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Sinescent CD

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Sinescent came together in November 2004 with a few specific ideas in mind; musical profesionalism, expression of musical talent, and the search to fulfill their own gaps in musical cravings that they just could not fill anywhere else, nor with any other influences. Originating out of Orange County they have since gained a fan base that has grown to a level that is almost unbelievable of a band that has only been around for a year and some change. Sinescent released their brand new Debut Album on March 31st, 2006. Self Produced, and unsigned the professionalism reflects upon their music. There's a specific chemistry involved in their songwriting structures. Melody+Emotion+Heavy Metal+ = Sinescent.
Sinescent Music


Detailed Sinescent Music Information



Category Heavy Metal Albums
Label CD Baby
CD Universe Part number 7238330
Catalog number 90734
Discs 1
Release Date Apr 18, 2006
Sinescent Songs


Sinescent Album Track Listing



1.Mirror
2.My Genocide
3.Salvation
4.The Addiction
5.Inner Circle
6.Bless My Sins
7.What I've Seen
Sinescent Review


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With most contemporary country artists, you could guarantee that a song called "American Ride" would be a slice of jingoism, but Toby Keith isn't like most country singers. His "American Ride" casts a cynical eye at desperate housewives and wannabe pop stars, not celebrating down-home values but wondering where we're all headed on this American Ride at the end of the 2000s, a sentiment not all that far removed from some of Keith's previous social commentary, which makes it a mild surprise that it is the only song here that doesn't come from his own pen. As superb and striking as it is, it's not necessarily a good keystone for the rest of the record, which does have a few tougher numbers that pick up on the lean, mean vibe of 2008's THAT DON'T MAKE ME A BAD GUY -- "Every Dog Has Its Day," the sly "If I Had One," and the heavy blues stomp "Loaded" -- but spends more time on the softer side, even when he kicks up a bit of dust on the dancefloor on "You Can't Read My Mind" or does a funny, respectful salute to military life on "Ballad of Balad." In other words, the real touchstone for the rest of the record is "Tender as I Wanna Be," where he lets his guard down and lets the romance flow. This doesn't turn AMERICAN RIDE into a schizophrenic jumble, as Keith has always balanced these ...
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Gina Lenee' Composer & Pianist"...the ability to transport the listener...""The soothing nature of the tune has the power to calm the listener..." - Tami Jo Nix, The Madera TribuneA native of California, multi-talented Gina Lenee' began playing the piano "by ear" at the tender age of four. Playing songs she learned in kindergarten and at church, she had no trouble playing any song she wanted.Soon after discovering their daughter's talent, her parents began private lessons where she was trained to play classical pieces. She enjoyed spending hours composing her ...
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I've been honing my craft for several years, frequenting the Buffalo music circuit. Playing original songs inspired by socio-political past and current events, personal demons, personal heroes, and matters of the heart. Folk music just isn't folk without a little heartbreak in the mix. As far back as I can retrieve memories, I've been singing. Music has always been a staple in my life, an absolutely necessary creative/expressive outlet. Though I was born in Buffalo, NY, I spent most of my youth growing up in Los Angeles, CA. And all along the way, from Buffalo, to Cali, and back to Buffalo again...there was music. As a child I toyed with the piano, then the violin, and eventually ended up with a guitar in my hands. ...
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In 1969, I went to a sidewalk sale. That was a big event in Temple City, a small suburban community near Pasadena, California. The streets were blocked off and it was something of a festival. I was eight years old. The local merchants had their wares in front of their stores and promised discounts, but the coolest thing to me was the rock and roll trio playing in front of the local music store. They wore Beatle boots and velvet bell-bottoms. I remember the bass player doing a little dip on the downbeat of a three-chord progression and they were all electric! I had a Peter Max notebook and an Andy Warhol lunch bucket. The images of Woodstock reported on our color TV seemed bigger than life. Though I was really young, The Summer of Love had made a huge impression on me. By the time I was in high school, The Beatles had long since broken up but I remember taking a copy of The White Album into the art lab and playing “Revolution #9” on the turntable. The teacher, Mrs. Morris yelled, “Take that off! That’s weird!” --I loved it.In 1982, I bought a beat up Rickenbacker 12-string for $325 dollars from a guy whose wife was going to have a baby. I formed a band named The Wail. The Wail was the predecessor to The Electric Marmalade. We played sixties style original songs. We were a quartet with a left-handed bass player. We wore mop tops and Nehru jackets, burned incense on stage. We started out playing parties and school dances and eventually began playing to sold out crowds at Pasadena’s own club, The Ice House as the main bill.The problem we had was that our fans were rowdy, often riotous, ending with manager, Duane Thorin, being forced to lock us all in the club after gigs while the cops broke things up. I used to talk with the ticket clerk who was a young woman. One night she complained that there was going to be chaos in the streets that night because of us. I placed a bet with her --a drink that it wouldn’t happen. The Cowsills were opening for us that night. We waited back stage as they started their set. We heard a lot of yelling and 15 minutes later, The Cowsills came back into the dressing room with stickers reading, “The Wail” all over themselves and their guitars. The Cowsills said, “You better get out there, guys. It’s your crowd.” When the gig was over, and we were all locked in the club, I of course bought that ticket clerk a drink.In 1983, The Wail released a single “45 Degrees (I Love You).” b/w “Midnight Eyes.” The record was produced by Earle Mankey. The A side was picked up by KROQ D.J. Rodney Bingenhiemer, who played our song alongside other “Paisley Underground” acts like The Bangles and Dream Syndicate. By the end of the year, our tune“45 Degrees,” had reached the number eight most requested song of 1983 on The Rodney on the ROQ show. That was a blast. We played all the Hollywood clubs like Gazzarri’s and Madame Wong’s.We continued playing colleges and clubs for some twelve years ...
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