| | April Wine Stand Back CD April Wine Discography of CDs
 (1 Customer Review)
Stand Back CD
April Wine April Wine Stand Back Songs | 1. | Oowatanite |
| 2. | Don't Push Me Around |
| 3. | Cum Hear The Band |
| 4. | Slow Poke |
| 5. | Victim Of Your Love |
| 6. | Baby Done Got Some Soul |
| 7. | I Wouldn't Want To Lose Your Love |
| 8. | Highway Hard Run |
| 9. | Not For You Not For Rock & Roll |
| 10. | Wouldn't Want Your Love (Any Other Way) |
| 11. | Tonite Is A Wonderful Time To Fall In Love |
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Purchase Stand Back CD To buy, Click on price to add to cart | Blackfoot Flyin' High CD (1976)
Stand Back
 $10.49   
Blackfoot's 1975 debut, No Reservations (named in reference to their Native American bloodlines), had been a critical and commercial bust for their indifferent label, Island Records, so after being cut loose from their contract, the resourceful Southern rock group immediately hooked up with the more rock-friendly Epic Records, for the release of their second long-player, Flyin' High, the very next year. The bottom line was that Blackfoot were also still seeking their songwriting groove on their way to establishing the heavier style of Southern rock that would eventually distinguish them from Skynyrd and all of their clones. And yet a handful of these tracks -- "Save Your Time," "Island ...
| | Outlaws (1st LP) CD (1975) Remastered
Stand Back
$7.59
Digitally remastered by Elliott Federman (SAJE Sound, New York, New York).
By the mid-'70s, Southern bands seemed be making a last stand for rock & roll, with two- and three-guitar lineups and not a keyboard in sight. The Outlaws' self-titled debut was released in 1975, a few years after the Allman Brothers Band's greatest glories and a couple of years before the untimely demise of the original Lynyrd Skynyrd. The Outlaws latched onto their Southern heritage by way of Florida, threw in some harmony by way of the Eagles, and then wrote a number of songs that played to their strengths. The result was ...
| | April Wine Nature Of The Beast CD (1981)
Stand Back
$8.85
| | April Wine Harder Faster CD (1980)
Stand Back
$8.85
| | Quill In Triumph CD (2006) Import
Stand Back
$22.25
| | April Wine Roughly Speaking CD (2006) (Import) United Kingdom
Stand Back
$14.25 
| | Cruisin' 1956 CD (1986)
Stand Back
$9.25 
An instantly recognizable bargain bin staple since the late '70s, thanks to their colorful comic book covers tracing the romantic life of an Everycouple named Peg and Eddie, the Cruisin' series of discs are built on a brilliant concept: each disc is devoted to a single year, with hit songs, local ...
| | Cannonball Adderley Pyramid CD (1974)
Stand Back
$13.95
| | Peter Hammill Noise (There Goes The Daylight) CD (1993) Import
Stand Back
$19.79
| | Bonnie Tyler Secret Dreams And Forbidden Fire CD (1986) (Import) France
Stand Back
$10.05
SECRET DREAMS AND FORBIDDEN FIRE is a 1986 release by Welsh pop/rock singer Bonnie Tyler, featuring "If You Were A Woman (And I Was A Man)."
Not totally unique, Secret Dreams & Forbidden Fire nevertheless depicts a cool portrait of '80s pomposity. Producer/director Jim Steinman always kicks his records off in style, and the breathtaking, go-for-Baroque "Ravishing" is no exception. Building to "Livin' la Vida Loca," Desmond Child's songwriting ascent continues with "If You Were a Woman," which morphed into "You Give Love a Bad Name" for a certain Bon Jovi big shot. No having a cranium-blasting ...
| | Record Of Shadows Infinite CD (2004)
Stand Back
$14.79
Over the past decade, the aesthetic of the isolationist drone (and post-minimalism as a whole) has risen to new heights of dynamic creativity and spatial exploration. This compilation features some of the most essential artists in the field of evocative contemporary minimalism, ranging from the austere power of Francisco Lopez, Troum, Scot Jenerik, and Chaos As Shelter?.to the haunting driftscapes of Amon, Beneath The Lake, and Ruhr Hunter?.to the heady psychedelia of thuja, House Of Low Culture, and Unearthly Trance. A crucial compendium of the finest in modern droneworks.ruhr hunter ?in memory with blackest wings I fly?Chet W. Scott, solo composer, sound engineer and producer, has been executing deeply moving cinematic soundscapes since the mid 1990?s. Grounded in sublime textures and eclectic instrumentation, Ruhr Hunter evokes both personal and mythological imagery by infusing his twilight drones with dark folk, Krautrock-esque space drift, and noise. His prior work includes full length albums on Glass Throat Recordings (which he operates alongside wife Rachel Scott), as well as collaborations with Gruntsplatter and Chaos As Shelter. Troum ?uswena?Troum (old German for ?dream?) is a duo located in Bremen, Germany, and established in early 1997. Members Glit[S]ch and Baraka[H] were previously active in the influental ambient drone-industrial group MAEROR TRI. Troum uses their music as a direct path to a hypnotic dream-state, where the dream is seen as the central manifestation of the unconscious. Influenced by the spheres of post-industrial, ...
| | Bluegrass Gospel Reunion CD (2005)
Stand Back
$13.15 
| | Douglas Nelson Exact Nature Of Our Wrongs CD (2006)
Stand Back
$13.15
Getting to the heart of the matter – the individual as representative of the whole and yet with a unique story to tell.Master storytellers are Nelson’s major influencers. For instance, Bruce Springsteen, John Mellencamp, Lucinda Williams, Roger Waters, Leonard Cohen, Nick Cave, Lou Reed, and Dylan all display the individual’s point of view within a visible cultural scheme. Johnny Cash, especially, strikes him as being willing to plumb the darkest depths of his soul and find there the love and mercy of Jesus, and to throw it out there: a message that speaks connects.These storytellers are all masters at showing the need for justice. Specifically, the tension between our instinctive demand for justice for our oppressor and a cry for personal mercy; whether the hero of the song receives justice, mercy or neither.Musically, he enjoys the emotion of the electric bluesy rhythms of Pete Townshend (with the Who and on his own) and more recently A3’s mixture of roots and electronic music.About being a Christian and a song writer: the Christian has a point of view but is handicapped by what others see as What a Christian Is – and he’s too easily pigeonholed: everyone knows what he’s going to say because they think they “know” him. Nelson wants to be an artist who’s a Christian – to tell the stories from a Christian point of view, engaging in neither the predictably didactic nor the predictable happy ending.He feels a need to not so much preach as to display the gospel/Christianity at work through story—neither religious nor irreligious, but a third way that connects with the transcendent without being removed from the messiness of the struggle. He gives the overall impression of a traveler with sometimes crushing doubts, who fails frequently and tries to repent as regularly, with his hope not in pulling himself up but ...
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