| | Emptiness Guilty To Exists CD - Import Emptiness Discography of CDs
Guilty To Exists Music | List Price | $17.99 (You save $0.90) | | Category | Rock/Pop Albums, Rock CDs, Heavy Metal | | Label | MSI Music | | Orig Year | 2004 | | CD Universe Part number | 7241241 | | Catalog number | 37715 | | Discs | 1 | | Release Date | Jun 13, 2006 | | Mono/Stereo | Stereo |
Emptiness Guilty To Exists Songs | 1. | Tyrants Forever |
| 2. | Unleash the Emptiness |
| 3. | Interludium |
| 4. | Tenebrium Prophecies |
| 5. | Subhuman Submission |
| 6. | Interludium |
| 7. | Fucked by the Beast |
| 8. | Non Existence |
| 9. | Extinction |
| 10. | Necrorgy |
| 11. | Age of Nothing |
| 12. | Xenomorph |
| 13. | War/ Hatred Blasphemy |
| 14. | Into the 11th Blackshell |
| 15. | By the Loss of Our Dogma |
| 16. | Conceived to Reject |
| 17. | Loss in Blind Perceptions |
| Guilty To Exists Review
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Purchase Guilty To Exists CD To buy, Click on price to add to cart | Swallow The Sun New Moon CD (2009)
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| | Dio Holy Diver CD (1983)
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$5.99 Despite recording two hit studio albums with Black Sabbath (1980's HEAVEN AND HELL and 1981's THE MOB RULES) and playing throughout the world to huge crowds, Ronnie James Dio left the band in 1982-the year of his final release with Sabbath, the in-concert LIVE EVIL. As soon as the announcement of his departure was made official, Dio began to put together his first solo project. Joining him were former Rainbow bandmate Jimmy Bain on bass, former Sabbath bandmate Vinny Appice on drums, ex-Sweet Savage guitar hero Vivian Campbell, ...
| | Shrinebuilder CD (2009)
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$12.79 This album is a sort of summit conference of underground heavy music. Guitarists and vocalists Scott "Wino" Weinrich (the Obsessed, Saint Vitus, Spirit Caravan, the Hidden Hand) and Scott Kelly of Neurosis are grizzled veterans whose hoarse, guttural shouts and instantly recognizable, distorted guitar tones carry the authority of years of hard touring and introspective yet still crushing rock, while bassist Al Cisneros (Sleep, Om) and Melvins drummer Dale Crover shake the earth with their gigantic rhythms. The five tracks were laid down in three days, with some minor overdubs done shortly afterward, and they have the organic feel of jams transformed into cohesive songs through application of the group mind. Wino's usual biker-rock ...
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| | Tool Lateralus CD (2001) (Import) Germany
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$11.49 "Schism" won the 2002 Grammy Award for Best Metal Performance.
Approaching Tool's LATERALUS with a casual ear would be a careless endeavor, to say the least. The sheer magnitude of the musical and emotional textures is as heady as it is primal. Standing out as one of the defining traits of the Tool sound is Justin Chancellor's hauntingly melodic bass playing, which often launches into a role reversal with the mountainous guitar work of Adam Jones. The best examples of said phenomenon are found in "The Grudge" and "Reflection." Drummer Danny Carey slips easily into the pocket, fearlessly ...
| | Kiss Destroyer CD (1976) Remastered
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$7.75 Digitally remastered by Joseph M. Palmaccio at Sterling Sound, New York, New York.
Before DESTROYER, Kiss' studio albums were only moderate sellers. But the band's concerts were selling out regularly, and 1975's ALIVE! album had gone gold, putting Kiss on the pop map. DESTROYER, on which they teamed with Alice Cooper producer Bob Ezrin, was the breakthrough that finally got Kiss' grandiose rock ideas down on record.
DESTROYER is a chancy, ambitious album. It opens with a radio announcer reporting a teen's death in a car crash, followed by a snippet of "Rock And Roll All Nite" (which had appeared on 1975's DRESSED TO KILL); then the band launches into "Detroit Rock City," an homage to the first ...
| | Skinlab Disembody: The New Flesh CD (1999)
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| | Meditation: Klassische Meisterwerke CD (2003) (Import) Germany
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| | Emile Pandolfi Rhapsody In Blue CD
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$12.59 A poet of popular music, November 1, 2005 Emile Pandolfi plays show tunes, movie music, and the Great American Song Book, like no one else. He even includes the occasional classical selection, which is inevitable, as he is a classically trained artist in the traditional sense. Pandolfi's dexterity at the keyboard is highly polished; yet one hardly notices. One does notice his gorgeous tone, which seemingly knows no depth; his pianissimo playing, which I can tell you, reaches all the way to the back of the hall; his massive fortissimos, which always leave the impression that he has more to give; his melting legato touch, which makes the piano sound like anything but a percussive instrument; and his seemingly limitless imagination. Once you've heard Pandolfi's presentation of a song, it will be difficult for you to imagine it any other way. Partly, this results from his own imagination: he is able to listen to music and lyrics with such freshness, even to the punctuation of lyrics, that he understands what many of us pass over. Then, he brings the resources of his technique, his sound-all his musical training and experience-to bear on the story in his mind. But not just the story: the character of the story, the atmosphere of the story. The result is nothing short of a recreation of each song Emile Pandolfi plays, and that result is often very powerful. John PendleyAbout the Artist Critics call Emile Pandolfi's music "luxurious arrangements with an ethereal quality;" that he plays in a "free-flowing, emotional manner that seems to go to the music's very soul." (Stereophile Magazine) While keeping the melody uppermost, this solo pianist applies his classical technique to Broadway and Popular Music alike, all in addition to his classical performance. This unique mixture of passion and elegance has resulted in making him one of the top selling artists in the ...
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| | Future Positive Remedies CD (2007) (Import)
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