Lamb Of God Sacrament CD

Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass guitar); Chris Adler (drums).
Audio Mixer: Machine.
Recording information: Sound Of Music, Richmond, VA; Spin Recording Studios, Long Island City, NY; The Machine Shop, Hoboken, NJ.
The cult metal band's third major label album is a significant step forward in style and execution, with singer Randy Blythe's forceful vocals at their most guttural and drummer Chris Adler expertly steering the band through a dizzying variety of complex arrangements. The album's opener, "Walk With Me in Hell" sets the stage for a collection of dark, hyper-energized tracks, with the violent, rhythmically complex "Redneck" a particular highlight.
Virginia metalcore kings Lamb of God get personal on the blistering Sacrament, an 11-track onslaught of machine gun riffs and larynx-shredding vocals filtered through an immaculately mapped-out rhythm section that owes as much to progressive rock as it does traditional heavy metal. Producer Machine, who helped craft 2004's Ashes of the Wake into one of the best metal records of the year, has returned, tightening his wrench and experimenting on Randy Blythe's voice like a fever-mad scientist. Longtime fans will no doubt debate the virtues of Sacrament's commercial bullet, the scathing White Zombie-meets-Megadeth single "Redneck," but the rest of the album is as brutal as anything they've ever done. Melodic opener "Walk with Me in Hell" culls inspiration from Piece of Mind-era Iron Maiden, "Pathetic" wraps itself around a sinewy lead that sounds like a snake swallowing dinner, and "Blacken the Cursed Sun," easily one of the best metal songs of 2006, shows further evidence of the band's potential to become the American version of Opeth. If Sacrament suffers from anything, it's a pounding sense of sameness. They rarely stray from the "Drop D" tuning, resulting in a second half that tends to blur, shake, and sputter out a bit, but there's no denying Lamb of God's almost unnerving power to conjure wind from the tiniest of stereo speakers. ~ James Christopher MongerRolling Stone (p.133) - 3 stars out of 5 -- "[F]ull of open-string chugging, relentlessly forceful drumming and Randy Blythe's bear-in-a-trap roar."
Spin (p.103) - 4 stars out of 5 -- "Mark Morton and Willie Adler's dual guitars lock up furiously....Adler's brother Chris is a wonder, tapping out blast after staggeringly fast double kick-drum blast."
Entertainment Weekly (p.81) - "[With] frenetic and intricate tracks....[and] D. Randall Blythe's enraged, rottweiler-like vocals." -- Grade: B
CMJ (p.26) - "This quintet erects an impenetrable wall of metal with the Dimebag Darrell-influenced riffs of Mark Morton and Willie Adler..."
Kerrang (Magazine) (p.68) - Ranked #9 in Kerrang's "20 Greatest Albums of 2006" -- "Classic metal, in every sense."