| | Alan Sparhawk Solo Guitar CD Alan Sparhawk Discography of CDs
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Alan Sparhawk's first solo album is a significant departure from his primary band Low's slow-core sound. Recorded as some sort of live experiment, there is no real song structure, or indeed anything but the mercury waves and frenetic cries of a solo electric guitar. What results is an album that invokes a wide range of moods while also managing to be sonically consistent, allowing each piece to add to the unified whole. Largely the songs seem to be musical interpretations of the conditions surrounding a freighter's voyage; take the trio of "How a Freighter Comes Into the Harbor," "How The Weather Hits the Freighter," "...In the Harbor," for example. This is not fancy guitar work by any means, but rather an exploration into how a guitar's sound can be manipulated and mutated to create various atmospheres through unconventional methods, and very likely with the use of an arsenal of effect pedals. Sparhawk certainly achieves several unique, transcendent moments, especially in "Sagrado Corazon De Jesu (Second Attempt)" and "How It Ends." Occasionally, though, the lengthy washes of sound devolve into meandering repetition, even in a few spots to unlistenable noise, and this is when the project loses a certain amount of appeal. That said, it is still a fascinating statement through-and-through, devoid of conventional structure, but often fully captivating and emotionally poignant. ~ Ben PetersonThe Wire (p.65) - "[I]t's refreshing to hear that Sparhawk's exploration of drone guitar is firmly dug into rock and even Metal territory." Mojo (Publisher) (p.100) - 3 stars out of 5 -- "[A]n intriguing work of reverb-heavy, metal-stringed experimentation." Alan Sparhawk Solo Guitar Songs | 1. | How the Weather Comes Over the Central Hillside | $0.99 | |
| 2. | Sagardo Corazon de Jesu (First Attempt) | |
| 3. | Sagardo Corazon de Jesu (Second Attampt) | |
| 4. | How a Freighter Comes Into the Harbor | |
| 5. | How the Weather Hits the Freighter | |
| 6. | In the Harbor | |
| 7. | How the Engine Room Sounds | |
| 8. | Eruption by Eddie Van Halen | |
| 9. | How It Ends | |
| Solo Guitar Review
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$12.15 I was on the ball field with my brothers and friends nearly every day in the summer of 1957, playing as if it was the World Series. Once a week, a certain lady in a ā57 Studebaker Golden Hawk would come rolling up our driveway. Out of that shiny, sleek car sheād climb and into the back door of the house she would step, welcomed by my mom and the usual snack of tea and cookies. Then it cameā¦I tried not to notice⦠āPaulā¦get in here, itās time for your piano lesson.ā, my mom shouted out to me. If I thought it couldāve worked, I wouldāve asked the great god of the earth to open up the ground and swallow me into it at that very moment. Instead, though, I dropped my bat (if I was up) or my ball glove, suffered the humiliation and embarrassment in front of my friends and slowly left the game towards the house for the piano in the family room. At the beginning of the session, while the old piano teacher gorged herself with momās cookies I was forced to play what I had learned on my own since the last lessonā¦whatever song I had been able to listen to and then play, not using sheet musicā¦by ear. āThis boy doesnāt need meā¦heās learning more on his own by ear than I can teach him from books.ā. Those were (more and more) the words out of my piano teacherās mouth each time she came for another one of my piano lessons. So, mom spoke to dad and they agreed that the lessons could stop. Man, I was never so relieved! Now, there would be no more interruptions to the great games; no more humiliating exits from the ball field in the back of our house only to go inside and play the piano in front of a nice but, very annoying and pleasingly plump lady. But, then, as time went on and to everyoneās surprise I kept on playing songsā¦ones that Iād heard and could pick out without too much sweat. When the weather got cold, Iād sit at the piano and pound out song after song, especially just after supper. For some reason, unknown to me food always seemed to breed music and the desire in me to play it. Besides, it got me out of dishes. Most of the songs on this album (thatās what we used to call them) were written in the early 1970's and then, more intensely, in the spring, summer and fall of 1976 when Dave and ...
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