| | Invincible Soundtrack CD (6 Customer Reviews)
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Our Price: $11.99 CDFor Sale Usually ships in 1-2 days
Our Price: $9.99
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This soundtrack to the 2006 football film starring Mark Wahlberg features songs appropriate to the movie's 1970s setting. Kicking things off with Jim Croce's proud soft-rock tune "I Got a Name," the collection also includes the Edgar Winter Group's energetic "Free Ride" and Bachman-Turner Overdrive's groove-laden "Let It Ride"--classic rock tunes that perfectly echo INVINCIBLE's chest-thumping messages of self-reliance and determination. Invincible Soundtrack Music Invincible Soundtrack Songs Invincible Soundtrack Music Review Purchase Music From Invincible CD To buy, Click on price to add to cart | Mark Wills Greatest Hits CD (2002)
Invincible Soundtrack album
$12.59 Like his contemporaries Clay Walker and Kenny Chesney, Mark Wills has always been at his best on the weepers. GREATEST HITS wisely sticks to ballads and thus makes for a cohesive, consistent and enjoyable listen. The tunes are arranged chronologically, so it's easy to hear how Wills's sound has become increasingly pop-oriented. Though the production eventually becomes so slick there's little to remind one that this is a country album, Wills's extraordinarily sensitive vocals more than make up for the rather bland backing tracks. In addition to the chart toppers, GREATEST HITS includes two new tracks. "19 Something" is a laundry list of gen-x nostalgia items (Stretch Armstrong, parachute pants) and is seemingly designed for fans of That '70s Show, but Wills's ...
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Invincible Soundtrack CD music
$11.69 Billy Currington is not the kind of contemporary country singer who feels ...
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Invincible Soundtrack CD music
$10.19 The story of the misfit outsider who rises through the ranks of a professional sport to enjoy inexplicable success has been stamped into celluloid more times than ...
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Invincible Soundtrack music CDs
$24.89 An institution in their homeland, this self-titled release culls material from Status Quo's 1986 In the Army Now and 1988's Ain't Complaining sets (both of which managed to chart Top Ten in the U.K.). Ostensibly, yet another attempt to crack the U.S. market which had ignored the band since their late-'60s psychedelic classic "Pictures of Matchstick Men," it contains no less than five songs that were U.K. hits, including the number two "You're in the Army Now." It's all workman-like, blues-based rock & roll comparable to Creedence Clearwater Revival (in fact, there's a cover of Fogerty's "Rocking All Over the World"), but given a typical '80s production gloss that runs counter to the band's roots. There's nothing particularly compelling (or likely to attract those outside Status Quo's fan base); nonetheless, tracks like "Everytime I Think of You" and "Ain't Complaining are enjoyable enough workouts, as well as the Dave Edmunds-produced "Rollin' Home." ...
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| | Todd Stadtman Only I Can Save You CD (2005)
Invincible Soundtrack CD music
$9.85 On his second solo album, singer/songwriter Todd Stadtman moves even further from the retro-futurist synth pop of his earlier band, Zikzak, into a timeless electro-acoustic sound beholden to no particular styles or time periods of pop music's past. It's not that Stadtman has created something entirely unique on Only I Can Save You -- fans of the Magnetic Fields in particular will find this album comfortably familiar -- but Stadtman's previous work has rarely sounded this self-assured. These 12 songs are as effortlessly catchy as those of pure-pop traditionalists like Fountains of Wayne ("I Don't Know Why She's Here" in particular is a small masterpiece), but Stadtman introduces plenty of oddball textures like the manipulated electronic voices that take the lead on "I'm Good" ...
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Invincible Soundtrack music CDs
$9.99 Even before M.I.A. (Maya Arulpragasam) debuted in 2005 with ARULAR, the blogosphere was already abuzz about her, engaging in the kind of discourse normally reserved for academic dissertations. Whether hailed as a canny postmodern pastiche or dismissed as inauthentic cultural pirating, the music, a lively pan-global mash-up of regional dance music styles, seemed to be emanating simultaneously from every ghetto, favela, and council-flat within earshot. As if to call out her detractors, M.I.A. returns for another shot of explosive, politically charged and globally conscious dance music on her second album, KALA.
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