| | Cg Two Sides To Every Story CD Cg Discography of CDs
 (1 Customer Review)
Coming strong off of his 2005 solo release, LONG STORY SHORT, Bay area MC C.G. teams up with R&B singer J. Gui to put together a more stylistically balanced effort. Together, the two artists combine for a product reminiscent of Bad Boy Records' late-1990s heyday. C.G.'s flow is simple and straight up--a perfect complement to the record's smoothed out, "sloppy-clap" beats. The duo gets help from guests Clyde Carson, Playa Rae, Smigg Dirtee, and Gemini. Two Sides To Every Story Music Cg Two Sides To Every Story Songs | 1. | Let Me Love You |
| 2. | Tonight |
| 3. | Got Me |
| 4. | We Belong Together |
| 5. | Let Me Be the One |
| 6. | What About |
| 7. | If This Is Love |
| 8. | Aint My Fault |
| 9. | Island Girl |
| 10. | Let You Go |
| 11. | What You Really Came For |
| 12. | Take It Slow |
| 13. | What I Live For |
| 14. | Let Me Be the One - (remix) |
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Two Sides To Every Story Music Review Purchase Two Sides To Every Story CD To buy, Click on price to add to cart | N.W.A. Legacy - The Video Collection DVD (2002)
Two Sides To Every Story
 $10.75 
| | Three 6 Mafia - Ultimate Video Collection DVD (2006)
Two Sides To Every Story
$9.69
| | Paula Deanda CD (2006)
Two Sides To Every Story
 $7.59   
| | Amanda Perez Hand Of Fate CD (2007) Digipak
Two Sides To Every Story
$11.69
| | Brown Boy So Radio CD (2007)
Two Sides To Every Story
$13.69
| | Best Of Big Moe CDs (2007)
Two Sides To Every Story
$14.59
| | Matt Monro Time For Love CD (1998) (Import) France
Two Sides To Every Story
$11.79
EMI. 2004.
| | Shai 20th Century Masters: The Millennium Collection... CD (2001)
Two Sides To Every Story
$6.79
| | Hammer The Studio That Dripped Blood Hammer: The Studio That Dripped Blood CDs (2002)
Two Sides To Every Story
$19.15
2-CD;28 ...
| | Astro Bar CD (2003)
Two Sides To Every Story
$15.35
| | Best Of The Box Tops: Soul Deep CD (1996) Import
Two Sides To Every Story
$9.79
18 track collection from the Australian label Camden. 2004.
The Box Tops: Alex Chilton (vocals, guitar, bass); Gary Talley (guitar, banjo, sitar, bass); Rick Allen (harmonica, trumpet, bass); Bill Cunningham (organ, bass); Tom Boggs (drums).
Additional personnel: Reggie Young (guitar); Bobby Wood (piano); Bobby Emmons (organ); Tommy Cogbill (bass); Gene Chrisman (drums).
Producers: Dan Penn, Tommy Cogbill, Chips Moman.
Compilation producer: Bob Irwin.
Includes liner notes by Mitchell Cohen.
Led by a teenager named Alex Chilton, this is some nifty northern soul and includes "The Letter" and "Cry Like a Baby."
Who would be interested in a compilation devoted to a two-hit wonder, albeit a very good two-hit wonder? In the case of the Box Tops, there are actually several answers: oldies fans, blue-eyed soul devotees, and Big Star fans interested in the early development ...
| | Miles Davis On The Corner CD (1972) Japan
Two Sides To Every Story
$26.79
Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the first track from On the Corner? Before the trumpet even enters the picture, the story has been broken off somewhere in the middle, with deep street music melding with a secret language held within the band and those who can actually hear this music -- certainly not the majority of Miles' fan base built up over the past 25 years. They heard this as a huge "f*ck you." Miles just shrugged and told them it wasn't personal, but they could take it that way if they wanted to, and he blew on his trumpet. Here are killer groove riffs that barely hold on as bleating trumpet and soprano sax lines (courtesy of Dave Liebman on track one) interact with John McLaughlin's distortion-box frenzy. Michael Henderson's bass keeps the basic so basic it hypnotizes; keyboards slowly enter the picture, a pair of them handled by Herbie Hancock and Chick Corea, as well as Ivory Williams' synthesizer. Finally, Colin Walcott jumps in with an electric sitar and there are no less than five drummers -- three kits (Al Foster, Billy Hart, and Jack DeJohnette), a tabla player, and Mtume. It's a four-tune suite, "On the Corner" is, but the separations hardly matter, just the shifts in groove that alter the time/space continuum. After 20 minutes, the set feels over and a form of Miles' strange lyricism returns in "Black Satin." Though ...
| | Jean Piat La Bergere Et Le Ramoneur CD (2007) (Import)
Two Sides To Every Story
$17.09
| | Mads Trio Baerentzen New York Project CD (2007)
Two Sides To Every Story
$16.45
Mads Baerentzen (b. 1974) is a Danish Jazz Piano Player living in Aarhus. He graduated as the first rhythmic musician in Denmark with a master performance degree from The Royal Academy of Music in 2001. During the last 10 years has performed in a lot of different countries such as Thailand, Canada, USA, Poland, Germany, France, The Netherlands, Sweden, Finland, Norway, Romania, Hungary, Austria a.o. During his studies he lived in New York in 1999 where he took lessons with the great American pianist Kenny Werner. Furthermore, he played a large number of gigs in smaller venues in "The Capital of Jazz". Since then Baerentzen has visited the city more than 10 times where he has both played and recorded at a number of occasions. Last time was in November 2006 where he recorded with singer Vivian Sessoms and some other great American musicians. An album under Vivian Sessoms' name that is going to be released in 2008. In 1999 he released his debut album "StandArt" with his trio, The Mads Baerentzen Trio. The two other members of the trio are bassist Lennart Ginman and drummer Kristian Leth. During his stay in New York Baerentzen got to know a lot of great musicians. Among them saxophonist Eric Alexander with whom the trio recorded and toured in 2000. "785 Madison Ave" (named after the address where Baerentzen lived in NYC) was released in 2001. In the next couple of years the trio played a number of concerts both in Denmark and abroad and in 2003 their third album "Bill E" was released. It is a tribute to the great pianist Bill Evans who has been a great inspiration for Baerentzen during his whole career. In 2003 Baerentzen also met saxophonist Tim Ries on a trip to New York. First time was at the Jazz Standard where Ries played with his own band and the year after Ries was invited to Denmark to play a tour with the Mads Baerentzen Trio. Later same year Ries invited the trio to the States and since then there has been a number of occasions where they have played together. Last time was in May 2005 where the band toured and recorded the material ...
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