| | Kilborn Alley Blues Band Put It In The Alley CD Kilborn Alley Blues Band Discography of CDs
(1 Customer Review)
It shouldn't come as a surprise to any fan of Nick Moss that a band signed to his Blue Bella label and produced by him would have a gritty, tough and raw approach similar to his own. The Chicago-based five-piece Kilborn Alley Blues Band recorded its first album in only three days, so the feel of Put It in the Alley is as immediate and uncompromising as a live show. Songs shift moods from the basic, stripped down Windy City blues of "The Blues Takes Me In" to the Southern-fried R&B of "Thousand Miles." Lead singer/guitarist/frontman Andrew Duncanson sounds somewhat like a cross between Wet Willie's Jimmy Hall and early Boz Scaggs, using his soulful croon to soften the attack of the band's gruffer sound. But it's harp player Joe Asselin, who has surely listened to his Little Walter albums, that adds feral heat, especially on the seven-minute slow blues "The Breakaway." All but one of the songs is original, and although none of them reinvent the blues wheel, they are all solid vehicles for the band to lay into. A closing cover of B.B. King's "I Like to Live the Love" combines the smoother sound of King's later work with Kilborn Alley's naturally unvarnished playing. Duncanson oozes personality and between his dynamic vocals and the group's taut playing, they pull off the tricky task of paying tribute to the Chicago sound without slavishly aping it. The practically live-in-the-studio performance keeps the fire turned up and even at an hour, the disc never feels padded or overlong. An impressive debut. ~ Hal Horowitz
Personnel: Gerry Hundt (organ); Christopher Breen (electric bass, background vocals); Edward O'Hara (drums, background vocals).
Put It In The Alley Music Kilborn Alley Blues Band Put It In The Alley Songs | 1. | Your Next Baby's Daddy |
| 2. | Tales from the Alley |
| 3. | Blues Take Me In, The |
| 4. | Thousand Miles |
| 5. | Soldier Blues |
| 6. | Can I Get a Hello? |
| 7. | Got Dues to Pay |
| 8. | Home to My Baby |
| 9. | Breakaway, The |
| 10. | Behind My Back |
| 11. | Mr. Campbell's Blues |
| 12. | Blues Boy from Illinois |
| 13. | I Like to Live to Love |
| Put It In The Alley Music Review Purchase Put It In The Alley CD To buy, Click on price to add to cart | Janiva Magness Bury Him At The Crossroads CD (2004)
Put It In The Alley album
$12.65 Magness, who won a 2004 W.C. Handy Award as Best Contemporary Blues Female Artist, seems cut from the same mold as singers like Lou Ann Barton -- there's a lovely rasp and conviction in her singing that brings sometimes mundane material alive. Working with a small band this time around, she can focus more on her singing, rather than becoming lost in the ...
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Put It In The Alley CD music
$13.79 The second studio album by contemporary electric blues supergroup the Mannish Boys delivers straightforward Chicago-style blues in an unfussy setting. The list of special guests is as long as the nine-piece band, including ...
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Put It In The Alley album
$12.79 The Kilborn Alley Blues Band is the real deal, a rip snortin', fire breathin' gang that puts heart and soul into every note they play. Gritty, raw, and a bit sloppy in the best sense of the word, they hold nothing back and play the blues with a nasty rock edge that will appeal to youngsters as well as die-hard fans. They kick things off with "I'm Spent," a Chicago-meets-the Delta rave-up with hints of Little Walter in the wailing harmonica work of Joe Asselin. Andrew Duncanson lays back on the lead guitar to deliver a sweaty lead vocal while Asselin's honking accents up the ante. "Christmas in County" has a Memphis soul feel, the sad tale of a Christmas Eve drug bust, with stinging lead guitar work from Duncanson and wailing harp from Asselin laid down over the sinister groove of Chris Breen's bass and Ed ...
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$9.39 For the longest time, Rob Zombie wished he could have been as cool as Electric Hellfire Club. Ironically enough, the release of Electronomicon sees the seminal gothic fave gone in Zombie's direction by employing ever more industrial-strength repetitive guitar thrashing and catchy choruses with far ...
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