| | Marcel Dadi Nashville Rendez-Vous CD Marcel Dadi Discography of CDs
 (1 Customer Review)
Arranger: Slim Pezin.
Personnel: Slim Pezin (guitar, electric guitar, sitar); Steve Morse (guitar); Buddy Emmons (steel guitar, pedal steel guitar, dobro); Charlie McCoy (harmonica); Marcel Azzola (accordion); Gary Brooks (saxophone); Brian Radford (trumpet); Herb Jervis, Hank Willis (trombone); Raoul Duflot-Verez (synthesizer); Craig Nelson (bass guitar); Kenneth A. Buttrey (drums, drum); Yves Sanna (drums); Jean Philippe Batailley (percussion); Chet Atkins, Larry Coryell, Albert Lee , Bucky Barrett (guitar); Béla Fleck (banjo); Buddy Spicher (fiddle); Bob Patin (piano).
Recording information: Gimmick (01/1990); Synchrosound Studio, Nashville, TN (01/1990).
Nashville Rendez-Vous Music Marcel Dadi Nashville Rendez-Vous Songs Nashville Rendez-Vous Music Review Purchase Nashville Rendez-Vous CD To buy, Click on price to add to cart | Marcel Dadi La Guitare A Dadi, Vol. 2 CD (1998)
Nashville Rendez-Vous album
 $7.89
| | King Of Bluegrass - The Life And Times Of Jimmy Martin DVD (2003)
Nashville Rendez-Vous CD music
 $21.05 
| | Players, The - Live In Nashville DVD (2004) Full Frame
Nashville Rendez-Vous music CDs
$15.09 
| | Beausoleil - Live From The New Orleans Jazz & Heritage Festival DVD (2002)
Nashville Rendez-Vous songs
$9.69
| | Heather Myles Rum & Rodeo CD (2005) Remastered
Nashville Rendez-Vous album
$10.69  
| | Kenny Chesney - Road Case The Movie DVD (2003) CBUJ
Nashville Rendez-Vous CD music
$13.05
| | 20th Century Masters - The Millennium Collection: The Best Of Bill Monroe CD (1999)
Nashville Rendez-Vous music CDs
$7.75
| | Classic Mountain Songs From Smithsonian Folkways CD (2002)
Nashville Rendez-Vous songs
$10.45
From the time of its inception in the middle of the 20th century, the Folkways label recorded plenty of traditional folk music from the Southern Appalachians. This well-chosen collection, oriented mostly though not totally toward tracks with vocals, has a couple of dozen examples from the Folkways catalog. Though it's not always totally clear when the songs were recorded (as opposed to issued), it's for certain that they were laid down between the mid-'50s and mid-'90s, with the bulk of them cut during the 1960s. While some might carp that pre-mid-'50s performances aren't represented, this does ensure a fairly high level of fidelity throughout, in versions that are faithful to how these songs have usually sounded over the past few decades ...
| | Living In The Streets 3: Busting Out Of The Ghetto CD (2002) (Import) United Kingdom
Nashville Rendez-Vous album
$19.15
| | Michele McCord Fragile CD (2005)
Nashville Rendez-Vous CD music
$11.19
| | Wah Opium CD (2004)
Nashville Rendez-Vous music CDs
$13.39
English lyrics and a laid-back R&B style bring WAH!'s songwriting talent to the forefront. This collection of mid-tempo songs set the perfect stage for her unique commentary on life and love. Using talent from Macy Gray's and Alanis Morrisette's bandmembers, WAH! reclaims her guitar, keyboards, and great songwriting. Herb Graham Jr produces Wah! beautifully in this feel-good CD. Modern, meditative and delicious...The Story Behind OPIUM ~It was a lifelong dream of mine to create a more mainstream CD. I had written many songs in English about my experiences in meditative life. Herb Graham Jr. and I met in August 2001 and spent about 4 months talking, playing CDs, and discussing the intent of the project. As it turned out, my knowledge of the music industry and today's musical trends was limited. I had been listening almost exclusively to world music (Bob Marley, Nusrat Ali Fateh Khan, Bhai Chatter Singh, Jali Musa Jawara) and I had little feel for current pop music. So, we started out by listening to hundreds of contemporary CDs - Sade, No Doubt, U2, PJ Harvey, Jill Scott, India Arie... Herb and I needed a common ground on which to start.I submitted 40 songs to Herb, and 1 was chosen. I submitted 5 songs, 2 were chosen. I submitted 3 more songs, all were rejected. It was difficult for me to write about my experiences in a way that "everyone" could understand. I was talking about veils of illusion, layers of the onion, missing the chance to evolve... all things which were too obscure for a mainstream audience. "Can't you just write about your life?" Herb asked. "The people in it, the experiences you've had.. Write about it from your perspective in a personal way." For My Eyes Only was borne from that request. So was Opium Den (a dreamy description of healing in yoga class). Adding unpleasant experiences to my arsenal (Leap of Faith, Whispered, Lose Everything) gave me lots of uncharted territory to explore. I began to find a voice in my writing. The new instrumentation was more of a challenge than I thought. The harmonium was replaced by keyboards of all kinds. I had become comfortable with the harmonium (harmonium good). Keyboards reminded me of pianos (bad). I was asked to write on guitar (long time no see). I wanted to play bass (not a chance). I was comfortable with African and Indian drums; but we were making a CD exclusively to drumkit. Opium was as much a leap for me as it was for Herb. We were forced to meet on a common ground, somewhere in between mainstream and chanting. I lived a life of yoga and ...
| | While I Work I Whistle: Songs And Humour Of The Cotswolds CD (2007) (Import) Import; United Kingdom
$17.95 | | Black Cobra Feather And Stone CD (2007)
Nashville Rendez-Vous songs
$11.19
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