| | Blag Dahlia Nina...And Other Delights CD Blag Dahlia Discography of CDs
'NINA...and other delights' is one of the most audacious spoken word cd's you will ever hear. Culled from the new novel NINA (scapegoatpublishing.com) by Blag Dahlia, warped mastermind behind the notorious Dwarves, this disc also contains selections from Blag's column 'How To Write Good' and improvisations that call to mind a more demented Joe Frank on LSD. A background of lush turntable lounge music serves as the spoon full of sugar to help this vile elixir go down. For everyone who loves words and hates everything else. Nina...And Other Delights Music Blag Dahlia Nina...And Other Delights Songs | 1. | Whatever I Want |
| 2. | This Old Whore |
| 3. | Blag Dahlia Radio Intro |
| 4. | How to Write Good 'Cocaine' |
| 5. | Extreme Skate Abuse |
| 6. | 'Nina' Intro |
| 7. | 'Nina' Chapter 11 |
| 8. | 'Nina' Chapter 12 |
| 9. | San Francisco |
| 10. | How to Write Good 'Halloween' |
| 11. | Invisible Ink Outro |
| 12. | Legend of L-Mo, The |
| 13. | Young Toilets Club |
| 14. | Christ Comes Back |
| Nina...And Other Delights Review
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Purchase Nina...And Other Delights CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
Nina...And Other Delights album
$9.58 Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, delivering more of the same of what she did in her moment in the sun on television. Those won over by Boyle, either her voice or story, will surely be satisfied.
There's no question ...
| | Paul McCartney Good Evening New York City CDs (2009) With DVD; Digipak
Nina...And Other Delights CD music
$15.64 Unlike its 2002 predecessor Back in the U.S., Good Evening New York City doesn't cherrypick highlights from a tour, it commemorates a specific event: the inauguration of Citi Field -- the replacement for the now-defunct Shea Stadium, where the Beatles played a legendary show in 1965 -- in the summer of 2009. The circumstances may be different -- different enough to lead to a Billy Joel cameo on "I Saw Her Standing There," the piano man returning a favor from Paul, who played at Billy's Shea-closing shows in 2008 -- and McCartney might have two strong albums of new material to draw upon, but as an album, Good Evening New York City plays a lot like Back in the U.S. with a whopping 17 of its 35 tracks shared between the two titles. More importantly, the vibe is the same, with Macca delivering an expertly balanced and sequenced set with all the skill of the old pro that he is. Apart from the inclusion of "Mrs. Vanderbilt" and "I'm Down," there are no surprises, either in song selection or performance, but no surprises doesn't mean no satisfaction, and this is plenty entertaining
Unlike its 2002 predecessor, Back in the U.S./Back in the World, Good Evening New York City ...
| | Lady Gaga Fame Monster CD (2009)
Nina...And Other Delights music CDs
$8.79 Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she still is slightly skewed, willing to go so far over the top ...
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