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Morgan, Lee - Cooker CD Cover Art
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Lee Morgan Cooker CD

 Lee Morgan Discography of CDs
5 stars (1 Customer Review)

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Lee Morgan was a tender 19-year-old when he recorded 1957's THE COOKER for Blue Note. While Morgan wouldn't truly hit his stride until a few years after this release, his duties as leader here are mighty impressive, nonetheless. A stellar personnel line-up that includes drummer Philly Joe Jones, bassist Paul Chambers, pianist Bobby Timmons, and baritone saxophonist Pepper Adams keeps the musicianship at a remarkably high caliber, and the ensemble's performance on standards like "A Night in Tunisia" and "Just One of Those Things" sizzle, as do their takes on Morgan's two originals. THE COOKER isn't a landmark release, but it is a very solid hard-bop outing that showcases dynamic group chemistry and the formative first steps of Morgan's dazzling trumpet chops.

Personnel: Lee Morgan (trumpet); Pepper Adams (baritone saxophone); Bobby Timmons (piano); Paul Chambers (bass instrument); Philly Joe Jones (drum).

Cooker Music


Detailed Cooker Music Information



Category Rock/Pop Albums, Jazz CDs, Blues
Label Blue Note
Orig Year 1957
All Time Sales Rank   19832  
CD Universe Part number 7255154
Catalog number 62643
Discs 1
Release Date Aug 15, 2006
Studio/Live Studio
Mono/Stereo Stereo
Producer Alfred Lion
Personnel Paul Chambers - bass instrument
Philly Joe Jones - drum
Lee Morgan - trumpet
Pepper Adams - baritone saxophone
Bobby Timmons - piano
Additional Info Bonus Track
Lee Morgan Cooker Songs


Lee Morgan Cooker Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Night in Tunisia, A$1.87
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Heavy Dipper$1.87
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Just One of Those Things$1.87
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Lover Man  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.New-Ma$1.87
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Just One of Those Things - (alternate take)$1.87

Cooker Music Review


Customer Cooker Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Pepper Adams,Lee,Bobby,P.C. and Philly Joe!!!!
What a super line up! Absolute KILLER!!!!
Submitted by najponk (prague)
Was This Review Helpful? Yes No  19 of 19 found this helpful.

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More quintessential hard bop from one of the genre's leading figures at the height of his considerable powers as a composer and trumpeter. Morgan had just returned to solo work a year earlier after his second stint with Art Blakey's Jazz Messengers; in 1965 the trumpeter also released CORNBREAD and THE RUMPROLLER and did numerous sessions as a sideman. Morgan composed the title track, and three others including the Coots/Gillespie ballad "You Go To My Head" round things out. "Yes I Can, No You Can't" opens with the rhythm section laying down a churning vamp; the horns enter with a typical Morgan statement, funky, swaggering and confident. "Speedball" is a bebop-style blues, but more relaxed, with a secondary theme appearing in the third chorus of the head. "Trapped," a modified minor blues, is more urgent, while "The Gigolo" is a brooding and majestic jazz waltz more evocative of a bullfight than of the ballroom. Throughout, the ensemble work is tight and the solos crackle with passion and joy. Lee Morgan ...
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This is part of Blue Note's Collector's Choice series. These are limited-edition pressings of a few thousand copies. This LP has material from 1961 that for no real reason went unreleased until 1985. One song, "Three Coins in a Fountain," is from the same session that resulted in tenor saxophonist Hank Mobley's famous Workout session with guitarist Grant Green, pianist Wynton Kelly, bassist Paul Chambers and drummer Philly Joe Jones. The other five numbers -- three obscure Mobley originals, plus "I Should Care" and "Hello Young Lovers" -- are from the previously unheard December 5, 1961 session with the same personnel except for Green. Hank Mobley was in a prime period around this time, and all of his Blue Note recordings are well worth picking up. ~ Scott Yanow Reviewers called tenor saxophonist Hank Mobley underrated so many times that the word may as well have been his middle name, and when combined with the numerous ...
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In the early 1960s, long before he'd pursue a funkier, electric direction, Donald Byrd was one of the leading trumpeters on the American jazz scene. Recorded in autumn 1961, ROYAL FLUSH is hard-swinging (with the baritone sax of Pepper Adams, how could it not be?) and deep-grooving hard bop. It does, however, point to aspects of jazz's future--note the poignant "Requiem," contributed by a young Herbie Hancock (this session's pianist) and the inventive drumming of Billy Higgins. In the early 1960s, long before he'd pursue a funkier, electric direction, Donald Byrd was one of the leading straight-ahead trumpeters on the American jazz scene. ROYAL FLUSH, recorded in autumn 1961, is bold, swinging (with the baritone sax of Pepper Adams, how could it not be?), and deep-grooving hard bop. Yet, it does at times point to aspects of jazz's future--note the poignant "Requiem," contributed by a young Herbie Hancock (this session's pianist) and the inventive drumming of Billy Higgins. Donald Byrd was at ...
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This two-LP set, which was released in 1979 as part of United Artists' Blue Note reissue series, brought back trumpeter Freddie Hubbard's early album Hub Cap, a sextet session with tenor-saxophonist Jimmy Heath, trombonist Julian Priester, and pianist Cedar Walton. Although that session (comprised of four Hubbard compositions, one of Walton's songs, and Randy Weston's "Cry Me Not") is excellent, it is the full album of previously unreleased material from an all-star quintet that is of greatest interest. Hubbard teams up with fellow Jazz Messengers Wayne Shorter (on tenor), Walton, bassist Reggie Workman, and (in Blakey's spot) drummer Philly Joe Jones for some advanced hard bop. Highpoints include the fiery "Philly Mignon" and a strong version of "Body and Soul." ~ Scott Yanow Blue Note had an all too frequent habit of sitting on sessions for years before releasing them, as was the case with this fine quintet outing from trumpeter Freddie Hubbard, which was originally recorded in 1962 but didn't ...
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