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Coleman, Ornette - Sound Grammar CD Cover Art
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Ornette Coleman Sound Grammar CD

 Ornette Coleman Discography of CDs
4 stars (4 Customer Reviews)

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Recorded in front of a live audience, 2006's SOUND GRAMMAR was the first release of all new material from free-jazz icon Ornette Coleman in nearly a decade. Packed with sonic thrills from back to front, this outing finds Coleman in a quartet that features two bassists. The rhythmic and harmonic interplay between the two basses (one is plucked and one is bowed) creates a rich, resonant field on which the drummer and Coleman (on violin, trumpet, and alto saxophone, alternately) improvise freely. The years haven't dimmed the artist's creativity an iota, and SOUND GRAMMAR proves Coleman's unique, original vision to be as vital as ever.

Personnel: Ornette Coleman (violin, alto saxophone, trumpet); Greg Cohen, Tony Falanga (double bass); Denardo Coleman (drums).

Rolling Stone (p.74) - 4 stars out of 5 -- "[Coleman] combines the stark blaze of his mid-Sixties acoustic trios with the doubled momentum of his Prime Time bands. He is in strong, melodic form, too."
Entertainment Weekly (p.78) - "Spouting upward-pointed cries, downward-bent moans, and playful squiggly figures....A fountain of sublime ideas." -- Grade: A
Down Beat (p.78) - 5 stars out of 5 -- "Coleman's mournful ballads have always carried the world's weight on their shoulders. But here, the sadness feels more poignantly personal."
JazzTimes (p.92) - "Denardo Coleman's drumming is both propulsive and coloristic, reflecting many years of experience with his illustrious father. Ornette's alto is gnomic, tireless, characteristically semi-sharp..."
Sound Grammar Music


Detailed Sound Grammar Music Information



List Price $18.97 (You save $5.78)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Classics (Silents / Avant Garde)
Label Sound Grammar
Orig Year 2006
All Time Sales Rank   5556  
CD Universe Part number 7245789
Catalog number 11593
Discs 1
Release Date Sep 12, 2006
Studio/Live Studio
Mono/Stereo Stereo
Personnel Greg Cohen
Ornette Coleman - violin, alto saxophone, trumpet
Denardo Coleman - drums
Tony Falanga - double bass
Ornette Coleman Sound Grammar Songs


Ornette Coleman Sound Grammar Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Jordan
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Sleep Talking
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Turnaround$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Matador
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Waiting For You
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Call to Duty
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Once Only
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Song X$0.99

Sound Grammar Music Review


Customer Sound Grammar Reviews 




Average Rating: (4 out of 5 stars) 4 stars

5 stars for real
this is stunning music. A great return from Ornette and company. I love the rendition of Song X here especially. But all the new tracks are really good. And just because that guys cd never came doesn't mean this is a bad cd. That guy needs to put the blame elsewhere. fo real.
Submitted by monty (breakfastville, USA)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

5 stars Ornette has never sounded better
Ornette Coleman has released his first new CD in a decade and it was well worth the wait! Hard to believe he was 75 years old in 2005 when this performance was recorded live in Germany. He could easily pass for a man of 30. His alto sax playing is bursting with ideas, as lyrical, bluesy, biting and exploratory as he has ever sounded. Compared to his two previous discs of 1996, this new performance equals that on "Sound Museum" and surpasses that on "Colors". Ornette's unusual quartet with two bass players and drums makes the performances especially exciting. One bass player plucks while the other mostly bows and they are in continuous interaction with each other and with Ornette's sax. Eric Dolphy's great album "Out There" had a similar line-up, with cello and bass alongside Dolphy's multiple reeds. But that album was more in the traditional bop vein of individual solos, while "Sound Grammar" features the whole band more-or-less soloing continuously. The recording quality is very good, with each bass very clearly defined in the mix. The drums are at times mixed a little too far back, but this is a minor quibble. There is a great variety of moods in these performances. "Sleep Walking" and "Waiting For You" are introspective and very moving as they build in intensity. Other pieces like "Jordan" and "Matador" are vibrant and loaded with fast intricate playing by the quartet. But no matter the mood, Ornette's alto sax leads the proceedings with his familiar Texan wail and expression of humanity. He has always played like someone engaged in everyday conversation, very down-to-earth compared to the more blatant spiritual seeking of someone like Coltrane. And Ornette is just as unique as Coltrane, or anyone else. This CD must be the event of the season. Hopefully we won't have to wait another decade for Ornette's next new disc. How long can he go on playing this well? Has he found a fountain of youth? Whatever the case, "Sound Grammar" should be snatched up by jazz lovers everywhere.
Submitted by Jim (San Diego, CA)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

5 stars Maestro
Devastatingly hip.
Submitted by Haljones (Bar harbor, Maine)
Was This Review Helpful? Yes No

1 star LOST?
My order has still not arrived!!!!!
Submitted by dr.e.kuypers (netherlands) Verified Buyer
Was This Review Helpful? Yes No  0 of 2 found this helpful.

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So What: Early Demos & Live Abuse
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The Anti-Nowhere League were living proof that Great Britain learned little if anything from the media phenomenon of the Sex Pistols in the late '70s. By 1982, one might imagine that guardians of public morality and foes of punk rock would have figured out that declaring a band to be wildly offensive and a threat to the standing order would only guarantee their success, but for a brief moment history repeated itself as "So What" and "Streets of London" were banned across the U.K. while shops that found copies couldn't keep them in stock, and the shows that were allowed to go on became fast sell-outs. The funniest part of this instance of history repeating itself is that unlike the Sex Pistols, who were a cracking good rock band with something to say, the Anti-Nowhere League's music was clumsy more often than it was inspired, and for all the crudity of their lyrics, the band's rudeness seemed more silly than offensive; they were more of a threat to themselves than anyone else. Still, for a while controversy made the Anti-Nowhere League stars; they continue to make the rounds of clubs in England and Europe for those who still care, and the presence of releases like So What: Early Demos & Live Abuse suggests that some fans fondly remember their 15 minutes of infamy. Disc ...
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