| | Hip Hope Hits 2007 CD
Compiled by EMI's Christian imprint Gotee Records (nearly half of the artists are from that label), Hip Hope Hits 2007 is a collection of positively (and often religiously) themed hip-hop. Actually, hip-hop is a generous and erroneous term here. The members of L.A. Symphony, G.R.I.T.S, Verbs, and Pettidee are certainly rappers, but John Reuben mixes faux pop-punk into his white-boy delivery, Tobymac sounds unfortunately similar to LFO, and Liquid has more of a neo-soul feel than anything else. While not all the artists perform praise songs, most at least namedrop God, and some are even sound reasonably talented when doing this, too. No, it may not be the best rap collection, but for someone wanting to listen to the genre while avoiding the "stereotypical" mainstream themes of women, money, and drugs and instead something that expresses their faith, Hip Hope Hits 2007 isn't a bad thing. ~ Marisa Brown Hip Hope Hits 2007 Review
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Purchase Hip Hope Hits 2007 CD To buy, Click on price to add to cart | Open The Eyes Of My Heart CDs (2005)
Hip Hope Hits 2007 album
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| | Casting Crowns Altar And The Door CD (2007)
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With Casting Crowns' third studio outing, THE ALTAR AND THE DOOR, the Georgia-based Christian rock group reinforces its status as one of CCM's premiere acts. Led by passionate vocalist (and pastor) Mark Hall, the band specializes in accessible anthems that clearly address spiritual ...
| | Los Lobos Del Este De Los Angeles (Just Another Band From East L.A.) CD (1978)
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This remixed edition of LOS LOBOS DEL ESTE DE LOS ANGELES is the first official release of the album. Includes 2 previously unreleased tracks.
Digitally remastered by Kevin Bartley and Cesar Rosas (Capitol Mastering, Hollywood, California.
In 1978, when Los Lobos were paying their bills by playing weddings and Mexican restaurants in the greater Los Angeles area, they put out an independent album of their traditional Tex-Mex songs with a pumped-up rock & roll feel. The album, Del Este de Los Angeles, established their sound and provided a jumping-off point for David Hidalgo and Louie Pérez to start writing their own material. The LP has since been released by Hollywood Records on CD (not ...
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| | Philip Bailey Soul On Jazz CD (2002) Enhanced CD
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Ira Coleman (acoustic bass); David Dyson (bass); Billy Kilson (drums); Don Alias (congas, percussion); Daniel De Los Reyes (congas); DJ Smash (programming); David Whitworth, Charmaine Cousins, Billy Baker, Robert Brookins (background vocals).
This is a hybrid Super Audio CD playable on both regular and Super Audio Cd players.
There was a strong jazz vibe running through some of Philip Bailey's sides with Earth, Wind & Fire. On Soul on Jazz, his second release for Heads Up International, co-producer Bailey remakes several jazz standards, some with new lyrics by his son, Sir Bailey. The foray is most successful on Thelonious Monk's "Ruby My Dear," a percussive take on Gene McDaniels' "Compared to What," and Joe Zawinul's "Mercy, Mercy, Mercy." R&B and jazz stylishly intersect on the smooth airy ballad "Unrestrained." Bailey redoes the EWF classic "Keep Your Head to the Sky," giving it a mellow sheen that's close to one of his past cuts, "Children ...
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| | Exodus Tempo Of The Damned CD (2004)
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Given up for dead over a decade earlier, the mighty Exodus -- the original kings of thrash metal -- made an unexpected but long-rumored return in 2004 with the release of their sixth studio album, Tempo of the Damned. But what had been intended as a long-awaited reunion of their seminal Bonded by Blood lineup was tragically thwarted with the sudden death of vocalist Paul Baloff in early 2002. Fittingly, Baloff was duly supplanted by none other than Steve "Zetro" Souza, the man who'd replaced him in the first place and who had gone on to sing on every Exodus album thereafter, including their mid-period thrash classic Fabulous Disaster. Of course the fact that Souza was clearly the better and more reliable vocalist (albeit not as fun a character as Baloff) should not be overlooked, and with the welcome involvement of long-gone founding drummer Tom Hunting, Tempo of the Damned still serves as quite the family reunion. It also doesn't disappoint musically, picking up the pieces right where the band's star-crossed career had fallen apart 11 years earlier with the underrated Force of Habit, and turning in a performance that is, at once, vintage Exodus and mindful of modern recording standards as well. All of the old, much loved Exodus hallmarks are here: lyrics filled with biting, sarcastic social commentary; no-fuss, jagged thrash metal; and unparalleled technical precision.
As has always been the case, it's the dazzling six-string tag team of Rick Hunolt and Gary Holt (quite simply the tightest rhythm guitar duo in the history of thrash -- Slayer included) that truly drives the Exodus bullet train over lightning runs like "Scar Spangled Banner" and the wonderfully retro-named "Impaler." Their solos are as musical as the riffing is not, and, as heard on excellent examples like "Shroud of Urine" and "Forward March," always typified by inventiveness without excess pyrotechnics. About the only deviation from the band's tried and true formula of old comes in the shape of Souza's more varied vocal styles, including a less whiny, wholly uncharacteristic full-throated death roar for the standout "War Is My Shepherd." Tempo of the Damned's second half isn't quite as memorable, the likes of "Sealed with a Fist" and "Throwing Down" suffering from the same sort of aimless riffage that had mired disappointing earlier efforts like Pleasures of the Flesh and Impact Is Imminent, but "Culling the Herd" manages to buck this trend with plenty of fireworks, ...
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