| | Hartfield True Color, True Lie CD Hartfield Discography of CDs
Hartfield: Takateru Kagawa, Yukari Tanaka (vocals, guitar).
Audio Mixer: Scott Cortez.
Recording information: MITA Studio, Step Way. True Color, True Lie Music Hartfield True Color, True Lie Songs | 1. | Reason |
| 2. | Girl Like You |
| 3. | True Color |
| 4. | Wonderful Word |
| 5. | Nineball |
| 6. | It Could Happend to You? |
| 7. | 16 Lover's Rain |
| 8. | Strangers When We Meet |
| 9. | She Bangs |
| 10. | Free Again |
| 11. | Blow Away |
| 12. | Sorrowful Heartland, A |
| 13. | Stand by Me |
|
True Color, True Lie Review
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Purchase True Color, True Lie CD To buy, Click on price to add to cart | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
True Color, True Lie
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| | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
True Color, True Lie
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Deluxe Edition
Audio Mixer: Stefan Glaumann.
Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship ...
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| | Michael Jackson Off The Wall CD (1979) Bonus Tracks; Remastered; Special Edition
True Color, True Lie
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OFF THE WALL remaster contains previously unreleased demos and commentary by producer Quincy Jones and songwriter Rod Temperton.
Personnel includes: Michael Jackson (vocals, percussion); Patti Austin (vocals); David Williams, Marlo Henderson, Phil Upchurch, Wah Wah Watson, Marlo Henderson, Larry Carlton (guitar); Larry Williams (flute, alto & tenor saxophones); Kim Hutchcroft (flute, tenor ...
| | Green Day Insomniac CD (1995)
True Color, True Lie
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Live Recording
Green Day: Billie Joe Armstrong (vocals, guitar); Mike Dirnt (vocals, bass); Tre Cool (drums).
Dookie gave Green Day success, but it was never really clear whether they wanted it in the first place. However, given the incessantly catchy songwriting of Billie Joe, the success made sense. Green Day were traditionalists without realizing it, learning all of their tricks through secondhand records and second-generation California punk bands. They didn't change their sound in the slightest after signing to a major label, which meant that they couldn't revert back to a harsher, earlier sound as a way to shed their audience for Dookie's follow-up, Insomniac. Instead, they kept their blueprint and made it a shade darker. Throughout Insomniac, there are vague references to the band's startling multi-platinum breakthrough, but the album is hardly a stark confessional on the level of Nirvana's In Utero. It's a collection of speedy, catchy songs in the spirit of the Buzzcocks, the Jam, the Clash, and the Undertones, but played with more minor chords and less melody and recorded with a bigger, hard rock-oriented production. While nothing on the album is as immediate as "Basket Case" or "Longview," the band has gained a powerful sonic punch, which goes straight for the gut but sacrifices the raw edge they so desperately want to keep and makes the record slightly tame. Billie Joe hasn't lost much of his talent for simple, tuneful hooks, but after a series of songs that all sound pretty much the same, it becomes clear that he needs to push himself a little bit more if Green Day ever want to be something more than a good punk-pop band. As it is, they remain a good punk-pop band, and Insomniac is a good ...
| | Swervedriver Juggernaut Rides CD (2005) (Import) England; United Kingdom
True Color, True Lie
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| | Lostprophets Liberation Transmission CD (2006)
True Color, True Lie
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Audio Mixer: Randy Staub .
Recording information: Plantation Recording Maui, HI; Sunset Sound, Hollywood, CA.
On 2006's LIBERATION TRANSMISSION, the Welsh heavy-rock ensemble Lostprophets build on the bold, razor-sharp sound of their breakthrough record, START SOMETHING, by enlisting veteran producer Bob Rock (Metallica) and session drummer extraordinaire Josh Freese (A Perfect Circle). Often recalling both Faith No More (particularly vocally) and Green Day (with its slight punk-pop edge), the group excels at soaring, guitar-driven anthems, as best exemplified by the utterly infectious single "Rooftops (A Liberation Broadcast)." An album that deftly avoids nu-metal and emo trappings, LIBERATION TRANSMISSION went straight to the top of the charts upon its release in the U.K., leaving the alt-rock band poised for great success abroad as well.
Liberation Transmission is the third effort from Lostprophets, though it's debatable whether many (at least stateside) remember much ...
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