| | Casey Kasem: Driving In The 50S CD
Liner Note Author: Casey Kasem.
Casey Kasem: Driving in the 50s contains a nice cross section of music from the era including early rock & roll, Buddy Holly, Bill Haley & His Comets, the Big Bopper, R&B chart-toppers, Ray Charles, Lloyd Price, Tommy Edwards, and pop hits from the Everly Brothers, Bobby Darin, the Platters, and Connie Francis. The sound quality is average, but since these are the original hits, it's worth the bargain bin price. ~ Al Campbell Casey Kasem: Driving In The 50S Music Casey Kasem: Driving In The 50S Songs Casey Kasem: Driving In The 50S Review
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Purchase Casey Kasem: Driving In The 50S CD To buy, Click on price to add to cart | Rosanne Cash List CD (2009)
Casey Kasem: Driving In The 50S album
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$23.65 Rock trio Emerson, Lake & Palmer's LIVE IN POLAND features the group's 1997 concert. The 10 tracks include "Knife Edge" and "Lucky Man."
These tracks have been issued under a number of titles, however the contents remain the same, a June 1997 performance from prog rock supergroup Emerson, Lake and Palmer (ELP), not long before they took an extended hiatus from touring or recording together. The track list reveals the band heavily favoring their early titles, perhaps due, at least in part, to the trio's concurrent launch of their remastered CD catalog. While the vast majority of the set is fairly predictable in terms of song selection, ELP do throw a few curves, most notably the Tarkus (1972) deep cut "Bitches Crystal," as well as "Touch And Go." The latter originates from the one-off Emerson, Lake and Powell project with Cozy Powell (drums) in for Carl Palmer. ...
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Casey Kasem: Driving In The 50S album
$10.79 One of indie's most continually shape-shifting bands, the Lilys perform another quick change on their seventh album, Precollection. However, this transformation feels more like a natural progression than their move away from dream pop to '60s-inspired mod rock a few years previously; this time, Kurt Heasley and company still look to that decade for inspiration, but draw from the delicate, literate side of Love and the Kinks' body of work. The dark, jangly sound of '80s college rock also seems to be an inspiration, hovering around the title track and "365" as though the band were channeling the Church. Most of the rest of Precollection seems to come from a twilight era between 1966 and 1967 that mixes psychedelic, pop, and folk influences. Granted, most of Heasley's work since A Brief History of Amazing Letdowns has its roots firmly planted in this era, but he's never quite combined these influence in this way before, and ironically enough, it's the closest he's come to an original sound in some ...
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