| | Space Tribe Collaborations CD - Import Space Tribe Discography of CDs
Space Tribe Collaborations Songs | 1. | 3rd Eye [Spacebase Mix] |
| 2. | Single Dose |
| 3. | The Acid Test |
| 4. | Twitch!!! |
| 5. | Dinner With God [Remix} |
| 6. | Wacho |
| 7. | Alternate Future |
| 8. | Tall Poppy Syndrome |
| 9. | Turn On/Turn Off |
|
Collaborations Review
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Purchase Collaborations CD To buy, Click on price to add to cart | Amethystium Emblem CD (2006) Selected Pieces
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FAT OF THE LAND was nominated for a 1998 Grammy for Best Rock Album.
Among the most anticipated releases of 1997, The Prodigy's third full-length album is a bulldozing rock-techno hybrid. But while the guitar/samples/hyper-beats mosaic that made "Firestarter" an MTV breakout are found in every nook and cranny of this album, the overall building blocks are far more diverse, making it a tangible melting pot of pre-millennium pop styles.
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The Four Horsemen were quite literally a shattered band come 1996. Five years on from their simplistic but infectious retro-rock debut, they'd been dropped by Def American, been abandoned by their main songwriter guiding force in founding guitarist Haggis, and, most heartbreaking of all, lost drummer Ken "Dimwit" Montgomery to a drug overdose. As the band's last remaining original members, it came down to guitarist Dave Lizmi and troubled singer Frank C. Starr (more on him later) to assemble a new lineup and attempt to shoulder the load themselves on the snidely named Gettin' Pretty Good at Barely Gettin' By. And they did an OK job. The album still featured much of the Four Horsemen's ...
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Bristol's trip-hop pioneers crystallize their melancholic splendor on PROTECTION. It's a simmering shadow of a soundtrack to urban life, where dub, hip-hop, electronica and soul mesh into something quite singular. Imagine the chilling threnody of scene-mates Portishead allied with rough dancehall, club and South Bronx bass-beats, set ablaze by Mushroom, 3-D and Daddy-G's sour gaze into the millennial horizon. A host of fine guest vocalists help drive the vocal tunes, in turn making the instrumentals stand out all the more.
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| | Roger Cairns A Scot In L.A. CD (2006)
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Roger Cairns started singing at a very early age andhasn't stopped since. He sang at his aunt's weddingwhen he was three years old. He sang in the churchchoir. Every year, he sang at the local residentsassociation Christmas party. He sang at school and was12 when he was awarded the Robert Burns Prize forexcellence in the singing of Scottish songs. That'swhat Roger knew, that's what he loved, and that's whathe decided he was going to do when he turned 9: he wasgoing to become a singer. Flash forward 50 years and Roger is in Los Angeles,California, singing with a 20-piece jazz orchestra.His musical path out of the Scottish projects wascircuitous, to say the least; it took him from crawling over English rooftops installing television antennas to delivering refreshments to the Beatles; from taking helicopter trips to North Sea oilrigs to organizing outdoor stunt spectaculars in Saudi Arabia; from impromptu visits bythe KGB to the birth of his three children. And yet,though life frequently got in the way and Roger had toput his musical career on hold several times over theyears, never did any of his experiences feed his soulthe way music did and nothing ever replaced his loveof singing. Roger was born in the small coal mining village ofGilmerton, a suburb of Edinburgh, in 1946. Notsurprisingly, Roger's talent and his penchant formusic were neither nurtured nor welcomed by his familyin a post-war Britain more concerned with survivalthan entertainment. So when he was 15 years old, Rogerwas sent off to complete a five-year miningengineering apprenticeship with the National CoalBoard. But eighteen months later, tired of being underground,Roger emerged from the bowels of the Scottish minesand headed for London to pursue his dream. He was 17. Within a couple of years, Roger found himself touringGermany with London-based Rare Amber and releasing ablues album on the Polydor label. ...
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