason CD (2007)
Standard Coltrane album
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HERE ARE THREE QUOTES FROM REVIEWS OF HIS AWARD WINNING FILM "PORTRAIT OF JASON". FOLLOWING THOSE ARE EXCERPTS FROM THE CD LINER NOTES."As a performer in his own Portrait, Jason Holiday is prodigious, altogether tireless. Despite his ironic refrain of “I'll never tell,” the only limits on what he’s willing to recount are fixed on how much anyone wants to listen. There’s his years playing Houseboy to wealthy, dysfunctional white couples on Nob Hill in San Francisco, for instance. Or his other, more durable vocation as a male trollop, a “stone whore,” in his words, “balling my way from Maine to Mexico, and I ain’t gotta dollar to show for it,” There's his turbulent childhood as Aaron Payne, an almost militant sissy living in the same house with a father who was anything but. And, of course, there’s that nightclub act. All of it is baseline raw material, and he knows it." MORE HERE FROM THAT: http://tinyurl.com/2ztdga"The more you watch Holliday gesture and grimace in front of a whiteliving-room wall, the more he starts to resemble a butterfly pinned toa slide. The hazy focus-pulls which start and end most shots turnJason's howling laugh into a rictus of pain, dissolving his face intoundifferentiated blotches. And the ubiquitous drinks in his hands, notto mention the off-camera prompts for favorite stories, gives theexercise the queasy feeling of a cross between a minstrel show andachicken dancing on a hot plate. In a 1983 interview, Clarke admitted,"I started out that evening with hatred, and there was a part of methat was out to do him in, get back at him, kill him," a sentimentevidently shared by her boyfriend Carl Lee (the son of the actor CanadaLee), who lashes out at Jason during the movie's climacticconfrontation, calling him a rotten queen." MORE HERE FROM THAT: http://tinyurl.com/2h7xhd"A counter-culture classic that delivers just ...
| | Amy Skjei Simplicity CD (2008)
Standard Coltrane CD music
$18.99
| | Benjamin Goodbye CD (2008)
Standard Coltrane music CDs
$7.99
The gift of music bestowed upon Benjamin was noticed at a very early age. One evening his parents, Benjamin and Linda, discovered that their toddler, who they thought had been put to bed for the evening, was in his bedroom dancing and singing. ..We thought it was the radio..,.. said mother Linda ..We knew then that our son was blessed ...
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