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Ziggy Marley Love Is My Religion CD - Import

 Ziggy Marley Discography of CDs

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Love Is My Religion Music


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List Price $42.99 (You save $2.24)
Category Rock/Pop Albums, Jazz CDs, Reggae, Rock
All Time Sales Rank   504976  
CD Universe Part number 7257291
Catalog number 63546
Discs 1
Release Date Aug 23, 2006
Additional Info Japan
Ziggy Marley Love Is My Religion Songs


Ziggy Marley Love Is My Religion Album Track Listing



1.Into The Groove  
2.Love Is My Religion  
3.Make Some Music  
4.Friend  
5.Blackcat
6.Beach In Hawaii  
7.A Lifetime
8.Be Free  
9.Keep On Dreamin'  
10.Still The Storms  
11.Love Is My Religion (Acoustic)  
12.Be Free (Dub)  
Love Is My Religion Music


Love Is My Religion Other Versions



Love Is My Religion Review


Love Is My Religion Music Reviews



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CD $6.75  4.4 stars Top 100 Audio Samples Definitive Album
A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks ...
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COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical). "Don't Know Why" won the ...
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On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on breaks by Terri Lyne Carrington, a beautiful bluesy, hard bop trumpet solo by Michael "Patches" Stewart, and Lenny Castro's hand percussion. Directing the band is Duke on Fender Rhodes with help from the exquisite if understated electric guitar work from ...
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This 1975 compilation does ...
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CD $6.75  4.4 stars Top 500 Audio Samples Definitive Album
Master Sound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system. This is a Super Audio CD playable only on Super Audio CD players. Probably the best fusion album ever made, and the coming together of five precociously talented musicians. Joe Zawinul and Wayne Shorter assembled the unit with little knowledge that the complex music would become so accessible. Two compostions stand out; the graceful 'A Remark You Made', an evocative love song without words, and the hit single 'Birdland' (so successful it was even used by Akai for a major advertising campaign). On these two Zawinul compostions their genius bass player Jaco Pastorius gives a taste of what he was capable of. He bent the notes to make them talk, and that high octave solo on 'Birdland' is still a treasured moment. Recorded at Devonshire Sound Studios, North Hollywood, California. Includes liner notes by Peter ...
...Is This A Machine?
Gnappy ...Is This A Machine? CD  (2003)

Love Is My Religion songs
CD $16.49  Audio Samples
An explosive quartet from Austin,Texas, GNAPPY combines the driving funk sensibilities of Galactic with the trip-jazz moodiness of Medeski, Martin & Wood and the hip-hop vibe of Groove Collective. The result - an enigmatic mixture of psychedelia, be-bop, and James Brown -influenced funk that has been described as "acid blazz and junk." Several weeks after the release of GNAPPY's first album in March 2001, the group nearly filed for bankruptcy. It wasn't for lack of momentum. To the contrary, they had been selected as a "Featured Artist" on then-dominant Internet site Napster, and held-over for an unprecedented three weeks due to listener demand - longer than any other artist including Prince. However, that success came with a price. "Everything was fine until we got a bill from our web-server for extra bandwidth charges." says guitarist Buck McKinney. "Evidently, a lot of people were clicking-through from Napster and downloading our stuff. It was cool - we had over a half million hits to our website - but the charges were brutal. I don't see how the porn-sites stay in business!" Meanwhile, critics were embracing the album, but no two writers seemed to agree on WHAT the music was. "Some were calling us a jazz band, while others characterized us as a funk band or a rock band with jazz influences." says McKinney. "Then we started getting all this interest from the jam-band scene, and it was like - hey - if you dig our music, we don't care what you call us." If the critics disagreed over what GNAPPY was all about, it was for good reason. Describing GNAPPY's music can be an exercise in futility. Although it ranges from frenetic funk to hauntingly psychedelic jazz, GNAPPY hits so many spots in between that it is hard to pick a vantage point. "We call it 'Acid Blazz and Junk,'" says McKinney. "because it sounds like we threw parts of jazz, blues, funk and acid rock into a blender and set it for frappè." Jam-band magazine Relix calls Gnappy "an intriguing sound that crosses musical boundaries with ease and finesse . . . jazz is the foundation, but other influences creep in - including hip-hop, rock, funk, looping and [other] rhythmic textures." The Lafayette Daily Advertiser claims "[Gnappy] may hail from Austin, but this band is pure New Orleans jazz-funk . . . using funk and jazz as springboards for their own personalities, creating music that is at once smokey and ebullient." Music Revue notes "Gnappy's self-titled debut has all the down-and-dirty funk sensibilities of George Clinton [with] a spacy, acid-jazz edge . . . this is exciting, listener-involved music, with hooks that keep you on the tip of your toes." Ironically, the group's first album might never have happened. Recorded over the period of a few days in McKinney's studio, the masters were more "sketch-pads" than finished pieces. "We had no intention of releasing those recordings." McKinney says. "We weren't even really a band - we only performed sporadically, and we really hadn't figured out what we were supposed ...
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Pianist Andrew Hill's most notable contribution to jazz may be his ability to creatively combine bebop with the avant-garde. On 1963's BLACK FIRE, the oft-misunderstood jazz composer creates a tonal landscape that is at once steeped in bop, yet ambitiously searching for new harmonic and structural vistas. Joined by legendary drummer Roy Haynes, tenor great Joe Henderson, and bassist Richard Davis, Hill performs a set of nine originals that seek ...
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Blue Mountain Eagle
Blue Mountain Eagle CD  (1970)

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You'd half expect this supergroup's self-titled debut album -- recorded at Wally Heider's recording studios in L.A. with producer Bill Halverson (Crosby, Stills & Nash, Freddie King) -- to have made a bigger splash. Unfortunately, after landing in record store bins in the spring of 1970, Blue Mountain Eagle failed to generate much interest among ...
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Glory Hope Mountain
Acorn Glory Hope Mountain CD  (2007) Import

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CD $32.59  Audio Samples
Though Canadian bands have seemingly been excelling at just about every form of pop music since the turn of the millennium, it's the album-length epic where they've really been outstanding. Broken Social Scene's You Forgot It in People, the Arcade Fire's Funeral, and Wolf Parade's Apologies to the Queen Mary have been three of the biggest, and the Acorn's Glory Hope Mountain deserves to take its place beside them. The Ottawa band's first full-length album after a series of EPs that have attracted increasing attention, Glory Hope Mountain is a good old-fashioned concept album, but an unusually personal one: Glory Hope Mountain is a rough English translation of the name of singer/songwriter Rolf Klausener's mother, Gloria Esperanza Montoya, and the album is an impressionistic rendering of her life, starting as a destitute orphan in her native Honduras. The impressive thing is that the average listener would never guess that from an initial listen or two: thankfully, there is no ham-handed narrative structure ...
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